// Category Archive for: Movies

Fifteen Minutes With: Jen and Sylvia Soska, The Twisted Twins

Interviewed by Less Lee Moore

The Soska sisters in a scene from American Mary

When Jen and Sylvia Soska’s feature debut, Dead Hooker in a Trunk, was released it caused quite a stir, among horror fans and those less enamored with the genre. Their latest film, American Mary, has a less controversial title, but still treads into controversial territory: rape, revenge, and body modification. It’s an emotionally affecting, nuanced, and powerful film that is way better than the most of the big-budget, CGI-laden, Hollywood productions that fill the multiplexes (read my review from last year’s Toronto After Dark Film Festival)

Cineplex Theaters have scheduled American Mary for a special week-long run across Canada as part of their Sinister Cinema series, which is an amazing achievement for an indie horror film. I recently spoke with the Soska sisters and asked them about modern horror and the role of women in the genre, the method behind their madness, and what their future holds.

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Assemblog: May 31, 2013 – Critiquing The Role Of Women in Hollywood

Lynn Ramsay on the set of We Need To Talk About Kevin

New this week on Popshifter: Jeff presents the last days of Metal Mayhem with Iron Maiden and Spinal Tap; Chelsea describes the “smart, talented trio” known as Hot Club of Cowtown in her review of their new Rendezvous in Rhythm album; Lisa praises Elementary as “the abomination that wasn’t”; I share 15 hilarious minutes with Doc Hammer and Jackson Publick of The Venture Bros., have a dance party with King Tuff’s reissued Was Dead album, and fall in love with Charles Bradley: Soul of America.

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Movie Review: Charles Bradley: Soul Of America

By Less Lee Moore

To Charles Bradley, the American dream felt particularly elusive. “I’ve been struggling for 42 years to make it in the [music] industry,” he states at the beginning of the new documentary bearing his name. It’s difficult to believe that someone could keep the faith for so long without becoming bitter or angry, or just giving up. Yet as Soul of America reveals, this is exactly what has happened to Charles Bradley.

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DVD Review: Comforting Skin

By Less Lee Moore

Sometimes the best horror films aren’t the ones that deal in the supernatural or killers who won’t die. Treading the line between reality and insanity can frequently be horrifying enough. Comforting Skin is that rare, unclassifiable movie that blurs the lines between genres and defies categorization.

Ostensibly, Comforting Skin is about a young woman named Koffie (Victoria Bidewell) who gets a tattoo on her shoulder blade and is thrilled with the results, until it starts talking to her. Yet, the film is about so much more.

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Assemblog: May 17, 2013

James Spader, from NBC’s The Blacklist

New this week on Popshifter: Chelsea thinks Xenia Rubinos’s Magic Trix is a “thrilling listen”; Metal Mayhem continues with Jeff’s take on Dangerous Toys and Judas Priest; Jeff also says that Big Country’s The Journey is the best new album he’s heard this year; Melissa B. parties traditional style with the new album from Kermit Ruffins and gets transported to the past with the reissue of Marty Robbins’s El Paso City and Adios Amigo; I recommend both the glam psychedelia of Burnt Ones’ You’ll Never Walk Alone and the party music of Dead Ghosts’ Can’t Get No, and revisit 2002’s excellent, unsettling One Hour Photo, recently released on Blu-Ray.

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Blu-Ray Review: One Hour Photo

By Less Lee Moore

I saw One Hour Photo when it was released in theaters in 2002. I’ve never forgotten it.

It was the first film I saw with Robin Williams playing against type as a truly disturbed character. Even 1991’s The Fisher King was Disney compared to One Hour Photo.

Writer and director Mark Romanek cut his filmmaking teeth on music videos for Nine Inch Nails, Madonna, Michael and Janet Jackson, and Fiona Apple. With the success of filmmakers like David Fincher, the stigma of transitioning from music videos into feature films has thankfully diminished. For a first feature, One Hour Photo is astonishing, but it would still be were Romanek a veteran.

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Assemblog: May 10, 2013

New this week on Popshifter: Jeff starts some Metal Mayhem with Night Ranger and Mötley Crüe (more installments are coming throughout the month); Luke reviews the “brilliant” cooperative game Monaco: What’s Yours Is Mine; Brad gets transported back to childhood through Jason Lapeyre’s new film I Declare War; and I am impressed with ChristCORE, a new documentary on the Christian hardcore scene seen through the eyes of a nonbeliever.

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Movie Review: ChristCORE

By Less Lee Moore

In the May 1989 issue of SPIN, born-again Christian evangelist Bob Larson followed the band Slayer on tour and presented his account in an article called “Desperately Seeking Satan.” By the end, Larson determined that Slayer’s “root of evil” was “rock’n’roll stardom” and that their “act of iniquity” was not with Satan, but with the “Billboard charts and T-shirt sales.” Still, he prayed that “both their eternal and artistic souls” would be saved.

Almost 25 years later, musician and filmmaker Justin Ludwig decided to follow two bands from perhaps an even more mystifying and misunderstood genre of music: Christian hardcore. As Ludwig explains in the beginning of the documentary, hardcore music helped him to break free from the shackles of organized religion and the oppression of conformist thinking.

If ChristCORE were a fictional Hollywood story, it’s easy to imagine that by the end, Ludwig will recant and become a born-again Christian. But, this is real life, or at least the documentary film version.

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Movie Review: I Declare War

By Brad Henderson

Regardless of your gender, I Declare War will take you back to your childhood fantasies. The film opens with children playing a war game and the rules are quickly established. These two teams are deep in the woods playing Capture The Flag, but things change when some soldiers decide to take their lives in their own hands and defy their Generals.

During the film we are sucked into their world, becoming one of them, a solider. Hiding, crawling, always on the defense, and feeling like part of the squad. Waiting for the attack and watching your friends’ backs in hopes the enemy is not lurking behind you and trying to flank your troops. This is the level of realism I Declare War presents and it holds up until the end credits roll.

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Assemblog: May 3, 2013 – The Future Of Streaming And Television?

New this week on Popshifter: Jeff praises The Armoury Show’s “gorgeously slick cathedral Goth with strangely danceable grooves” in the Cherry Red reissue of Waiting For The Floods; Danny calls the new Meat Puppets album, Rat Farm, “the band’s most playful and diverse offering since 1985”; Melissa B. laments the passing of George Jones in her review of the CD reissues of George Jones Country and You’ve Still Got A Place In My Heart; I describe the “geographic grandeur” of the full-length, self-titled debut from Big Black Delta; describe how no-budget, sci-fi flick Manborg “comes from the heart”; explain the “nuanced, complicated” joys of A Royal Affair; congratulate Melvins on their excellent album of covers, Everybody Loves Sausages; and get excited and photo-happy about the upcoming Vicki Berndt art show in Los Angeles.

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