If you’re looking for a fun new music podcast, might I suggest this one? 20th Century Nostalgia! From their Mixcloud page:
It’s 2014 and music is dead. We long for the glory days of 1920s blues, 1930s country, 1940s bebop, ’50s rock and roll, ’60s girl groups, ’70s punk, ’80s new wave, ’90s alternative, and everything in between. We focus on music and pop culture from 1900 to 1999—no later! Join us as we complain about the decline of pop culture and obsess over musicians who died before we were born. We post, discuss, and podcast about anything and everything, as long as it’s good (or funny) and from the past.
Their newest podcast “We R Thankful 4 Prince” is now up, just in time for the holidays!
By Tyler Hodg
It’s been 40 years since Supertramp released their globally successful album Crime of the Century, and to commemorate its anniversary, the band released a new vinyl box set featuring the remastered album, a 7,500 word essay, rare photos, and an audio version of one of their 1975 concerts. If you have a feeling the album will hold up after four decades, you’d be “bloody well right.”
Among the first run of American New Wave bands, the story of Game Theory is among the most quietly heartbreaking. While the ambitious musical and lyrical output of creative mastermind Scott Miller was never destined for an arena-sized audience, a combination of questionable management and bad record deals kept their music from an audience larger than the most ardent true believers.
Omnivore Records’ lush and expansive reissues are bringing Game Theory’s shimmering, melancholy pop to the widest audience it’s received to date. Dead Center, the second album they’ve repackaged and remastered, finds the 1983 iteration of Game Theory at an interesting point in their musical evolution. The production sounds more polished than on the home-recorded Dead Center, with a stronger low end and a greater sonic balance. Their arrangements show a greater sense of ambition, as well as the musical skill to back it up.
OK, full disclosure: as a sort of sommelier of the strange, I’m embarrassed to say I had never seen La Planète Sauvage (a.k.a. Fantastic Planet) until recently. But never fear, because this should prove to even the most jaded, freaky, boogie children that it’s never too late to discover something mind blowingly cool. If you haven’t seen this gorgeously animated Science Fiction philosophical allegory, seek it out immediately. Do not pass go; do not collect 200 dollars.
I feel privileged to watch The Death Kiss. Kino Lorber is awesome for putting together this transfer and working with the Library Of Congress to give this film the best release it has ever had and a full-on 35mm restoration. Wow.
Mardi Rustam directed Evil Town, a film that I’ve loved since I was little. Until a couple of weeks ago, I didn’t know this director did anything else. Then Gorgon Video decided to lay down the law with their new release Evils Of The Night.
I knew something in my life wasn’t right. I knew I was missing some weird, key component to happiness. I now know that Evils Of The Night is the one thing that completes me.
Fans of Jellyfish and Redd Kross will already know about TV Eyes but what about the uninitiated? That’s who really needs to read this review.
The storied history and devoted fanbase of both groups would take at least two books to describe fully (someone get on that please, by the way), but you may be familiar with three names from those bands: Roger Joseph Manning, Jr.; Jason Falkner; and Brian Reitzell.
These days, made-for-TV movies are not good. I don’t want that to sound like an insult but it’s just how I feel and many others feel the same way. Back in the 1970s and ‘80s there were a ton of made-for-TV films and they were fantastic. Sadly, that time has passed and now we are left with some awful films, the majority of which come from Lifetime.
When I started watching all the zombie films I could get my hands, I stumbled into the realm of Nazi zombies, a.k.a. Nazisploitation. I started with Zombie Lake (which looked great but is not a good film) and then I watched Oasis Of The Zombies (I’m thankful I didn’t slit my wrists during that viewing). Needless to say, when Shock Waves came into my hands I looked away, rolled my eyes, and took a step back. After a year or so, I finally gave it a shot because I found out Ken Wiederhorn directed it and I loved Return Of The Living Dead Part 2, Meatballs 2, Eyes Of A Stranger, and a lesser-known film called Dark Tower.
I don’t know if I would be the same person today if not for Italian cinema. My film school was watching Italian action and horror movies; they taught me everything I know. Some people have a beef with the stories, while others can’t stand the dubbing, but that’s just how it is. Some of the original Italian tracks were lost and some were made for America with Italian actors who were then dubbed over during post-production with audio that was never meant to be released. Even if the dubbing is bad, I try to overlook that because it can’t be helped. I’m just thankful I can actually see the films because some weren’t preserved very well. Luckily, there are still some companies keeping these films alive by exposing the world to them.