Maggie and Terre Roche, Seductive Reasoning (Reissue)

By Chelsea Spear

One could pinpoint 1975 as one of the first years of “The Woman in Rock.” Patti Smith’s Horses had just hit the racks; Heart released their first single and began recording their debut album; and The Runaways and Blondie had just formed. All these artists and bands created fierce and highly idiosyncratic rock, and their various images—tough, cathartic, slightly cartoonish—would inspire many girls to start making music.
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Tony Bennett, Isn’t It Romantic?

By Melissa B.

Tony Bennett‘s Isn’t It Romantic? hit my doorstep on Valentine’s Day. It is fair to say that there isn’t a finer collection of romantic, swoon-worthy songs than this. Isn’t It Romantic? is an excellent, entry level primer of Tony Bennett’s catalog for those whose interest may have been piqued by his recent Grammy win for Duets II.
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Otis Taylor, Contraband

By Danny R. Phillips

The blues are a strange animal; there are many styles, variations, colors, creeds, speeds, and levels of bluesdom. Though he took 18 years off from music in the 1970s, Otis Taylor has spent a long time perfecting his style known as “trance blues.” While he has made some great albums like Respect The Dead, perfection is not quite there when it comes to his latest release, Contraband.
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The Explorers Club, Grand Hotel

By Cait Brennan

You’ve got to admire Jason Brewer, the founder of Charleston, South Carolina’s The Explorers Club. Barely 30, Brewer has mastered the language of 1960s pop songwriting with the kind of heart, skill, and creative ambition that would be the envy of any musician, especially those who were old enough to have been there in the first place. His band’s well-reviewed 2008 debut, Freedom Wind, echoed some of the Beach Boys’ most gorgeous moments; it was such a grand love letter to Brian Wilson that Brian Wilson’s own 2008 album That Lucky Old Sun was probably only the second-best Brian Wilson album that year.
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The Heartless Bastards, Arrow

By Danny R. Phillips

The Heartless Bastards are a bit of an anomaly in the world of music. They are a rock band led by the charismatic and clever Miss Erika Wennerstrom. Instead of taking the manufactured pop road much traveled like Katy, Britney, or Lana, Wennerstrom charges ahead like Chrissie Hynde, strapping on a guitar and scorching the Earth.

Arrow, the Bastards fifth album and first for Paristian Records, is full of exceptional lyrics, 1970s rock stomp, and just a sprinkling of country twang. Where 2009′s The Mountain (my pick for album of the year) was full of heartbreak and cathartic reflection (Wennerstrom had ended a nine-year relationship), Arrow is packed with wonder and acceptance of life.
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What Is The Deal With Lana Del Rey? A Timeline

By Less Lee Moore

I never even heard of Lana Del Rey until I saw this posted on a friend’s Facebook wall on January 14: “What is this Lana Del Rey shit?”

It was, of course, a reference to that infamous, scandalous, controversial, polarizing (pick one or come up with your own) Saturday Night Live performance. I don’t watch SNL so I didn’t see it.

The next day, January 15, another Facebook friend posted a link to Lana Del Rey’s video for “Born To Die.” I listened to it. I loved her voice and I thought the song was rather intriguing and different. Del Rey was certainly beautiful, with a distinctive look and sound. I watched a few more videos of hers “Blue Jeans,” “Video Games,” and “Mermaid Motel.” They were all good.

Then I started reading online about the backlash before the SNL backlash. How Del Rey was an indie poseur, blah blah blah. I felt bad for the poor girl. I felt like if everyone was going to hate on her, I was going to like her just to spite people. (I can’t help it; it’s what I do.)

Other than posting a link to the “Born To Die” video on my own Facebook wall and a link to the January 16 Brian Williams email article on Gawker, I have not posted much about her online. Yet I couldn’t escape the haterade that everyone on the Internet seemed to be drinking. It was everywhere I looked and I wasn’t looking for it. Within about a week, she came up in a real-life conversation and that’s when I started Googling her.

New York Magazine‘s Entertainment section has a nice timeline of events that you can check out here. I admit it looks like I’m copying them with my own timeline below, but mine is a bit different.

Rather than try to dissect and comment on each and every blog post I’ve read about Lana Del Rey (which would surely require at least a week and I do have other things to do) or even the ones I’m linking below, I’m just going to include some salient quotes and let you be the judge.

At this point, you’re going to think what you want to think about Lana Del Rey so maybe you’re thinking “why bother?” I will point out that these links are available to everyone with a computer and an Internet connection. It seems like people (including music blogs and others) are content to follow the meme of the moment without questioning it (or the biases of the blogosphere, much less their own biases) or even doing their own research. I wanted to do my own research and decide for myself. So here you go. (more…)

My Five Favorite Controversial and Hilarious Pop Culture Moments on TV

By Ann Clarke

I rarely care about what the famous (and the infamous) do that stirs up controversy or awkwardness . . . but sometimes that shit is just hilarious! I am not talking about “Reality TV” either; I’m talking about the stuff that you weren’t really expecting—but were NOT surprised once it happened—and over which you had a good laugh. There have been plenty of moments like this in pop culture, but I’m only going to list the ones that I could watch over and over again and still laugh at hysterically. In fact, some of these things get funnier upon multiple viewings!
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Why Sinéad Was Right

By Emily Carney

On October 3, 1992, Sinéad O’Connor was the musical guest on Saturday Night Live. Her first performance of the night was the song “Success Has Made a Failure of Our Home” from her album of standards, Am I Not Your Girl? Nothing seemed remotely untoward until her second performance of the night, an a capella version of “War” by Bob Marley. Most of us know what happened at the end of that performance, but in case you missed the show or don’t know anything about Sinéad O’Connor, let me refresh you: She took a picture of then-Pope John Paul II, ripped it in half, and shouted “Fight the real enemy!” The performance was never replayed again. Sinéad was attacked mercilessly by Catholics the world over for her gesture and, to this day, this incident remains one of the most controversial things ever aired on live television in the United States.

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The Beatles vs. Jesus

By Ayan Farah

It’s pretty hard to evade controversy when you’re in the most popular rock and roll band in the history of the world. Especially when you’re its most outspoken member. That band is, of course, The Beatles, and the aforementioned extrovert is none other than John Lennon.
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Prince’s Dirty Mind

By Paul Casey

Those who are only familiar with Prince as a traveling hits tour; one who thinks that Biblical coincidence—hello! 3121 perfume—is a guarantee of good business; and who makes deranged cultish put-downs of homosexuality and his old friends may not be aware that he was once something else. Some omni-sexual thing that was an expert in transgressive pop music and performance. Some deviant, perverted thing that ejaculated guitar semen onto his audience. Some ballsy twentysomething who wore black underwear and a trench coat to a Stones concert. Some kind of genius.

From 1978′s “Soft and Wet,” the only sign of Prince’s genius on his debut For You, sex was the thing. Indeed, even now a decade following the misunderstood Jehovah’s Witness tribute The Rainbow Children, sex is still the thing. While most casual fans of Prince are aware of the mention of used Trojan condoms in “Little Red Corvette”—a song and line which is still performed today—or what “Cream” refers to (also still performed), there is a depth of perversion in his music which passes many by.

Prince’s sexual creativity touches areas which make even his longtime fans uncomfortable, including rape, incest, and turning lesbians straight. It has also turned out some of his greatest songs. This is an introduction to and celebration of that work.
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