James Booker collected nicknames like some people collect vinyl. The New Orleans piano great has been called (by himself or by others) The Piano Prince, The Ivory Emperor, the Black Liberace, and the Bayou Maharajah. Filmmaker Lily Keber went with the latter, Bayou Maharajah, as the title of her documentary, now being released on home video.
I’d wager that you’ve not heard music quite like Wake Up You! Volume 1. Culled from Nigerian music from a very specific time, with familiar influences filtered through a decidedly African use of rhythms, the result is arresting, funky, and meant to make you move.
Is the best thing in the world a new Professor Longhair live album? I’m going to go with yes. Orleans Records is releasing Professor Longhair Live In Chicago on CD and vinyl on April 12. Recorded at the Chicago Folk Festival by a local radio station in early 1976, Live In Chicago is thrilling.
After the runaway success of their self-titled debut, The Lumineers sound a bit disillusioned. Their newest, Cleopatra, is heavy. There are no radio-friendly, hand-clapping sing-alongs; instead there are thoughtful indie folk with songs of leaving those who tear you down, having dreams crushed and dying. Seriously, it’s heavy.
Dear Janiva Magness, thanks for making me cry.
On her follow-up to 2014s Original, Janiva Magness is letting it all out. She’s happy (her self-penned liner notes are completely delightful), she’s in killer voice, and her continuing collaboration with producer Dave Darling is positively fecund. Love Wins Again is a worthy successor to Original, with heartfelt songs of love and hope, and songs of heartbreak.
There’s a strong vein of Southern literacy that thrums through Robbie Fulks’s Upland Stories. The characters in these songs tread the same ground as Hazel Motes or Rufus Follet. They tell their stories with graceful turns of phrase and through Fulks’s wonderful twangy tenor: sometimes high lonesome, sometimes quietly, just in your ear.
The Currys’ sophomore effort, West Of Here, is, as always, a family affair. The Currys are brothers Jimmy and Tommy Curry, and their cousin Galen. Together, they make easy, harmony-laden folky Americana. Their harmonies are incredibly lovely, close and fluid, and are a focal point for the group.
Bleached’s follow up to 2013s Ride Your Heart lets their intentions be known right out of the gate. Welcome The Worms is a heavy, swaggering album that conjures up sunbaked Los Angeles (and the attendant debauchery) and destroyed romances. That’s all wrapped in furiously catchy songs that are just delightful.
Margo Price makes proper country music. Not bro-country, but honest to god, real live country music. She takes up the mantle of brilliant female singers: Loretta, Dolly, Tammy. Her debut album for Third Man Records, Midwest Farmer’s Daughter, is throwback country on the surface, but her lyrics and sensibilities are completely modern. It’s an incredibly solid album, the kind of album that has staying power in your brain.
Davina and the Vagabonds are well-known for their live shows, blending jazz, soul, brilliant stage presence, and top-notch musicianship. Attendees walk away converts. It stands to reason then, that Davina and the Vagabonds would at some point put out a live album. So they did.