By Emily Carney
Remember the hilarious bowling alley scene in The Big Lebowski, in which Walter goes insane and brandishes a gun telling some poor sap with a mullet to “mark it zero”? The background theme forever passed into ubiquity—it is called “I Hate You,” and was one of The Monks’ signature songs.
By Jim R. Clark
This is Part Three in our series on bizarre videos you may have forgotten about or never seen. Don’t forget to check out Parts One, Two, and Three.
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By Melissa B.
A couple of months ago, I bought a compilation album of old country music artists because the first track listed was by Buck Owens. The song “Rhythm and Booze” was unlike any Buck I’d ever heard: jangling, frenetic, and rock and roll, all slinky and naughty. I was mystified, and not at all sure it was Owens. This was kind of amazing.
Imagine my delight to find “Rhythm and Booze” on the brilliant collection of Buck Owens’ pre-Capitol Records demos Bound For Bakersfield. I can’t lie: I was freakishly excited to hear this CD and I am delighted to report that it has not disappointed. This is an often-surprising collection of songs written and recorded by a 21-year-old Buck Owens, who had not yet found the sound that would make him famous and define the “Bakersfield Sound.” However, there are little flashes here and there of the man and musician that Buck would become later in his recording career.
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By Aila Slisco
There is a space between comedy and horror which some people call black humor. If a movie can inhabit that space, it will likely be a favorite of mine. While this has certainly been used in movies up to the present day, the golden age of this kind of horror comedy film arguably happened in the UK several decades ago. Theatre of Blood is not only a great example of the horror comedy, but my favorite film of the subgenre.
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By AJ Wood
On a recent warm summer night I was re-reading my favorite Stephen King novel, Cujo, by the open window. Just as King was describing how the foamy-mouthed mangy dog was munching into a man’s throat with quite serious OM NOM NOM gusto, my cat decided to come to the window and play a little joke on me.
“Meow?” he said in his meanest, growlingest voice (at least as I heard it).
“AHHHHHHH!” I replied, my body jolting, nearly tossing my e-book across the room.
Two important things I learned that evening: 1) the same stuff I use to clean up the cat’s pee works well at cleaning up my own accidents and 2) exactly what it is about Cujo that really scares the bejeezus out of me.
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By Paul Casey
“It. Is. Later. Than. You. Think. Lights Out brings you stories of the supernatural and the supernormal, dramatizing the fantasies and the mysteries of the unknown. We tell you this frankly. So if you wish to avoid the excitement and tension of these imaginative plays, we urge you, calmly, but sincerely to turn off your radio, now. And now, Lights Out, everybody.”
By Jim R. Clark
This is Part Three in our series on bizarre videos you may have forgotten about or never seen. Don’t forget to check out Parts One and Two.
Yes friends, it’s time for another installment of horribly bad music videos that I have combed the web to find for you. Suffering in obscurity no more, these videos will leave you humming some new tunes. In addition to the usual weird New Wave videos I include in these lists, this edition features a Beatles tribute band from India and a special Goth section at the end! Please enjoy!
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By Emily Carney
Many television-philes like myself are obsessed with classic station identifications, or idents, from our childhood years. Whenever I hear the old PBS ident music from the 1980s, immediately I hearken back to the days when I used to watch Sesame Street and Mister Rogers’ Neighborhood before taking my Dukes of Hazzard Big Wheel out for a leisurely spin.
In the last few years, I’ve familiarized myself with some Canadian TV idents which are as cool, diverse, and strangely comforting as their American counterpart’s idents. Here’s a small list of the very best Canadian idents from the past few decades.
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By Cait Brennan
From left to right:
Wallace, Gerald (the “spoiled rich kid”), and Ladmo
In the spring of 2011, PBS’s acclaimed series Pioneers Of Television presented a special on the lost world of locally-produced kids’ TV shows. The names and faces were familiar, giants like Fred Rogers, Willard Scott as Bozo, Romper Room, Bill Cosby, Jim Henson. And among them—taking up almost half of the hour-long show—were names unfamiliar to most of the nationwide audience, but known and beloved in the Southwest for generations: The stars of the subversive, satirical sketch-and-cartoon show Wallace and Ladmo. On the air five days a week for a staggering 35 years, the show broke every rule in the kids’ TV book, and earned a legion of fanatical fans.
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By Emily Carney
Like many kids, I was obsessed with Monty Python’s Flying Circus growing up. Python was featured on America’s Public Broadcasting Service (PBS), usually sandwiched between Doctor Who (with Tom Baker!) and a terrible British sitcom called ‘Allo ‘Allo. It had a great classically-rooted theme song, and was completely hilarious.
It should be explicitly stated, however, that Python was not, in any way, shape, or form, a kids’ TV show. It presented a lot of adult situations (“I LIKE TITS!” is actually a quote by Terry Jones, the Welsh member of the troupe). I would NEVER let my nephew and niece watch Python, as I don’t want to be collared for child abuse. So, when my parents were actually watching me, I’d switch the channel to Nickelodeon (a relatively new cable offering at the time) and watch the Canadian TV show, You Can’t Do That On Television. YCDTOT at its best was the preteen version of Python, and possessed its own brand of surreal, controversial humor. It also had a great attention-getting classical theme song.
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