// Category Archive for: Music

Music Review: Rob Zombie, The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser

By Jeffery X Martin

He’s a musician. He’s an actor. He makes films. But you know what Rob Zombie is really great at?

Titles.

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Music Review: Grindmother, Age Of Destruction

By Tim Murr

Last year Windsor, Ontario’s Corrupt Leaders unleashed a sick grindcore EP called Grindmother, named for vocalist Rain Forest’s mom who provided guest vocals on the album. A video of this wonderful 67-year-old woman singing grind core went viral, leading the Grindmother to record a single and now her debut album, with guitars provided by her son and Tyson Apex on drums.

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Music Review: Another Splash Of Colour, New Psychedelia In Britain 1980-1985

By Melissa Bratcher

As tends to happen, music cycles back on itself with alarming regularity. In the early 1980s, psychedelia raised its brightly-colored, paisley-swirled head from slumber and awoke to a new wave in Britain (and in the States, but that isn’t what this is about). These weren’t New Romantics, they weren’t post-punks, though you could argue that everything was post-punk at that point. No, they were the New Psychedelics and for a brief glimmer of time, they revived Chelsea boots and Mary Quant skirts and that oh-so-specific sound. To quote New Psychedelic band Firmament and the Elements, “Was it good? Yea, verily.”

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Movie Review: Green Room

By Brian Baker

At one point, during the film Green Room, “Welcome to the meatgrinder” is uttered.

No other phrase can sum up the misadventures of an out-of-town punk quartet—with left-of-the-middle politics—as they take on a last-minute gig at a white supremacist roadhouse outside of Portland, Oregon.

Green Room is director Jeremy Saulnier’s third full-length feature and much like his cult favorite Blue Ruin, it’s a lovely shot of adrenaline directly into the scrotum called fear.

WARNING: SPOILERS

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Movie Review: Bayou Maharajah

By Melissa Bratcher

James Booker collected nicknames like some people collect vinyl. The New Orleans piano great has been called (by himself or by others) The Piano Prince, The Ivory Emperor, the Black Liberace, and the Bayou Maharajah. Filmmaker Lily Keber went with the latter, Bayou Maharajah, as the title of her documentary, now being released on home video.

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In Case You Missed It: April 17 – 23, 2016—Goodnight Sweet Prince

By Less Lee Moore

Another week, another beloved and peerless musician has left us. In case you’ve been on some sort of Luddite retreat, you’ve heard the news that Prince has passed away at age 57. There are far too many good articles contemplating his death online to list them all here, but you might enjoy this one, in which I ponder what it means to lose our heroes, “The Beautiful Ones U Always Seem 2 Lose.”

Here are two vastly different new releases you might want to check out: Cherry Red Records has released Tiny Tim: The Complete Singles Collection (1966-1970) about which Hanna writes the following:

Hearing a grown man do a believable Shirley Temple imitation is always a beautiful experience, and “Mickey the Monkey,” a song from the perspective of a monkey in a zoo providing his story to the child listener, seems almost a comment on Tiny Tim’s own position as a novelty performer: “While you’re watching me, I am watching you, too / You’re as funny to me as I am to you.”

On a totally different segment of the musical spectrum is Trágame Tierra, the long-awaited follow up to Big Black Delta’s self-titled debut. Why this record isn’t blowing up I cannot imagine. I’ve seen only two other reviews for it, and one of them is the most ghastly and insulting thing imaginable, on a website whose name rhymes with “Consequence of Sound.” Ignore that crap, and just read about how great this album is.

Unicorn Booty’s got some music news for you on this week’s NOW HEAR THIS, including the Afropunk festival lineup and more.

Game of Thrones fans are gearing up for the new season which starts tomorrow and at Everything Is Scary, Tim Ford discusses the most frightening characters on the show. None of them is Cersei Lannister. If vintage sitcoms are more your speed, you can check out the first two episodes of the TV or GTFO podcast, in which our own Sachin Hingoo teams up with Gary Heather to talk about Perfect Strangers and Hulk Hogan’s Thunder in Paradise.

Laury Scarbro has a lot to chew on after Outsiders’ episode 11, while Carol Borden has a lot to say about Scandal, How to Get Away with Murder, and more on the Cultural Gutter.

Movies? You want movies? We got ‘em. Well, we have reviews, at least. Dump those copies of Bride of Re-Animator in the trash, but not before picking up Arrow Video’s glorious new reissue, which Tim Ford assures us is the definitive edition. Sachin reviews a couple of Hot Docs movies, the new ten-part film essay from Werner Herzog, Lo and Behold: Reveries of the Connected World and the more-horrifying-than-an-actual-horror film Tickled. Women In Hollywood has their always-welcome list of women-centric, directed, and written films for the week, including the fantastic High-Rise, which I’ll be reviewing next week.

Unicorn Booty is the best site you’re not reading, unless of course, you are already reading it, in which case, yay! The excellent “A Trans Person Explains What’s Really Behind Transphobic Bathroom Bills” does exactly what the title suggests, but there is oh so much more good stuff in there. There’s also a rundown of why Harriet Tubman should be on the US $20 bill as well as some huge developments in world LGBT politics.

Oh, and if you’re having trouble sleeping at night, by all means, do not read this creepy assessment of H.P. Lovecraft’s uber-creepy short story “The Festival” by Peter Counter on Everything Is Scary.

Music Review: Big Black Delta, Trágame Tierra

By Less Lee Moore

“It’s a saying here in Chile when something terrible happens and you want to disappear from the face of the earth. Is there a similar sentence in English?”
–Username kiesha, regarding the phrase “trágame tierra” on WordReference.com

Sometimes upbeat, happy music doesn’t cut it. Sometimes there needs to be that murky undercurrent of melancholy or it just feels fraudulent. So much of modern pop music is missing that yearning quality; there is not enough darkness to temper the glittering, brittle, and frequently hollow light.

Big Black Delta, the musical alter ego of one Jonathan Bates, knows this. Big Black Delta exploded into my musical consciousness in 2012 with an EP that was like nothing I’d ever heard before or since. The self-titled full-length release that followed it was a tour de force of varying sonic landscapes: ridiculously, almost hysterically hooky, while at other times shockingly contemplative, or even sinister. It was one of my Top Ten favorites of 2013.

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Music Review: Tiny Tim, The Complete Singles Collection (1966-1970)

By Hanna

This year marks the 20th anniversary of Tiny Tim’s death, providing a good opportunity to revisit his heritage. By now, his place as a cult artist and important archivist of old songs is assured, and most of his work can be found on some compilation or other. This compilation from Cherry Red, however, collects his singles from his breakthrough or “peak era” as they call it, from 1966 to 1970. It represents his journey towards being a mainstream artist, and his attempts to remain one. That specific idea is a new one for a Tiny Tim compilation, and definitely interesting.

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In Case You Missed It: April 10 – 16, 2016–Bloody Knives and The Boob Tube

By Less Lee Moore

Congratulations to Rue Morgue Magazine for winning the RONDO AWARD for Best Magazine. What are the Rondo Hatton Awards?

“The Rondo awards, named after Rondo Hatton, an obscure B-movie villain of the 1940s, recognize the best in classic horror research, creativity and film preservation. This year’s e-mail vote, conducted by the Classic Horror Film Board, an 18-year old online community, drew a record of more than 3,400 votes as fans chose among 35 categories.”

Well done, Rue Morgue!

If you’re looking for some new music this week, might we suggest checking out Popshifter’s exclusive stream of Bloody Knives’ I Will Cut Your Heart Out For This, which dropped on April 15? It’s shoegaze, it’s goth, it’s got gorgeous vocals, and it’s loud as hell.

Also on the new music list is a live album from Professor Longhair recorded in 1976, the Nigerian music compilation Wake You Up! Volume 1, and eccentric pop singer Dinner’s Psychic Lovers. Meanwhile, on the Everything Is Scary blog, I discuss how Manchester duo Demdike Stare’s collages of sound and imagery provoke responses akin to nightmares.

Have you ever heard of Clela Rorex? She issued the first gay marriage license in Boulder, CO in 1975, thus helping to chip away at bigotry and homophobia.

Matt Keeley at Unicorn Booty discusses, in detail, how the recent trans episode of Powerpuff Girls is actually transphobic. But on the other hand, there’s also a heartwarming post about how Rihanna helped one of her gay fans come out. With all the news of homophobic celebs, it’s nice to read something positive.

In further TV news, Tyler Hodg has finished Season 10 of Trailer Park Boys on Netflix. Despite being mostly disappointed with this season, he thinks that the finale was excellent and might even make you cry, in addition to paving the way for an even better Season 11.

Laury Scarbro is equally smitten with the most recent episodes of Outsiders and Sachin Hingoo feels much the same about Broad City. Speaking of Broad City, Sachin has a preview of the upcoming mini-series Time Traveling Bong, starring Ilana Glazer and Paul W. Downs. Rue Morgue gives Tom Noonan, who stars in the SyFy TV version of 12 Monkeys, the “Sinister Seven” and Biff Bam Pop recaps the premiere episode of Season 4 of Orphan Black!

In the mood for gaming? Although Tim Ford at Everything As Scary thinks Don’t Starve: Shipwrecked is less scary than its predecessor, he still gives it a fair shake.

There is much to discuss on the movie front. The casting of Scarlett Johansson in the upcoming film adaptation of Japanese Manga Ghost in the Shell has many crying “whitewashing” (and for good reason). Jeffery X Martin looks at the Death Walks Twice Giallo box set from Arrow, I am gravely disappointed in new horror flick 13 Cameras, and Women and Hollywood has a list of women-centric films playing near you this week.

Finally, if you haven’t heard of Doreen Valiente, that should change. This VICE article points out that this mother of modern witchcraft was also a pro-choice spy.

Music Review: Dinner, Psychic Lovers

By Less Lee Moore

“Dinner’s music is about parties. And women. Late nights and early mornings in strange cities. But mainly it’s about magic and the communion with spirits,” Dinner says. “It’s like sexual Christian rock, really. But with out all the Christianity.”
–From Dinner’s press release for Psychic Lovers

How do you write a review of Dinner? How do you accurately convey the exciting idiosyncrasies of his musical and vocal style?

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