// Category Archive for: Music Reviews

Music Review: Daniel Romano, Mosey

By Melissa Bratcher

It’s difficult to call Daniel Romano’s new album, Mosey, a follow-up to last year’s country-flavored If I’ve Only One Time Askin’ (review). It follows the prior album, but stylistically, it’s an exciting left-hand turn.

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Music Review: Big Thief, Masterpiece

By Melissa Bratcher

Nearly every person who will write about how Big Thief’s debut for Saddle Creek, Masterpiece, will note how nervy it is to name an album that… blah blah blah. I wanted to write that, too (because we’re all so very clever). And then we’ll all come to the same conclusion: it’s a pretty apt title.

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Music Review: Voyag3r, Are You Synthetic?

By Tim Murr

Following up 2014’s Doom Fortress (review), Detroit, Michigan’s Voyag3r returns with a spaced-out concept album called Are You Synthetic? Artist and Acid Witch singer Slasher Dave provides the gorgeous album cover, outdoing his iconic cover for Doom Fortress. Musically Voyag3r continues to give fans what they want while growing and evolving.

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Music Review: The Monkees, Good Times!

By Tyler Hodg

Nearly everyone has a personal anecdote about The Monkees, but in their 50th year, a commemorative album destined to be a throw-away discount bin item is sure to create an entirely different set of memories. Good Times!, the first record from the band in 20 years, is a collection of new and unreleased (but recently finished) songs that few people asked for, but many will enjoy.

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Music Review: The Honeycutters, On The Ropes

By Melissa Bratcher

Asheville, North Carolina’s The Honeycutters have followed up 2015’s sublime Me Oh My with the completely wonderful On The Ropes. It’s good to have them back with such strong, satisfying material. Vocalist and songwriter Amanda Anne Platt’s voice is a treat: maybe older and wiser (by a year), but still hopeful. Hearts have been broken and mistakes have been made, but she’s not giving up. Ever.

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Music Review: Shoot Your Shot: The Divine Anthology

By Eric Weber

The time was 1991; the place was Wax n Facts in Atlanta, Georgia.

Flipping through the packed cardboard box, my jaw dropped when I saw the huge white letters emblazoned across the top of the record sleeve: DIVINE.

I quickly snatched it up, examining every inch of the album. I couldn’t believe it. Divine: Greatest Hits. He had hits?

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Music Review: Gregg Martinez, Soul Of The Bayou

By Melissa Bratcher

Louisiana Swamp Pop king Gregg Martinez has the kind of powerhouse voice that seems to grow slow and deep, like the roots of an ancient tree, straight up from the earth. It’s an incredible voice, and Martinez has a gift for adding an extra lagniappe of soul to everything he sings.

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Music Review: Royal Tusk, DealBreaker

By Tyler Hodg

Debut albums are meant to hook to a listener, and make a fan out of them. Royal Tusk, a Canadian rock’n’roll band, is sure to accomplish such a feat with their graceful premiere effort titled DealBreaker.

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Music Review: The Blind Boys Of Alabama, Higher Ground

By Melissa Bratcher

It’s difficult to listen to The Blind Boys Of Alabama’s Higher Ground (2002) and not compare it to its predecessor, Spirit Of The Century (2001). Both are Grammy-winning collaborations with producers John Chelew and Chris Goldsmith and both feature bold, spiritual covers of songs by contemporary artists, with the Blind Boys Of Alabama being backed by a band in “musical conversation.”

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Music Review: The Blind Boys Of Alabama, Spirit Of The Century

By Melissa Bratcher

The Blind Boys of Alabama have performed together for nearly seven decades and have recorded over 60 albums. Joining together as glee club singers at the Alabama Institute For the Negro Blind in 1939, founding members Jimmy Carter, George Scott, and Clarence Fountain (with newest member Joey Williams joining in 2001), The Blind Boys of Alabama make honest, American music, rooted deeply in gospel, focusing on the truly glorious way that their voices blend.

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