Bleached’s follow up to 2013s Ride Your Heart lets their intentions be known right out of the gate. Welcome The Worms is a heavy, swaggering album that conjures up sunbaked Los Angeles (and the attendant debauchery) and destroyed romances. That’s all wrapped in furiously catchy songs that are just delightful.
This episode of Outsiders takes on the aftermath of the ill-fated trip to the gun shop. It affects everyone a little differently, but will surely have long-term repercussions.
By Tyler Hodg
Making a lot of music in a short amount of time can result in one of two very different outcomes: slapdash garbage or effortless fabrication. Versus is Eureka California’s third release in three years, and demonstrates the latter. The record has a sense of urgency that showcases the band’s hunger, rather than just being an outpouring of unnecessary noisy drivel.
Margo Price makes proper country music. Not bro-country, but honest to god, real live country music. She takes up the mantle of brilliant female singers: Loretta, Dolly, Tammy. Her debut album for Third Man Records, Midwest Farmer’s Daughter, is throwback country on the surface, but her lyrics and sensibilities are completely modern. It’s an incredibly solid album, the kind of album that has staying power in your brain.
By Tim Murr
By the 1990s Sepultura had built quite a reputation for themselves. Formed in 1984 by Max and Igor Cavalera after hearing Black Sabbath’s Volume 4, they soon made a name for themselves playing black metal inspired by bands like Venom and Celtic Frost and in 1985 recorded their debut Bestial Devastation, a split EP with Overdose, followed by the full-length Morbid Visions in 1986. Sepultura hailed from Brazil and their reputation made their albums sought after items in both America and Europe.
Davina and the Vagabonds are well-known for their live shows, blending jazz, soul, brilliant stage presence, and top-notch musicianship. Attendees walk away converts. It stands to reason then, that Davina and the Vagabonds would at some point put out a live album. So they did.
“Abbi. Hello. Proud Demo-crat. College. Aquarius. I pegged.”–Abbi
It’s one of the biggest weeks in Broad City’s entire run so far, and one that’s unlikely to be topped for quite some time. In addition to the announcement that the show will have an entry in the Tribeca Film Festival’s TV section, this week’s show features their most high-profile guest star yet, even in an episode packed with cameos. All eyes are on our girls, and these kweens won’t leave us hanging.
Documentaries about alternative religious belief systems are always a dicey watch, especially if the religion being examined doesn’t jibe with your own or sounds totally off the wall. The temptation to snicker or outright mock the people who believe this crazy stuff is always there. But religion is such a personal thing; laughing at someone about what they believe just feels disrespectful.
Let Haircut 100 make you happy.
Our tireless SXSW Film Festival correspondent Brad Henderson has returned to bring you reviews of all the genre films playing at this year’s SXSW. First up, is The Greasy Strangler, which is as gross and weird as its title suggests. Look for more SXSW movie reviews next week on Popshifter!
Everyone has been talking about 10 Cloverfield Lane and Jeffery braved the multiplex to bring you this non-spoilery yet mega-praiseworthy review.
Both Jeffery and I loved Baskin, the Turkish horror flick from Can Evrenol that opens in theaters and VOD on Friday, March 25. Hopefully you will love our (also non-spoilery) reviews.
Stepping outside of the horror genre for a moment, Jeffery also checked out the unexpected delights of the new Pee-wee Herman movie called Pee-wee’s Big Holiday. Joe Manganiello obviously needs to take on more comedy roles.
Another premiere on Netflix this week is the much-anticipated second season of Marvel’s Daredevil. I’ve got the scoop on the first seven episodes of the season over at Biff Bam Pop.
In some exciting and unexpected TV casting news, Andy Burns at Rue Morgue reports that Canadian punk rock and acting legend Hugh Dillon is going to be on the new season of Twin Peaks next year. Yet another reason to tune in, as if you needed any.
Sachin has two Lucha Underground recaps this week because last week’s episode, “Death Comes In Threes,” threw him for a loop, and not necessarily in an enjoyable way. The good news is that the show has recovered quickly with the excellent “Life After Death.”
Another show that had a stellar episode was Outsiders, which as Laury reports, finally got some serious character development and plot momentum with “Weapons.” And on The Walking Dead, we’re still in “The Same Boat” in terms of zombies, people dying, and not actually seeing Negan’s face.
So much music this week! Melissa has reviews of three of this week’s best releases: a spectacular album from Grant-Lee Phillips, the crazy Americana compilation Wayfaring Strangers: Cosmic American Music from Numero Group, and a brilliant reissue of the already-brilliant and woefully underappreciated Pelican West by Haircut 100. And from S. Elizabeth at Dirge Magazine, a gorgeous analysis of the equally-gorgeous Full Circle from HÆLOS.
More music news comes from Unicorn Booty’s NOW HEAR THIS! where you can find out about Michelle Obama’s new single (WHA?!), The Pet Shop Boys, and Malcolm McLaren’s annoying son.
Look for reviews of new releases from Dirty Sidewalks, Iggy Pop, and Lust For Youth soon on Popshifter.
In gaming news, you might be interested in this report about how one of the reps for Oculus Rift is a straight(-up) douchebag.
Fannibals got a hint of this in Hannibal’s second season (Achilles + Patrocles 4 LYFE), here’s more evidence that Greek mythology is way gayer than you thought.
What happened this week on Today In Pop Culture? Speaking of Greek mythology, we discuss Caligula, in addition to the Ides of March, St. Patrick, Wings, and Perry Como.
There’s a new Pee-wee Herman movie exclusively on Netflix, and I don’t know why either. I suppose it fits in with the nostalgia wave the network has been riding lately, but going with Pee-Wee seems an odd choice. The curiosity factor must be acknowledged, though, and a lot of people will tune in just to see what this movie could possibly offer.