// Category Archive for: Music Reviews

Music Review: The Flat Five, It’s A World Of Love And Hope

By Melissa Bratcher

The Flat Five’s debut album, It’s A World Of Love And Hope, is perfect antidote to the weird awfulness of 2016. Full of exquisite, goosebump-inducing harmonies and ear-worm melodies, it’s a vacation on vinyl (or digitally, as you do). The songs lull you with prettiness and then… you listen to the dryly hilarious lyrics. It’s the perfect marriage of those two factors and endlessly relistenable.
(more…)

Music Review: Opeth, Sorceress

By Tim Murr

Opeth began challenging the parameters of death metal in the 1995 debut Orchid. Mixing in clean vocals, piano, and acoustic instruments, the band was destined to stand out. Frequent lineup changes occurred, leaving Mikael Åkerfeldt the only constant member. These days, the death metal connection seems tenuous at best, given the greater prog rock direction Opeth has taken. And that’s fine.
(more…)

Music Review: Melvins, Basses Loaded

By Tim Murr

Aberdeen’s Melvins have been around since 1983 and remain one of America’s greatest rock ‘n’ roll bands. That’s not hyperbole; that’s just a fact. They have released a slew of albums exploring the boundaries of stoner, doom, sludge, and grunge music. King Buzzo and Dale Crover have been the only constant members with several different bass players coming and going. Which brings us to the new album, Basses Loaded.
(more…)

Music Review: Shovels & Rope, Little Seeds

By Melissa Bratcher

The last time we checked in with Shovels & Rope, they had released Busted Jukebox Vol. 1, a collection of covers and collaborations. That was in 2015. Now, they have followed up with Little Seeds, an intimate, confessional return to form. It’s breathtaking in its honesty, chronicling some life-altering events in Cary Ann Hearst and Michael Trent’s lives.
(more…)

Music Review: Julia Jacklin, Don’t Let The Kids Win

By Melissa Bratcher

I’m going to admit this right off the bat: there were a few times in listening to Julia Jacklin’s fascinating debut, Don’t Let The Kids Win, that I couldn’t quite make out what she was saying. On the opening track, “Pool Party,” I was drawn to the languid retro feel, a slow dreamy sway of a song, and the unusual timbre to Jacklin’s voice. I just had no idea what the lyrics were (and to me, as a reviewer, lyrics are important). But it didn’t actually matter, because the feelings are evident; there is a heaviness, a sadness that runs through the Americana-esque song.
(more…)

Music Review: True Widow, AVVOLGERE

By Tim Murr

When I was two tracks into True Widow’s second album, AVVOLGERE, I said to myself, “Wow, this is everything I love about Sonic Youth’s Confusion Is Sex and Bad Moon Rising, but without all the arty filler.” This Texas trio just rolled into my life with the exact kind of album I’ve been wanting for a really long time.
(more…)

Music Review: Sumerlands, Sumerlands

By Tim Murr

I hope Philadelphia, PA is super proud of Sumerlands, whose debut album just dropped. Their self-titled LP, released by Relapse Records and also available on the group’s Bandcamp page, is pure metal that hits all the sweet spots. The group does a fantastic job balancing the sounds of classic metal from the 1970s and ‘80s with the technical aesthetics of modern metal. In other words, imagine classic Black Sabbath being produced today.
(more…)

Music Review: The Black Black, Adjusted I

By Tim Murr

When the song “Meticulous” exploded from my speakers, I said “Shit!” and stopped the song, turned the volume up, backed the track up to the beginning, and let it fly. Because, shit, you gotta play something like this loud! The Black Black debuted in 2014 with their LP Boogie Nights. Now they’ve returned with a fantastic EP that will blow your doors off.
(more…)

Music Review: Luke Winslow-King, I’m Glad Trouble Don’t Last Always

By Melissa Bratcher

Luke Winslow-King’s new album, I’m Glad Trouble Don’t Last Always, begins like you’d expect one of his albums to begin: killer bottleneck riffing and sonic space. Then, it quickly becomes something unexpected. He’s no longer playing stripped-down, front porch-blues. He’s moved boldly into the realm of contemporary blues players (Gary Clark, Jr. is an apt comparison) with a full band, with any trace of whimsy eradicated, and Winslow-King’s fine voice prominent. It doesn’t sound like him, though. Not the him that we’ve come to expect.
(more…)

Music Review: Various Artists, Afterschool Special: The 123s Of Kid Soul

By Melissa Bratcher

Have you ever listened to an album that is so charming that you just can’t bear it? I have. The fine folks at Numero Group have added to their considerable catalogue of genius compilations with Afterschool Special: The 123s of Kid Soul. Think: bubblegum pop + funk = sheer delight. Think: the Jackson 5. Think: infectious beats, voices so sweet you just want to curl into a ball and giggle, and true love. It’s hard for me to be objective; it’s so darling.
(more…)