// Category Archive for: Music

Music Review: The Blind Boys Of Alabama, Higher Ground

By Melissa Bratcher

It’s difficult to listen to The Blind Boys Of Alabama’s Higher Ground (2002) and not compare it to its predecessor, Spirit Of The Century (2001). Both are Grammy-winning collaborations with producers John Chelew and Chris Goldsmith and both feature bold, spiritual covers of songs by contemporary artists, with the Blind Boys Of Alabama being backed by a band in “musical conversation.”

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Music Review: The Blind Boys Of Alabama, Spirit Of The Century

By Melissa Bratcher

The Blind Boys of Alabama have performed together for nearly seven decades and have recorded over 60 albums. Joining together as glee club singers at the Alabama Institute For the Negro Blind in 1939, founding members Jimmy Carter, George Scott, and Clarence Fountain (with newest member Joey Williams joining in 2001), The Blind Boys of Alabama make honest, American music, rooted deeply in gospel, focusing on the truly glorious way that their voices blend.

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Music Review: Black Absinthe, Early Signs Of Denial

By Tim Murr

Toronto, Ontario’s Black Absinthe demand your attention and they have the songs to keep it! Blending classic and modern metal, Black Absinthe hasn’t just done their homework, they’ve innovated the game. Yes, you can hear Maiden, early Metallica, and Motorhead in their sound, but these influences blend into the band’s own flavor, rather than sounding like the source of its parts. As metal albums go, Early Signs Of Denial prove that new life can still be breathed into old monsters.

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Sloan’s The Double Cross: Five Years Later

By Tyler Hodg

Legendary Canadian group Sloan are currently celebrating the 20th anniversary of their landmark album One Chord to Another with a deluxe edition rerelease on vinyl and 30-plus date tour. The vinyl also includes Recorded Live at a Sloan Party, meaning it’s the first time fellow Canucks can pick up that album without importing it.

Yes, it’s a pretty sweet time to be a fan of the band.

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Music Review: Those Pretty Wrongs, Those Pretty Wrongs

By Melissa Bratcher

The music that Those Pretty Wrongs makes is familiar in the best of ways. It’s sun-dappled melancholy, 1970s AM radio-friendly songs that soar with warm harmony and delicate guitar. It’s quiet power pop with heart, which makes sense if one looks at their pedigree.

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Podcast: TV or GTFO Episode 3, “Cop Rock”

By Sachin Hingoo

On this episode of TV or GTFO, Gary and Sachin review a short-lived curiosity of early 1990s television, the bizarre Steven Bochco (Hill St. Blues, L.A. Law, Doogie Howser, MD) project, Cop Rock. Rated one of the worst television shows in history by TV Guide, it’s a musical police procedural where cops and elected officials tackle heavy topics like selling babies, serial rapists, entrapment, and bribery—in song?!

Here’s a little taste of the series, soon to be available on DVD:

Will these incompetent cops ever complete a case without mishandling evidence? Why is the police chief constantly shooting his gun inside his office? Is $200 an appropriate price for a crack addict’s baby? Is Randy Newman a genius or a madman? Has anything on television ever matched the fourth-wall-breaking final scene of the series? Find out at the link below, download the episode right here, or listen from your favorite podcast app!

Music Review: Jimbo Mathus, Band Of Storms

By Melissa Bratcher

New music from Jimbo Mathus is always cause for celebration. The former (and soon to be current again) Squirrel Nut Zipper makes music that is deeply steeped in the South. It’s a melange of influences—gritty swamp rock with a hot hit of blues, a dash of gospel, bluegrass, and more than a little honky tonk—and it comes out sounding exactly right. His latest, a nine-song EP called Band Of Storms, is more of what makes Mathus great. He may wear his influences on his sleeve, but the sound that he has is pure Jimbo Mathus.

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In Case You Missed It: April 24 – 30, 2016—Throwing Shade In The Green Room

By Less Lee Moore

Even Tommy Shelby wants to see more diversity in TV.

Did you know that April 8 is the day in Queer History that all homosexuals were cured? Hahaha, we’re just kidding. It’s actually the day that homosexuality was removed from the DSM.

And speaking of queer folks, here’s an open letter to the TV industry about why we’re so fucking sick of straight white dudes.

In other TV news, Sachin Hingoo bids farewell to Broad City until next season with the hilarious “Jews on a Plane” and Laury Scarbro reveals how all hell breaks loose on Outsiders in the appropriately titled episode, “All Hell.”

May is the month when the long-awaited Season 3 of Peaky Blinders arrives on our TV screens. Did you know David Bowie was a fan of the show? Try to keep your eyes from leaking when you read about what he sent to the show’s lead actor, Cillian Murphy. (Here’s a recent, wonderful, career-spanning interview with Mr. Murphy that includes some lovely photos.)

Everyone is talking about the talking animals in The Jungle Book movie but don’t forget about Jeremy Saulnier’s follow-up to Blue Ruin, called Green Room. Brian Baker took the plunge and reviewed this ultraviolent, ultra-brilliant film. You might forget about Hardcore Henry after you see it, though, as Tyler Hodg remarks in his review.

Meanwhile, on the home video front, Jeffery X Martin tackles the “bad crazy” with Arrow’s reissue of Niko Mastorakis’s The Zero Boys, Sachin has warm fuzzies over the white foam in the Blu of ‘80s schlock horror The Stuff, and Melissa Bratcher is delighted that Bayou Maharajah, the doc about infamous New Orleans piano player James Booker, is finally available for everyone to see.

Bone Tomahawk was my favorite movie of 2015 but I’ve never seen one entry in Charles Band’s bizarrely legendary Puppet Master series, so imagine my surprise (and delight?) to learn that the director behind Bone Tomahawk is helming the Band-less Puppet Master reboot. Modern Horrors has the deets.

Oh, and if you’ve always wanted to delve into actor Sho Kosugi’s career, The ScreamCast can help with their most recent podcast, “A Show on Sho.”

It’s been just over a week and we’re still trying to come to terms with a world without Prince. Here’s a stupendous 2009 article from the L.A. Times about the side of Prince that most people in the public rarely saw. Then, lighten up with this hilarious YouTube video, a compilation of all the times that Prince threw shade.

https://www.youtube.com/watch?v=H4k-d88BEsI&feature=youtu.be

We have a ton of new music for you to check out this week: Tim Murr raves over the David Lynch aura of Dark Palms’ Hoxbar Ghost Town and insists that Grindmother’s Age Of Destruction is not a novelty album; Melissa calls The Jayhawks’ Paging Mr. Proust “a record for the ages” and marvels at the depth and breadth of Cherry Red’s latest comp, Another Splash of Colour: New Psychedelia in Britain 1980 – 1985; while X comforts us with the fact that at least Rob Zombie is good at coming up with song and album titles.

Could it be that Ke$ha is finally free? Find out about this and the “boycott Beyonce” movement on Unicorn Booty’s latest installment of NOW HEAR THIS!

Since tomorrow is a Monday (groan!), here is something that might make the day go a bit faster: a list of 11 hilarious and slightly political celebrities that you must follow on Twitter.

Music Review: Dark Palms, Hoxbar Ghost Town

By Tim Murr

I have waited months to write this review. Why? Because I’ve had access to Dark Palms’ debut album, Hoxbar Ghost Town, since last year. I fell in love with this beast right away, but I couldn’t share it with anyone! No one could know the joy and energy I was devouring while waiting for it to officially drop. Now, friends, the time is yours, to join me on this journey into the weird, dark heart of this post-punk, Americana-goth adventure!

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Music Review: The Jayhawks, Paging Mr. Proust

By Melissa Bratcher

With their welcome return, Paging Mr. Proust, the Jayhawks have made an album that will stand the test of time. Packed with lovely melodies and sumptuously lush harmonies, but lacking the obvious twang of their previous outings, Paging Mr. Proust is essential. Frontman Gary Louris (joined by longtime Jayhawks Karen Grotberg, Marc Perlman, and Tim O’Reagan) has created a very literary, confident album that opens strong and never stops.

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