By E.A. Henson
Let’s take a look at some of my favorite titles from July of this year!
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By Hanna
The Hollywood Brats are really an anomaly; difficult to place and more difficult to analyze the longer you listen to them. While they don’t quite have the almost intellectual artifice of the New York Dolls and Heavy Metal Kids, they do share the same deep sense of bad taste and irony. The defining characteristics of their music are a tendency to shock and a rather cutting irony, combined with a deliberately simplistic style of music which can be seen as a precursor of punk. For a short space of time they were shouting obscenities into the void of American glam rock, before disbanding in 1974. But right now, they’re having a moment of revival after singer Andrew Matheson’s book came out last year out and he’s been playing again, so it’s a good time to have another look at their actual output.
By Tyler Hodg
Stewart Eastham’s latest effort, Dancers in the Mansion, is like a wild night in a Nashville bar: the swinging country music encourages you to hit the dance floor, while occasional somber sounds result in moments of reflection. All that’s missing is a little too much bourbon. (more…)
By Tim Murr
I was 19 when I saw Easy Rider the first time. I was a punk with a shaved head and had a generally negative attitude towards the world at large. I think I spent most of my time watching Dennis Hopper’s directorial debut with my arms crossed, not bored, but waiting to see what was supposedly so great about this “classic.” Though I found many facets of 1960s history fascinating, I assumed Easy Rider was just some hippy flick which wouldn’t resonate with me or my generation.
You know what’s easy to love? A two-person band. Do you know what band you’re about to love? Hymn for Her, a nomadic pair who make their home in a ’61 Bambi Airstream trailer (with their daughter) and make the kind of music you can crunch away the miles to.
The show’s creators do a great job of keeping to the book with this episode. While I typically enjoy a good healthy dose of political intrigue, having read the book is becoming a little bit of a curse as I sit through the build-up of this season’s action. It’s a necessary evil, however, as there is much that has to take place both on screen and behind the scenes to build to the crescendo that’s coming.
By Tyler Hodg
Break out your hairspray, headbands, and shoulder pads: the 1980s are back thanks to Wyatt Blair. His new album, Point of No Return, is a love letter to arena-style glam rock that not only celebrates the music of the past, but also makes it cool again. Now that’s radical!
On the nature vs. nurture question, music so often comes down to nurture. It’s a time and place thing, colored by experiences and environments. On Jon Reynolds’s new EP, Generation, Love, Reynolds explores racism, sexism, and gender roles, specifically in the American South. Having recently moved to Tennessee, Reynolds found himself wrestling with the intrinsic, embedded prejudices (including his own) and has taken these things and molded them into a quartet of 1950s-flavored, hooky pop treats.
By Hanna
The 20-year anniversary of Tiny Tim’s death continues with an absolute treat for fans in the form of Tiny Tim’s America. This release is special because it’s comprised of new material, from recordings Tiny made in 1974 when he was in between recording contracts. Using this demo tape, a number of songs were chosen to compile a vinyl album (plus mp3 download). The original entire demo recording is also included on the mp3 download.
Though I’d always been a fan of “Dream Police” and “She’s Tight,” it wasn’t until 1993 that I fully embraced the many pleasures Cheap Trick had to offer. Checking the liner notes on their 1978 album Heaven Tonight revealed that amongst the album’s many fantastic tracks was a cover by someone named Roy Wood. “Who the hell was Roy Wood?” was my first thought and my second was “This song is incredible!” As it turned out Wood was the main songwriter for British band The Move, who’d found much success in the late 1960s and was a big influence on Cheap Trick’s musical style.