Music Review: Neil Young + Promise of the Real, Earth

By Tyler Hodg

There is little that hasn’t been said about Neil Young over his 56-year long career (and counting), yet the prolific musician continues to give people reasons to talk; through the constant delivery of unique additions to his catalogue both musically and visually, and an unapologetically-high standard for passion, it’s no wonder he has been, and will remain, universally respected as an artist.

Young’s latest project sees him joined by Promise of the Real for a two-disc compilation simply titled Earth. The album, which features live tracks from his extensive repertoire and the pairing’s 2015 effort The Monsanto Years, is a 98-minute long collection of what Young describes as songs about “living here on our planet together.”

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Interview: Consenting To Dream with Vallens’ Robyn Phillips

By Less Lee Moore

Photo by Shelby Fenlon

We get a lot of music press releases at Popshifter and sometimes it’s a slog to sift through them, always hoping to have our ears dazzled by a new band but frequently being disappointed.

This is not the case with Toronto, Ontario’s Vallens, the brainchild of guitarist, singer, and songwriter Robyn Phillips. Vallens makes the kind of music that makes you sit up and take notice. The title of Vallens’ stunning debut album is Consent, a word with a lot of connotations—especially for women. Thankfully, the songs don’t shy away from such emotionally charged issues but explore them. Musically and lyrically, Consent is moody, mysterious, and captivating… and definitely deserves your attention.

In anticipation of Consent being released by Hand Drawn Dracula on Friday June 24, I thought I’d find out more about the talented Ms. Phillips.
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Five Reasons Foxy Shazam Need to Reunite

By Tyler Hodg

Foxy Shazam came to a premature end in 2014, and the musical loss is still an open wound for a lot of fans. The Cinncinatti-based group presented a unique product, consisting of eccentric band members, catchy tracks, and a larger-than-life stage show that was needed to be seen to be believed, but it was their ability to consistently deliver on all of those aspects that made them an anomaly.

Sure, it’s only been just over a year and a half since the band announced their hiatus, but there are valid reasons why Foxy Shazam deserves a triumphant comeback.
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Music Review: Bloody Knives, I Will Cut Your Heart Out For This

By Less Lee Moore

I heard a voice, a whisper in the dark
And I followed it until I couldn’t see anything anymore.
–Bloody Knives, “Poison Halo”

When your band is named Bloody Knives, you’d better have the tunes to back it up. Fortunately, the Austin four-piece deliver the gory goods on their latest release, the viscerally titled I Will Cut Your Heart Out For This.

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TV Review: Lucha Underground, S2 E16-21, “The Prelude To Ultima Lucha Dos”

By Sachin Hingoo

This arc of Lucha Underground is the beginning of the drive to Ultima Lucha Dos, the second season finale of the show. It’s where all the established storylines are set to climax and, in some cases, converge. Last year’s two-part finale was the best episode of Lucha Underground so far, and did a great job of setting the wheels in motion for Season Two. Ultima Lucha Dos should be at least as explosive, based on the pieces being put into place.
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Music Review: Odonis Odonis, Post Plague

By Less Lee Moore

Has there ever been a greater musical misnomer than “industrial”? Initially coined as a response to the music being released by Genesis P-Orridge’s Industrial Records and the phrase “industrial music for industrial people” on the first Throbbing Gristle album (at least according to Wikipedia), it’s become a catch-all for any dissonant music that uses drum machines. What is great about drum machines, though, is that they provide such a perfectly sterile template for compelling melodies, the kind that you can either thrash or dance to.

While Odonis Odonis’s latest album, Post Plague, was inspired by industrial bands like Nitzer Ebb and Front 242, it also owes a debt to films like Ex Machina and Beyond The Black Rainbow, as well as of-the-minute ideas about transhumanism and virtual reality.

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Whatever Happened To Kitty Play Records?

By Tim Murr

Kitty Play Records has been flying under the radar for years despite consistently interesting releases, with handmade album sleeves and graphic design work, as well as limited edition vinyl and tour-only releases. Among the multitude of newer acts the label has shepherded, they’ve also released side projects from members of well-known acts like Rocket From The Crypt, Pig Destroyer, and Agoraphobic Nosebleed.

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Movie Review: Raiders! The Story of the Greatest Fan Film Ever Made

By Brad Henderson

Since childhood, I’ve wanted to make movies. Last night I got to watch a documentary about a group of kids who were determined to make a shot for shot remake of Raiders Of The Lost Ark. Raiders! The Story Of The Greatest Fan Film Ever Made tells the story of this incredible attempt and the resulting admirable success.

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Music Review: Big Deal, Say Yes

By Melissa Bratcher

After a split with Mute, Big Deal are back with their third album, Say Yes, on Fatcat Records. The path to Say Yes has been a difficult one, with band members leaving, relationships ending, and the theft of the band’s laptop, which had Big Deal’s demos and ideas for their new album on it. “It was fight or flight, and we decided to fight,” the band says. So they said yes.

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Don’t Sleep: Scary Stuff To Watch In 2016

By Sachin Hingoo

We’re halfway through 2016 and it’s already been a pretty good year for horror. Films like Robert Eggers’ The Witch, Mike Flanagan’s Hush, and anthology horror Holidays have already given us our fix to get us through the winter, but the second half of the year has some of the horror releases I’m most excited for.

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