// Category Archive for: Reviews

Music Review: The Honeycutters, On The Ropes

By Melissa Bratcher

Asheville, North Carolina’s The Honeycutters have followed up 2015’s sublime Me Oh My with the completely wonderful On The Ropes. It’s good to have them back with such strong, satisfying material. Vocalist and songwriter Amanda Anne Platt’s voice is a treat: maybe older and wiser (by a year), but still hopeful. Hearts have been broken and mistakes have been made, but she’s not giving up. Ever.

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Music Review: Shoot Your Shot: The Divine Anthology

By Eric Weber

The time was 1991; the place was Wax n Facts in Atlanta, Georgia.

Flipping through the packed cardboard box, my jaw dropped when I saw the huge white letters emblazoned across the top of the record sleeve: DIVINE.

I quickly snatched it up, examining every inch of the album. I couldn’t believe it. Divine: Greatest Hits. He had hits?

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Music Review: Gregg Martinez, Soul Of The Bayou

By Melissa Bratcher

Louisiana Swamp Pop king Gregg Martinez has the kind of powerhouse voice that seems to grow slow and deep, like the roots of an ancient tree, straight up from the earth. It’s an incredible voice, and Martinez has a gift for adding an extra lagniappe of soul to everything he sings.

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Music Review: Royal Tusk, DealBreaker

By Tyler Hodg

Debut albums are meant to hook to a listener, and make a fan out of them. Royal Tusk, a Canadian rock’n’roll band, is sure to accomplish such a feat with their graceful premiere effort titled DealBreaker.

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Movie Review: High-Rise

By Less Lee Moore

Ben Wheatley adapting a 1975 JG Ballard novel into a film starring Tom Hiddleston, Sienna Miller, and Luke Evans? It sounded too good to be true. With three planned screenings at the 2015 Toronto International Film Festival which were then reduced to two, and rumors of six hour lineups for the second screening’s rush line, it was not an exaggeration to suggest that High-Rise was one of the most hyped films of last year.

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Music Review: The Blind Boys Of Alabama, Higher Ground

By Melissa Bratcher

It’s difficult to listen to The Blind Boys Of Alabama’s Higher Ground (2002) and not compare it to its predecessor, Spirit Of The Century (2001). Both are Grammy-winning collaborations with producers John Chelew and Chris Goldsmith and both feature bold, spiritual covers of songs by contemporary artists, with the Blind Boys Of Alabama being backed by a band in “musical conversation.”

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Music Review: The Blind Boys Of Alabama, Spirit Of The Century

By Melissa Bratcher

The Blind Boys of Alabama have performed together for nearly seven decades and have recorded over 60 albums. Joining together as glee club singers at the Alabama Institute For the Negro Blind in 1939, founding members Jimmy Carter, George Scott, and Clarence Fountain (with newest member Joey Williams joining in 2001), The Blind Boys of Alabama make honest, American music, rooted deeply in gospel, focusing on the truly glorious way that their voices blend.

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Music Review: Black Absinthe, Early Signs Of Denial

By Tim Murr

Toronto, Ontario’s Black Absinthe demand your attention and they have the songs to keep it! Blending classic and modern metal, Black Absinthe hasn’t just done their homework, they’ve innovated the game. Yes, you can hear Maiden, early Metallica, and Motorhead in their sound, but these influences blend into the band’s own flavor, rather than sounding like the source of its parts. As metal albums go, Early Signs Of Denial prove that new life can still be breathed into old monsters.

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She Will Never Say No: All Dolled Up

By Christine Makepeace

“Then again, she will never say anything at all.”
—All Dolled Up: Love Dolls and Those Who Love Them documentary narrator David Hockey

RealDolls are hyper-realistic, life-size mates used for sex and companionship. Conceptually, RealDolls don’t stoke any fires in me. I don’t find their mere existence to be offensive. I’ve always been fascinated by them, and the people they spend their time with.

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Sloan’s The Double Cross: Five Years Later

By Tyler Hodg

Legendary Canadian group Sloan are currently celebrating the 20th anniversary of their landmark album One Chord to Another with a deluxe edition rerelease on vinyl and 30-plus date tour. The vinyl also includes Recorded Live at a Sloan Party, meaning it’s the first time fellow Canucks can pick up that album without importing it.

Yes, it’s a pretty sweet time to be a fan of the band.

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