Iggy Pop has a new album out March 18, along with Northless, Lust For Youth, and Soft Fangs. There’s also the Wayfaring Strangers compilation and a reissue of Haircut 100’s Pelican West.
It’s time to spring forward with pop culture news.
Tyler Hodg has finished watching all 13 episodes of Fuller House on Netflix and we’ve got the reviews to prove it. What’s the verdict? Is the show good, bad, or somewhere in between? You’ll have to read to find out.
Sean S. Baker’s film Tangerine, filmed on an iPhone and focusing on the life and struggles of a transgender sex worker, is currently on Netflix, but you should also check out his short film Snowbird.
Divorced Dad may not be on Netflix (yet), but it’s something you should see. Here’s the problem: it’s not available yet! The new webseries from the Astron-6 collective (Manborg, Father’s Day, The Editor) is still seeking funding to finish the series, but for now, here’s a teaser trailer. (P.S. I’ve seen the rough cuts of a couple of episodes and I laughed until I thought I was going to throw up. It’s that weird and funny.)
At Popshifter, we watch TV so that we can talk about it, then you can read about it, and you can then feel better about all those thoughts you’re having and feelings you’re feeling. This week, we’ve got two episodes of Broad City, and while “Rat Pack” may not be as tight as “Game Over,” the show continues to be one of the funniest on TV. Outsiders finally gives us the character development we’ve been waiting for, while The Walking Dead gives us welding, crying, but still no sign of Negan.
New music reviews this week include the deep freeze of Northless’s Cold Migration EP, the emotionally raw yet gorgeous Let A Lover Drown You from Penny & Sparrow, a preview of Soft Fangs’ The Light (out on March 18), and one you might have missed: Voivod’s Post Society EP.
There were lots of movies to think about this week. Ron Howard’s tribute to Jaws and Moby Dick, In The Heart Of The Sea, hit home video this week and while Jeffery thought it was a beautiful waste of time, I had more positive thoughts on the film. Arrow Video’s American Horror Project Volume One, however, left no doubts in Tim’s mind: it’s a must-see, must-own box set.
We all have that one friend who hasn’t seen those iconic classic films that everyone else has already seen. At Unicorn Booty, that person is Matt Baume. Witness his reaction to his first viewing of Bill and Ted’s Excellent Adventure. You might also enjoy his liveblog of the first time he watched Hackers.
It’s OK to admit that you are a fan of Archie Comics. If you haven’t been keeping up with the students at Riverdale High out of a lack of time or fear of public shaming, there has been some news. Did you know that Jughead came out? He’s not gay, but… well, you should read about the full details for yourself. Also on the Archie news front is this fascinating podcast called Radio Free Riverdale hosted by Torontonians Lucy Cappiello and Evan Munday. This week’s episode features the podcast’s first ever special guest, comedian Adam Wilson.
In other comics news, Marvel seems to be making greater strides towards gender inclusion. Here’s our own Laury Scarbro with some thoughts on what this might mean for the future of comics.
What happened this week on Today In Pop Culture? Frankenstein, The Incredible Hulk, Barbie movies, The Fillmore, and songs about telephones.
By Tim Murr
Mary Wollstonecraft Shelley was born to a philosopher father and a feminist author mother. She lost her mother just a month after her birth. Her father brought her up with a more intense education than most women of that time period. At 17, she began her relationship with her future husband, poet/philosopher/radical Percy Shelley. In 1818, came the fateful holiday near Geneva, Switzerland where Mary, her sister, and Percy stayed with Lord Byron. They amused themselves with German ghost stories and then challenged one another to write their own ghost stories.
Although actor Mark Ruffalo is the one many now associate with The Incredible Hulk, thanks to the Avengers series of movies directed by JJ Abrams, it’s not the first time the green rage monster has appeared onscreen.
Eric Bana portrayed Dr. Bruce Banner and The Incredible Hulk in Ang Lee’s much-derided 2003 Hulk movie (remember the Hulked-out poodles?). When that film didn’t thrill audiences like they hoped, Marvel tried again, this time in 2008 with Edward Norton as the titular character and Louis Leterrier (The Transporter) behind the camera. Although both films doubled their budget in ticket sales, and received about the same amount of critical acclaim, the latter film was much more popular with audiences, at least according to Rotten Tomatoes.
By Tim Murr
When you delve into the glut of independent American cinema from the 1970s, you’ll be amazed at how many films were actually produced in that decade by penniless mavericks far from the infrastructure of Hollywood or New York City. Remember, too, that film- making was a massive undertaking, not just in the pre-digital world, but also pre-video. (For some insight into the trials and tribulations into the hardships of the indie horror director in the ’70s, please check out the book Shock Value by Jason Zinoman.)
The fact that we have small indie efforts like Texas Chainsaw Massacre, Deranged, Night Of The Living Dead, Last House On The Left, Driller Killer, or Phantasm that have risen to the status of bonafide American classics or, at least, cult classics, is something we should all be thankful for. So many films from the grindhouse circuit have been lost to history. That’s where Arrow Video comes in with the start of an amazing new series, American Horror Project.
Ron Howard’s whaling adventure In the Heart of the Sea is an ambitious film, reaching into a few classic sub-genres, but ultimately, finding no purchase there. What remains is a pastiche of retreaded ideas and some weird-looking CGI. As the true story behind the novel Moby Dick, viewers have a good idea of what they’re getting into, but will wind up with less than they expected.
This week was part February, part March, and jam-packed with pop culture.
Twitter recently vowed to fight harassment online. Naturally racist and misogynist trolls were outraged, which is hilarious considering their constant whining about “social justice warriors” being outraged on Twitter. Here is an excellent report on the whys and wherefores of this new announcement and whether or not it stands a chance of being successful.
Speaking of controversy, did you know that a straight Christian man posed as gay for a year and then wrote a book about it? It’s pretty illuminating.
If you haven’t been paying attention, our own Tyler Hodg has been faithfully recapping every episode of the new Fuller House series on Netflix. So far, the show has been wildly uneven, but might finally get it right around episode 10. Too bad there are only three more to go…
Also in TV news, Lucha Underground picks itself up after a not-so-great episode from last week (though Sachin warns that we shouldn’t mention Sexy Star vs. Kobra Moon ever again), Outsiders still refuses to develop some of its characters for some reason, and The Walking Dead introduces a new insufferable character named Gregory. Oh, and (spoiler alert) Rick kills someone. Again. (Can’t take that guy anywhere.)
If you’re looking for some old movies you might have missed, Jeffery’s here to help. Check out the new Nikkatsu Diamond Guys Vol. 1 collection from Arrow or The Bees from Vinegar Syndrome, which includes not only bees but also John Saxon.
Everyone’s been talking about Deadpool lately, but why? As Laury reports, it might just be the comic book movie that will change the game. It got her to become a Ryan Reynolds fan, after all. Wrestling aficionados will be interested in new documentary The Sheik, which Jeffery notes that at times feels more scripted than your average wrestling match.
New music this week gets reviewed by Melissa. It includes the self-referentially titled but ultimately disappointing Music To Listen To Music To from La Sera and the much more enjoyable Poison & Medicine from Marc Stone, who hails from New York but has a shockingly good grasp on New Orleans and the blues.
It’s 2016 and that might mean a new Lana Del Rey album is in the near future. But what if you’re still not sick of listening to Honeymoon yet? Matt Craven explains why it might be her secret masterpiece.
Perhaps the only kind of music more divisive than LDR or rap is country. You might be a country music fan if you like even one of these 16 tunes.
What happened this week on Today In Pop Culture? The Bermuda Triangle, The National Anthem, King Kong, The Salem Witch Trials, and how Leap Year fits into the space-time continnum.
The recent Arrow Video compilation, Nikkatsu Diamond Guys Vol. 1, highlights the kind of films we don’t often think of when it comes to Japanese cinema. These aren’t cheesy monster movies with guys in rubber suits, nor are they fantastic period dramas about dynastic politics and great wars. These three movies are star vehicles, melodramatic potboilers with handsome leading men and damsels in distress.
Normally, when you hear about someone who started with nothing, made it big, then lost it all to drugs and general bad behavior, it’s some Hollywood starlet or Tom Sizemore. This is not the case with The Sheik, a documentary about one of the most famous professional wrestlers of all time, The Iron Sheik.
It’s fascinating to find out what people are afraid of, specifically what movies frighten them. For example, one person may be scared by Jaws but not scared of Orca, the Killer Whale. You might be frightened by Paranormal Activity, but not by Poltergeist. These objects of fright change from decade to decade, as the zeitgeist shifts and people become more jaded. But who would have thought that, in the 1930s, so many people would have been afraid of a giant ape?
Mother Nature always gives us humans a little something to be afraid of. Fire ants, hurricanes, just some little nudge to remind us that the links on the food chain are weak and interchangeable. In the late 1970s, the big scare was killer bees, super-aggressive buggers that migrated from Mexico into the United States. They attacked in swarms and wouldn’t stop, even after their prey was dead.
These bees became the subject for a few nature-run-amok movies. None of them were particularly good (see Irwin Allen’s The Swarm for some high-level bad moviemaking), but none of them were quite as earnest or weird as Alfredo Zacarias’s exploitation movie, The Bees.