// Category Archive for: Movie Reviews

SXSW Movie Review: Beware The Slenderman

By Brad Henderson

Beware The Slenderman is one of the most intense, chilling, and scary documentaries ever to exist.

If anyone has surfed any Internet forums, then they most likely they know about Slenderman. What started as a Photoshopped picture on SomethingAwful spawned a urban legend that has made its way into stories, video games, and even movies. Slenderman has only existed for a little over a decade, but it didn’t really get popular until videos started appearing on the Internet.

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In Case You Missed It: March 13 – 19, 2016–SXSW Reviews & Music News

By Less Lee Moore

Let Haircut 100 make you happy.

Our tireless SXSW Film Festival correspondent Brad Henderson has returned to bring you reviews of all the genre films playing at this year’s SXSW. First up, is The Greasy Strangler, which is as gross and weird as its title suggests. Look for more SXSW movie reviews next week on Popshifter!

Everyone has been talking about 10 Cloverfield Lane and Jeffery braved the multiplex to bring you this non-spoilery yet mega-praiseworthy review.

Both Jeffery and I loved Baskin, the Turkish horror flick from Can Evrenol that opens in theaters and VOD on Friday, March 25. Hopefully you will love our (also non-spoilery) reviews.

Stepping outside of the horror genre for a moment, Jeffery also checked out the unexpected delights of the new Pee-wee Herman movie called Pee-wee’s Big Holiday. Joe Manganiello obviously needs to take on more comedy roles.

Another premiere on Netflix this week is the much-anticipated second season of Marvel’s Daredevil. I’ve got the scoop on the first seven episodes of the season over at Biff Bam Pop.

In some exciting and unexpected TV casting news, Andy Burns at Rue Morgue reports that Canadian punk rock and acting legend Hugh Dillon is going to be on the new season of Twin Peaks next year. Yet another reason to tune in, as if you needed any.

Sachin has two Lucha Underground recaps this week because last week’s episode, “Death Comes In Threes,” threw him for a loop, and not necessarily in an enjoyable way. The good news is that the show has recovered quickly with the excellent “Life After Death.”

Another show that had a stellar episode was Outsiders, which as Laury reports, finally got some serious character development and plot momentum with “Weapons.” And on The Walking Dead, we’re still in “The Same Boat” in terms of zombies, people dying, and not actually seeing Negan’s face.

So much music this week! Melissa has reviews of three of this week’s best releases: a spectacular album from Grant-Lee Phillips, the crazy Americana compilation Wayfaring Strangers: Cosmic American Music from Numero Group, and a brilliant reissue of the already-brilliant and woefully underappreciated Pelican West by Haircut 100. And from S. Elizabeth at Dirge Magazine, a gorgeous analysis of the equally-gorgeous Full Circle from HÆLOS.

More music news comes from Unicorn Booty’s NOW HEAR THIS! where you can find out about Michelle Obama’s new single (WHA?!), The Pet Shop Boys, and Malcolm McLaren’s annoying son.

Look for reviews of new releases from Dirty Sidewalks, Iggy Pop, and Lust For Youth soon on Popshifter.

In gaming news, you might be interested in this report about how one of the reps for Oculus Rift is a straight(-up) douchebag.

Fannibals got a hint of this in Hannibal’s second season (Achilles + Patrocles 4 LYFE), here’s more evidence that Greek mythology is way gayer than you thought.

What happened this week on Today In Pop Culture? Speaking of Greek mythology, we discuss Caligula, in addition to the Ides of March, St. Patrick, Wings, and Perry Como.

Netflix Review: Pee-wee’s Big Holiday

By Jeffery X Martin

There’s a new Pee-wee Herman movie exclusively on Netflix, and I don’t know why either. I suppose it fits in with the nostalgia wave the network has been riding lately, but going with Pee-Wee seems an odd choice. The curiosity factor must be acknowledged, though, and a lot of people will tune in just to see what this movie could possibly offer.

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SXSW Movie Review: The Greasy Strangler

By Brad Henderson

If Tim and Eric made an R-rated Napoleon Dynamite-esque movie, that’s exactly what The Greasy Strangler would be.

Sometimes it feels that The Greasy Strangler isn’t even a movie, but an overall test of what one person can endure. It also feels like this would be a good social experiment to show your friends and see if they remain friends with you afterwards. That said, The Greasy Strangler is hilarious, sleazy, slimy, and just a fucking weird comedy that actually exists in this world and it’s perfect.

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Movie Review: Baskin

By Jeffery X Martin

The new Turkish movie by Can Evrenol, Baskin, is one of the best horror movies of the decade so far. It intrigues, it horrifies, it disgusts, but it is never anything but an excellent example of how to make nightmares come to life on screen.

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Movie Review: 10 Cloverfield Lane (Spoiler-Free)

By Jeffery X Martin

Calling 10 Cloverfield Lane a sequel to 2008’s found footage monster movie, Cloverfield, is kind of like calling Easter the sequel to Christmas. It is, but it isn’t. That’s what makes the second installment, in what can only be referred to as the Cloverfield Anthology, different and brave.

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Blu-Ray Review: American Horror Project Volume One

By Tim Murr

When you delve into the glut of independent American cinema from the 1970s, you’ll be amazed at how many films were actually produced in that decade by penniless mavericks far from the infrastructure of Hollywood or New York City. Remember, too, that film- making was a massive undertaking, not just in the pre-digital world, but also pre-video. (For some insight into the trials and tribulations into the hardships of the indie horror director in the ’70s, please check out the book Shock Value by Jason Zinoman.)

The fact that we have small indie efforts like Texas Chainsaw Massacre, Deranged, Night Of The Living Dead, Last House On The Left, Driller Killer, or Phantasm that have risen to the status of bonafide American classics or, at least, cult classics, is something we should all be thankful for. So many films from the grindhouse circuit have been lost to history. That’s where Arrow Video comes in with the start of an amazing new series, American Horror Project.

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Blu-Ray Review: In The Heart Of The Sea

By Jeffery X Martin

Ron Howard’s whaling adventure In the Heart of the Sea is an ambitious film, reaching into a few classic sub-genres, but ultimately, finding no purchase there. What remains is a pastiche of retreaded ideas and some weird-looking CGI. As the true story behind the novel Moby Dick, viewers have a good idea of what they’re getting into, but will wind up with less than they expected.

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Blu-Ray Review: Nikkatsu Diamond Guys, Vol. 1

By Jeffery X Martin

The recent Arrow Video compilation, Nikkatsu Diamond Guys Vol. 1, highlights the kind of films we don’t often think of when it comes to Japanese cinema. These aren’t cheesy monster movies with guys in rubber suits, nor are they fantastic period dramas about dynastic politics and great wars. These three movies are star vehicles, melodramatic potboilers with handsome leading men and damsels in distress.

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DVD Review: The Sheik

By Jeffery X Martin

Normally, when you hear about someone who started with nothing, made it big, then lost it all to drugs and general bad behavior, it’s some Hollywood starlet or Tom Sizemore. This is not the case with The Sheik, a documentary about one of the most famous professional wrestlers of all time, The Iron Sheik.

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