DVD Review: My Amityville Horror

By Brad Henderson

Some look at The Amityville Horror as just a movie. It has been dismissed many times by many people, but no one can deny that something happened in that house; whatever it may be, something happened. Recently, IFC Films released a documentary that focuses on Daniel Lutz, the oldest of the children in the Lutz family, and his story and confessions on what happened during those 28 terrifying days spent at 112 Ocean Avenue.

I’m one of those that believe that some of the events that were “recorded” actually happened in that house. I do believe that George Lutz was full of shit and that they fabricated a lot to sell their story. However, I also believe that certain events occurred, and then the family just went with it.

In My Amityville Horror, Daniel Lutz tells his side of the story, and he sells it. Yeah, he could be bullshitting, but the way he speaks is very convincing. If he is lying, he is the best liar in the world.

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Blu-Ray Review: Antiviral

By Brad Henderson

How far would people go to be closer to their favorite celebrity? We already know society is obsessed with celebrities, with mimicking their features and hair. Come on, you have seen this: Aniston’s hair, Jolie’s lips, Lopez’s buttocks, and the list keeps going. This is the basis of the story that Brandon Cronenberg follows with Antiviral, but he takes it to the next level.

Brandon Cronenberg (yes, David Cronenberg’s son) delivers a haunting look into the obsession with celebrities and the public and how far people will go to be like their idols.

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Movie Review: The Conjuring

By Lisa Anderson

Sometimes, even a well-made horror movie can be left in the theater. You can see it and then go home and head straight for bed, without averting your glance from your mirrors or imagining the film’s antagonist sliding through the dark of your room. Horror movie fans, especially, do not lose sleep over most horror movies, or find themselves haunted by them days later.

The Conjuring was not such a movie for me, and it may not be for you either.

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Assemblog: August 9, 2013

Michael Fassbender in The Counselor

New this week on Popshifter: Stuart likes the way Scared To Get Happy: A Story of Indie-Pop 1980 – 1989 tells a story with music; Melissa thinks that the debut of The Fun Boy Three still sounds immediate after all these years; Paul compiles a listener’s guide for R&B in this new millennium; I throw chum into the water in the form of a blog post about Frenzy, an illustrated novel with a Kickstarter campaign; and recommend the sweet and the bitter in Minks’ new album Tides End.

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Music Review: Minks, Tides End

By Less Lee Moore

On their second album, Tides End, Minks have created a distinctively ’80s UK-pop feeling. But they’re not Depeche Mode or Duran Duran (not that there’s anything wrong with that). On these ten songs Minks are more reminiscent of bands like The Korgis or Close Lobsters, with the quirky synth sounds of pre-Different Class era Pulp adding a unique element of modernity. There’s also no shortage of New Order-esque guitar. Oddly, Sonny Kilfoyle, who is Minks on this album for all intents and purposes, lives in Long Island.

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Forget About Shark Week: It’s Shark Month with the August Kickstarter for Frenzy, An Illustrated Prose Novel

By Less Lee Moore

Artwork © Chandra Free, 2013

If you prefer your sharks to be more like Jaws than Sharknado, here’s something you can really sink your multiple rows of teeth into: Frenzy, where the sharks are the stars, and the humans are the threat!

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New Millennium R&B: A Listener’s Guide

By Paul Casey

The-Dream

“DJ you know you wrong, enough with the motherfucking dance songs. You gotta slow it down.”
—The-Dream, “Slow It Down”

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Music Review: The Fun Boy Three, The Fun Boy Three

By Melissa Bratcher

The re-release of The Fun Boy Three’s eponymous debut album makes for fascinating, exhausting listening. A mix of musical styles—ska, rocksteady, jazz, dancehall—primitive percussion, sharp horns, and smart harmonies, it all seems so light and pleasant. Until you listen to the lyrics. Politically aware and a capsule of the fear and paranoia of Thatcher’s Britain in the early 1980s, these are not songs for a blithe singalong. Which is good.

Hatching fully formed from the forehead of The Specials after feeling creatively stifled, Terry Hall, Lynval Golding, and Neville Staples created something bold. These songs didn’t need to be arranged for horns and female vocalists (though on several tracks they are joined by Bananarama, to great effect) and the result is stripped down and innovative. The Fun Boy Three sounds immediate still.

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Music Review: Scared To Get Happy: A Story of Indie-Pop 1980 – 1989

By Stuart Myerburg

Scared To Get Happy takes on the daunting task of documenting the evolution of indie-pop in the 1980s. Given the diversity of styles that can fall under the indie-pop umbrella, a comprehensive study of all facets of the genre would be nearly impossible, especially in the span of five discs. But the compilation makes things more manageable by limiting its scope. Focusing exclusively on British artists and evoking a particular time and place in musical history, it endeavors to tell a story rather than be a definitive guide.

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Assemblog: August 2, 2013

Rinko Kikuchi as Mako Mori in Pacific Rim

New this week on Popshifter: Brad reviews yet another Scream Factory reissue, this time it’s The Burning; Jeff finishes up this month’s Waxing Nostalgic Cover Albums series with Replicants’ eponymous album; Paul informs critics that being average is not worse than being bad; John pays tribute to The Olivia Tremor Control’s Bill Doss; I embrace the post-punk transvestite stylings of The Garden on their new album The Life And Times Of A Paperclip; and enjoy a lot of good movies new on home video and in theaters: Trance, Kiss of the Damned, The Last Will and Testament of Rosalind Leigh, and Berberian Sound Studio.

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