By E.A. Henson
With these review pieces I normally try and tackle something new and worthy of your attention. For this piece in particular I’ll be taking a look at something that’s not terribly new but still is something of note, Saga by Brian K. Vaughan and Fiona Staples.
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Modern Mal is the meeting of a pair of Northern Michigan songwriters, Rachel Brooks and Brooks Robbins. It’s a little psychedelic, a little surfy, a bit garagey, sometimes folky, and it can all be covered by the umbrella of Americana, but perhaps a more Gothic strain.
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By E.A. Henson
Reading comics is just like consuming any other kind of media for me. You consume what you’re presented with on a weekly basis and there’s a certain baseline enjoyment you derive from it. Spider-Man duking it out with Doc Ock again? Cool. Batman solving a crime while being dark and brooding about it? Right on.
For comic book fans that’s pretty much it. I’m not saying that it’s boring or it’s really even that bad. I’m sure I’ve written before that comics are (for me and I’m sure others) escapism. That’s great, but it can also get stale pretty quickly.
When something truly good comes along it’s easy to notice but you also have to be paying attention. I know how easy it is to get your weekly pull from your LCS (Local Comic Shop), plow through your books, and finish them in time for Arrow to start on Wednesday night. I do it all the time and it’s super easy (is that a super hero pun? I can’t tell anymore).
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There is no better mood raiser than a girl-group compilation. This is a scientific fact (that perhaps I have just made up). Finding long-lost girl groups, hearing those sweet harmonies, losing yourself in that “falling in love feeling”: it’s the best kind of bliss. A new compilation from ChaChaCharming and Real Gone Music, Honeybeat: Groovy 60s Girl-Pop, is an instant happy maker, with groups that are unfamiliar, groups that really should have made it, and some names that are a delightful surprise.
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There are plenty of people who love bad movies, the ones where the budget is low and aspirations are high. The kind of films where the creators do whatever they can to tell their story. These are the movies that inspire rabid cult followings, titles like Troll II or Miami Connection.
With that in mind, it’s time to talk about Thou Shalt Not Kill… Except.
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By Tim Murr
As a far-left liberal I have long since opposed the death penalty. I find it barbaric and rigged by class war. When it comes to child molesters and abusers, though, the only justice I find suitable is to publicly hang them and leave their bodies to be picked over by birds. Fuck you if you think I’m being hypocritical in my views. And fuck you if you disagree with me. These crimes against children are inexcusable, indefensible, and unforgivable. And it keeps happening!
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Cait Brennan’s follow up to her critically acclaimed debut, Debutante, is a stunner. Where Debutante felt like the incredibly talented bastard daughter of Harry Nilsson and ELO, who fell asleep while listening to AM radio in the 1970s and made an album about it, Third lives and breathes where it was born: Ardent Studios in Memphis. Third is muscular and fierce, but it can break your heart with a word.
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By Tim Murr
I’ve never met Chris Cavoretto in person, but I’m intimately familiar with his music. If the name doesn’t ring a bell with you, Chris is the man behind the synth-wave project Werewolves in Siberia. Every time I’m listening to his music, the image I have is of a man in a dark basement, surrounded by computers and synthesizers, getting all garage-Frankenstein.
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While the centerpiece of Chris Milam’s Kids These Days is a trio of breakup songs, focusing on before, during, and after a breakup, there’s so much more going on here. Milam has questions that he would like answered, memories he’d like to share. He also has the heart of a philosopher. Kids These Days could easily fall under the catch=all of Americana, but it’s more than just that. It’s gritty guitars and incredibly tasteful strings, and Milam’s versatile voice that easily sweeps to an elegant falsetto from ragged emotion.
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By Julie Finley
March 26, 2017
Cleveland, OH
I am happy to say that I had heard about Bryan Ferry returning to Cleveland through Ferry’s Facebook page. There was so little publicity through any regional entertainment outlet that were it not for Facebook, I would have never even known about the show. I covered Ferry’s performance last time he played in Cleveland, and to be quite honest, I thought that was going to be the first and only time I would ever get to see him perform live. So I am very surprised (and elated) that he came back!
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