2016 was not the best year in recent memory. Not only did we lose some of the most iconic musicians of the last four decades, but we also had to witness the rise and fall of cultural phenomena known as the “dab” (progressive form: “dabbing”). I believe that most Americans, and do I dare say, most inhabitants of our planet, are ready to put 2016 behind us.
With that being said, here are some of the more memorable moments that should be preserved, or at least not forgotten, from 2016.
Greatest Musical Shock of 2016
Let’s start with something morbid! Prince is no longer with us. The news of the iconic guitarist, vocalist, songwriter, arranger, and double-breasted jacket wearer hit news junkets like a ton of MineCraft bricks. As is recent tradition, I, along with the rest of the western world, bought and played his music, ensuring that his estate coffers would be filled for whoever might be indulging in his vast financial empire. But on a more serious note, we lost one of the most talented, creative, and truly pioneering musicians that has have graced a stage. This is not to mention his widely appreciated criticism of the music industry’s royalty and ownership laws: something every working musician and songwriter is fighting against these days. Farewell, you purple genie: you will be missed.
Greatest Television Show of 2016
This one is not easy. If there were any redeeming quality for 2016, it would be television. With unparalleled shows such as HBO’s Game of Thrones and Netflix’s Stranger Things, it’s near impossible to choose. But for the sake of simplicity, I am going to limit myself to shows that only premiered in 2016. With that said, I have narrowed it down to one: HBO’s Westworld. This show needs no introduction. It has it all: western shootouts, robots, mysterious old men, time jumps, Anthony Hopkins, that guy who whose only job in the park is to bump into people and get shot, and in a long standing HBO tradition, lots of naked people. All that being said, it is one of the most well-written stories on TV right now. The acting is incredible, and despite not knowing if it would have a second season, the show still managed to pull off a crazy, unexpected finale that satisfied audiences but maintained the need for more. Here’s to season two coming out sometime!
Greatest Live Musical Performances of 2016
Everyone has seen the “big guns” do their live shows on YouTube. There’s no point in praising what has already been praised (just ignore my last paragraph). With that being said, one of the greatest shows I saw this year, one that very few people got to experience, was actually a whole festival: Live on the Green 2016 in Nashville. For those of you who don’t know, Live on the Green is a FREE music festival in the heart of downtown Nashville that goes on all summer. Every Thursday there is a massive outdoor show that usually includes the top independent, rising artists of the last year. In the final weekend of the festival, a second stage is set up and the music lasts from Thursday through the whole weekend. That is where the magic really happened this year. To name a few artists that graced the stage this year:
Borns
The Weeks
Judah and the Lion
Rayland Baxter
Coin
Repeat, Repeat
The variety of these performances alone was enough to draw me in, but the fact that each one of the shows was of the same quality and caliber as the next completely blew me away. In one weekend my confidence in live music was restored. If I had to choose a favorite, it would probably be Rayland Baxter. He just has a way with live performance that is relaxing but engaging at the same time. However, Judah and the Lion definitely go home with most entertaining show. I mean, what other show has four guys with a mish mash of instrumentation and electronic tracks, twerking on stage, and singing “Ignition” by R. Kelly. No one. But, I got to see it with my own two eyes, and so did my mom.
Greatest Unknown Band of 2016
Being a resident of Nashville, I come across a lot of bands that deserve way more attention than they actually get. One of those bands is PET ENVY. Am I friends with them? Yes. Do we have the same producer? Yes. Have I played shows with them? Yes. Is my mentioning of them in this article a favor to some friends? Absolutely not. This band is fantastic both as a recording group and as a live performance. They deserve every bit of praise they get. Without trying to use any fancy musician adjectives to describe them, I will say that they maintain the entertainment of pop rock while including the superior technical skills, as musicians, that each member undoubtedly holds. It’s hard to get both of those things in the same room, but when it happens, it is unmistakably fun! Keep up the work, guys!
Greatest TV Personality of 2016
John Oliver. I’ll say it again: John Oliver. I am not going to go into great detail with this one because it’s not necessary. He, like so many other satirical news reporters, helped us through the painful process and outcome of the 2016 election cycle and kindly reminded us that 2016 is a year that needs to be erased from the annals of history. Cheers to that ridiculous, little British man.
Greatest Known and Unknown Songs of 2016
Known:
Two songs captured my attention this year: “Giuseppe” by Trash Panda and “Over Soon” by Bon Iver. Bon Iver’s 22 a Million has earned split reviews over the past few months mainly because it has a handful of songs that are great and a handful of songs that aren’t. “Over Soon” stands outside of either one of those categories. It does all the Bon Iver things that a Bon Iver song should do, but it also branches out into the more electronic tonality upon which the whole album is based. What captured me most was the single note on which the song builds. There is something incredibly relatable and comforting about a single note that continues through an entire song. It is like a foundation for a house: the house being the rest of the arrangement and the decorations being the lyrics and melody. This song is truly a masterpiece of arrangement and deserves a lot more praise than it has received.
Unknown:
As for Trash Panda, I am less inclined to think deeply and more inclined to speak plainly. It is a simple, unknown song that has a cool reggae feel without coming anywhere near the “chukka chukka” of an actual reggae song. As for the lyrics, it culminates its sarcastic lip in the third verse when it takes a clear shot at President-elect Trump, questioning how he was able to gain the trust of millions simply through his personal charm and gusto. Catchy, well-written songs that maintain social relevancy are hard to come by these days. Well done, Trash Panda. Stay trashy.
I’m a rabid collector of soundtracks on vinyl, so I decided to break out my Favorite Ten Soundtracks separate from my Favorite Ten Albums, in general. For both lists, I’m only picking albums released in 2016 (whether a first release or re-release). I’m also only picking albums that had a physical vinyl release. The lists themselves are in no particular order.
The Neon Demon, Cliff Martinez
I’m a big fan of Cliff Martinez. The work he’s done recently for Nicolas Winding Refn’s films has been especially outstanding. (In addition to The Neon Demon, he did Drive and Only God Forgives.) This record has been in constant rotation at the house. (We had it cranked on set while shooting the music video for my song “Leavin’ By Sundown.”)
Biutiful, Gustavo Santaolalla
This is an older soundtrack, but Silva Screen did a special limited run vinyl release this year as part of the British website Zavvi’s “Secret Soundtrack” series. They put out some amazing soundtracks this year, but, sadly, the “Secret Soundtrack” series has been discontinued. This particular one really turned me onto the work of Gustavo Santaolalla. (I’m particularly fond of the soundtrack he did for the videogame The Last of Us which was originally released on vinyl by Mondo in 2015.
Luke Cage, Adrian Younge
I found out about Adrian Younge’s work early this year and became an instant fan. I love his melding of hip hop beats with Morricone-esque grandeur. I have yet to see this Netflix show, but the soundtrack is phenomenal. Serious head bobbin’ vibe.
Stranger Things, Vol 1 & 2; Kyle Dixon & Michael Stein
It feels redundant to point out the awesomeness of this soundtrack since it’s become so mainstream. But it’s just so good! Even beyond John Carpenter pastiche, it has a groovy synth vibe that is undeniable. (I did see this Netflix show and I did enjoy every minute of it.)
The Fountain, Clint Mansell
Mondo’s release of The Fountain soundtrack on vinyl is fantastic! Mansell had another great vinyl release this year with High-Rise, but I’m going with The Fountain as my pick. Beautiful, epic, and inspiring.
Taxi Driver, Bernard Herrmann
Waxwork did a fantastic re-release of this soundtrack in 2016. Though they are mostly known for horror soundtracks, they did a killer job on this album. From the artwork to the sound quality, it can’t be beat. I have a soft spot for this soundtrack as it takes me back to a time in my life when I used to watch this movie all the time.
Twin Peaks, Angelo Badalamenti
This is one of my favorite soundtracks of all time, so to finally see it released on vinyl this year was quite exciting. As per usual, Death Waltz did a top notch job with both the art and the sound quality. Even though I listened to this soundtrack hundreds of times in my younger days, it really did feel like hearing it for the first time on vinyl.
Fight Club, The Dust Brothers
The packaging alone qualifies this album for my list. Mondo went all out, forcing you to actually rip open the cover to get to the vinyl inside. I’ve always wondered why the Dust Brothers haven’t done more work in recent times, but this album is a great reminder of the top-notch work they did in their prime. Electronic beats dripping with exhilaration and nostalgia.
The Revenant, Ryuichi Sakamoto
I have yet to see this film, but the soundtrack is magical: a great mix of different sounds which create vast, evocative soundscapes. I’ve grown so fond of the soundtrack, I almost don’t want to see how it’s used in the film since the music contains such vivid imagery on its own.
Rome Armed To The Teeth / The Cynic The Rat And The Fist, Franco Micalizzi
This Death Waltz release early in the year really took me by surprise. I was expecting the typical run-of-the-mill 1970s Italian “waka-waka” soundtrack. Instead I got one of my favorite records of the year. The first disc actually reminds me of Adrian Younge’s vibe a bit. If this album hasn’t been sampled by a hip-hop producer yet, it’s just a matter of time. The beats are large and the horns are super fly.
Take Me To The Alley, Gregory Porter
I absolutely love Gregory’s 2013 record Liquid Spirit and his new release does not disappoint. The songwriting, vocals, and musical arrangements are impeccable. The title track “Take Me To The Alley” is beautiful. My girlfriend and I had front row seats to see him perform here in Nashville in June (our second time seeing him perform). He takes the songs to a whole new level in a live setting and his band is truly amazing. (His drummer Emanuel Harrold is especially stunning!)
Hopelessness, Anohni
This is Anohni’s first solo release. She was previously known for her work in Antony and the Johnsons. I’m a huge fan of their records. She changes up her style a bit on this new project, but it’s just as awesome. (It’s less “chamber pop” and more electronic.) Dark lyricism and haunting vocals. Killer lines like: “Explode my crystal guts / Lay my purple on the grass.”
We got it from Here… Thank You 4 Your service, A Tribe Called Quest
I’m an old school Tribe fan. There was a time in my life when The Low End Theory was constantly playing. Even though it’s been 16 years, the new album in no way feels like a cheesy “we’re obligated to like it since they got back together” album. There have been some amazingly creative hip hop albums these last few years and I think this album stands up there with the best of them.
A Seat at the Table, Solange
I’m always a fan of mixing up genres, which Solange does wonderfully on this album. I’m also digging this new “minimalist R&B” vibe that’s been cropping up lately. (Sadly Frank Ocean’s Blond/e was ineligible for this list since it didn’t come out on vinyl in 2016.) The music itself has a soundtrack vibe that I dig. Don’t touch my hair!
A Sailor’s Guide To Earth, Sturgill Simpson
Although my own music is typically classified as Americana, I don’t listen to a whole lot of Americana in general. That being said, this album knocked me out the first time I heard it. With Sturgill’s Grammy nomination, it’s great to see him getting so much mainstream recognition. This album is an “art” album in the best sense of the word.
22, A Million, Bon Iver
The first time I heard this album, I didn’t know what to think other than, “I need to hear that again!” I’ve been a Bon Iver fan after seeing them perform at the Ryman touring for their previous album. The music and performance that night was beautiful. (And they had two drummers!) This new album sounds like it’s from another place that exists out of time. Modern, but ancient. I’m normally not a big fan of over-the-top vocal effects, but everything just meshes perfectly on this record making for a moving listening experience. (And I’m a sucker for the mysterious song titles and symbols in the album art.)
Sign “O” The Times, Prince
Of all the great musicians we lost this year, Prince probably hit me the hardest. Through all his eras, he’s been there right with me through all my own. It was a treat to get this new 2016 vinyl re-release to replace the scratched up original copy I had. What is there really to say about this album that hasn’t already been said. It’s probably my favorite Prince album… which is saying a lot considering how many incredible albums he put out.
Sorceress, Opeth
I’m a longtime Opeth fan, so it’s always fun seeing what new directions they explore with each album. I liked their last couple albums quite a bit, but I think this one tops them both. The songs are melodic, yet still heavy and chaotic at times. Lyrically I feel like Åkerfeldt has opened up a new door. I’ve always appreciated his lyrics in the atmospheric sense, but the lyrics on this album feel more personal. Ironically, my favorite track on the album might be the instrumental “The Seventh Sojourn.” It’s epic and powerful… especially at loud volume!
The Complete Cathedral Oceans, John Foxx
John Foxx was another new discovery for me this year. Once I delved into this gorgeous five-LP collection I was immediately hooked. Trippy, ambient soundscapes that will transport you to an alternate universe.
Exodus Of Venus, Elizabeth Cook
I really dig the latest release from fellow East Nashville resident Elizabeth Cook. This is one of the freshest Americana records I’ve heard in some time. Each song has its own sonic personality so the record is exciting to listen to. There are shades of country, blues, and psychedelica with some Stevie Nicks vibes sprinkled in. The lyrics are dark and original. Most importantly the songs just groove. (Can’t help but bob your head to “Evacuation.”)
We reviewed Stewart Eastham’s Dancers In The Mansion on August 12.
In absolutely no particular order…
Things that I saw:
Tim Hecker’s live set at RBMA MTL
The grace of Moses Sumney
The Lobster (if the US release date counts)
Moonlight
Things that I listened to:
Yves Tumor, Serpent Music
Kanye West, TLOP
Beyoncé, Lemonade
Rihanna, Anti
Blood Orange, Freetown Sound
ANOHNI, Hopelessness
Solange, A Seat at the Table
Kaytranada, 99.9%
Frank Ocean, Blond/e
Marie Davidson, Adieux Au Dancefloor
River Tiber, Indigo
Klara Lewis, Too
Nicolas Jaar, Sirens
Dave Harrington Group, Become Alive
Autolux, Pussy’s Dead
Suuns, Hold/Still
James Blake, The Colour in Anything
Caretaker, Everywhere at the End of Time
Mica Levi and Oliver Coates, Remain Calm
Mica Levi, Jackie OST
Julius Eastman, Feminine
Beatrice Dillon, Can I Change My Mind?
Demdike Stare, Wonderland
(It should be noted that I haven’t had the chance to listen to Childish Gambino or Tribe Called Quest’s new records yet.)
I attended a baker’s dozen worth of shows in 2016. Mostly in the DC/MD/VA neighborhoods. Here’s my recap of some musical adventures this year.
February 26: Tedeschi Trucks Band @ Warner Theatre; Washington, DC
March 10: Brad Roberts (of Crash Test Dummies) @ Jammin Java; Vienna, VA
May 9: Old 97’s, Heartless Bastards @ 9:30 Club; Washington, DC
May 23: Air Traffic Controller @ IOTA Club & Café; Arlington, VA
June 17: The Jayhawks, Folk Uke @ World Café; Philadelphia, PA
June 22: The Cure, The Twilight Sad @ Merriweather Post Pavilion; Columbia, MD
July 5: Bob Dylan & Mavis Staples @ Wolf Trap Center for the Performing Arts; Vienna, VA
July 17: Tedeschi Trucks Band, North Mississippi All-Stars, Los Lobos @ Wolf Trap; Vienna, VA
September 8: Dinosaur, Jr., Cloud Nothings @ 9:30 Club; Washington, DC
October 14: Noelle Tannen & the Filthy No-Nos @ Tree House Lounge; Washington, DC
November 3: Mike Mills (of R.E.M.) @ Strathmore Center for the Performing Arts; North Bethesda, MD
November 4: South Rail, Clones of Clones, Olivia Mancini @ Sofar Sounds; Washington, DC
December 3: Jay Byrd, Justin Jones @ AMP By Strathmore, North Bethesda; MD
And here’s a host of records that I’ve been listening to: either released in 2016 or some good ole chestnuts on my turntable.
The Jayhawks, Paging Mr. Proust (Thirty Tigers)
Dinosaur, Jr., Give a Glimpse of What Yer Not (Jagjaguwar)
R.E.M., Life’s Rich Pageant (I.R.S.)
Green Day, Revolution Radio (Reprise)
The Get Up Kids, Red Letter Day (Doghouse)
Wilco, Being There (Reprise)
Mojave 3, Puzzles Like You (4AD)
My New Mixtape, Alone Together Forever
The Who, Who’s Next (Decca)
Mazzy Star, I’m Less Here (Rhymes of an Hour)
Jawbreaker, Unfun (Shredder)
Bill Janovitz, Walt Whitman Mall
Horse Feathers, Thistled Spring (Kill Rock Stars)
2016 sucked!! Honestly I think it was a shit year for everyone, especially on a global/political level. And still going… yay! It was very successful at driving me further into my fear of humans.
That being said, humans keep creating good art. Somewhere, right now, a masterpiece is being made.
Being more than slightly agoraphobic I can’t recommend any particular live/concert experiences, but I would recommend not being agoraphobic if you can help it. I’m starting to consider YouTube vloggers as legit friends.
Divines: A French-Qatari project from director Uda Benyamina. I don’t remember the last time I had an art-induced cry quite like that. Super solid. The acting was maybe the freshest and realest I’ve ever seen. It’s that good.
Moonlight: Directed by Barry Jenkins. Tense, heavy, sincere, deserving of all its praise. Elegantly crafted, with awesome details in the cinematography as well as editing. It’s hard to watch films where the characters age and look like new people sometimes, but it’s worth it for the perfect meeting of content and style.
Under the Sun: Russian made, Directed by Vitaliy Mansky. This faux documentary (?) filmed in North Korea is technically from 2015, but I’m including it because it only reached US theaters in July of 2016 (I don’t know about everywhere else). This film will blow your brain open and give you some terrifying perspective about real-life social/political shit. You will understand the question mark once you are immersed in the film.
13th: A documentary by the scholar Ava DuVernay. Good reminders for those lucky enough to be in the know; good first exposure for those who accidentally ingested a full dose of US propaganda.
Requiem for the American Dream: Noam Chomsky laying it all out. (I think this is also from 2015 but I don’t care.) I had to watch it a couple of times to catch everything.
I stay on Rihanna’s Anti. So much fire. I always wash dishes to it. I usually listen up to “Yeah I Said It” and then start it over, if the kitchen’s not clean yet.
Anderson Paak’s Malibu definitely felt like a musical revival, rebirth, and new birth, feeling fresh and familiar in all the good ways.
Kaytranada’s .0001 mixtape was super dope and I strongly prefer it over his more official album release of the year, 99.9%. It’s great for solo dance parties.
In the pantheon of great guitarists, there are ones that come easily to mind: Jimmy Page, Jimi Hendrix, Chuck Berry, Jeff Beck, B.B. King. I’d add the Buckaroos’ Don Rich to that list. His style is immediately recognizable, and without his sonic experimentation, Buck Owens’s catalog would lack a certain verve. While Owens was always happy to dip a toe in the rock side, Don Rich’s playing upped the ante. His fuzzed-out guitar work on “Who’s Gonna Mow Your Grass?” is as fresh and timely as anything recorded in 1969, and viscerally satisfying. This is pretty remarkable for someone who was hired to play fiddle.
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Do you lament the lack of surf/Christmas music on your playlist? Are your instrumental Christmas albums just a little too staid? Did you know the Ventures put out a Christmas album in 1965? Did you know that it was called The Ventures’ Christmas Album and that Real Gone Records is reissuing it on CD? Did you also know that it is enormously, utterly fun?
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Real Gone Music is here to save Christmas from oversinging, too-shiny production, and weird warbles with their reissues of classic Christmas albums. One of these? Ray Conniff and the Ray Conniff Singers’ The Complete Columbia Christmas Recordings. Collecting best-selling choral albums We Wish You A Merry Christmas (1962) and Here We Come A-Caroling (1965), The Complete Columbia Recordings has all of the classic Christmas songs you could possibly need, done with inspired choral arrangements and a tremendous amount of charm. It’s a retro trip back to the days of silver Christmas trees and really big record player cabinets, and it’s utterly enjoyable.
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By Emily Carney
The biography supplied with this reissue of John Cale’s 1992 stripped-down live album, recorded at various venues, states: “Fragments gives us Cale at his most melodic and moving, a mellowed and certainly a soberer man in a Yamamoto jacket and a lopsided haircut running through a selection of his prettiest songs.” While there’s no doubt that Cale was soberer at that time (having cleaned up his act following the birth of his daughter in 1985), this reviewer will disagree slightly with the bio, only in that not all of the songs on this offering are prettier. It’s also possible that Cale has never truly sonically mellowed out.
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Once again, Omnivore Recordings gives us the Christmas gift we need: a new Buck Owens and the Buckaroos compilation. The Complete Capitol Singles 1957-1966 covers a particularly creatively fecund phase in Buck Owens’s career: the early days at Capitol, his partnership with the brilliant Don Rich, and a string of hits that defined the influential Bakersfield Sound. The Complete Capitol Singles 1957-1966 is gorgeously remastered and sounds stunningly good. Crisp, even, with that trebly production that Buck favored (so it would sound good on AM radio) sounding better than ever.
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