Doglegs co-founder, and star of the film, Shintaro Yano (ring name “Sambo” Shintaro) strikes a fighting pose. © Alfie Goodrich
Japanese wrestling or “puroresu” is a tradition that goes back to the 1950s, and is most closely associated with a more realistic, hard-hitting “strong style” than we normally see in Western pro wrestling, which is far more choreographed. Strikes usually land for real, though the intention is still primarily to put on a show, not actually hurt one’s opponent. The style is tough on the performers, and those that thrive in the competitive landscape of “puro” are considered some of the best and most resilient wrestlers in the business. Still, the style is often hard to watch, given what we know now about concussions and other injuries that can be commonplace in puro.
You can imagine, then, how hard it is to watch a puro match, not between able-bodied athletes in peak physical condition, but with disabled wrestlers. Heath Cozens’ Doglegs, a documentary about an eponymous group of mostly disabled Japanese wrestlers, is certainly difficult to sit through, but is ultimately worthwhile for its ability to wring triumph from tragedy.
With some technical difficulties preventing us from talking about a certain Warrior Princess (stay tuned for this one, though) on this week’s TV or GTFO, Sachin and Gary decide to talk about a Prince instead. A Fresh Prince.
If, for some reason, you haven’t somehow sussed out our subject for this week, we’ll be talking about the Will Smith vehicle The Fresh Prince of Bel Air, which aired for six seasons between 1990 and 1996. It’s a story all about how Smith’s life got flipped—turned upside down. So take a minute, sit right there, because we’ll tell you how he became the prince of a town called Bel Air. This was a show that both of us enjoyed a lot while it aired, so we’d hoped that it would hold up better than it has.
Why doesn’t anyone experience any growth or change on this show? What happened to the original Aunt Viv? Where did Nicky come from? WHY DOES NOTHING HAPPEN IN THE SERIES FINALE?? Find out on this week’s episode of TV or GTFO!
Post Plague Record Release Show
June 24, 2016
At last year’s NXNE, Odonis Odonis played a show with A Place To Bury Strangers and Iceage and despite both of those bands having huge reputations of being incredible live, the Toronto trio more than held their own. This past Friday’s show was even better. The band has an impressive light show to accompany their newer material and this time, they weren’t plagued with the technical issues that threatened to overpower last year’s Opera House performance. In fact, they almost literally blew me away. But more on that in a minute.
With the second episode of season 2, it becomes evident that Jamie is not fully healed, neither mentally nor physically. Jamie, Claire, and even Murtagh come to the realization that things in France are quite different from what they’ve experienced in Scotland.
By Tyler Hodg
Some say life is stranger than fiction; The Fear of 13, a documentary by British filmmaker David Sington, is a whirlwind collection of unbelievable anecdotes told by Death Row prisoner Nick Yarris, which seem too crazy not to be true. Now available on streaming giant Netflix, the film publicizes humane perspectives of criminals, and those often unfairly tossed aside by society.
After several years paying her dues in various Toronto bands, Robyn Phillips was visited by a vision. Adopting the name of Isabella Rossellini’s character from Blue Velvet, Phillips began writing songs informed by this persona, eventually gathering other musicians to complete a full band. Vallens’ first album Consent is out today and it reveals that Phillips’ commitment paid off: it’s a stunning debut.
By Tyler Hodg
There is little that hasn’t been said about Neil Young over his 56-year long career (and counting), yet the prolific musician continues to give people reasons to talk; through the constant delivery of unique additions to his catalogue both musically and visually, and an unapologetically-high standard for passion, it’s no wonder he has been, and will remain, universally respected as an artist.
Young’s latest project sees him joined by Promise of the Real for a two-disc compilation simply titled Earth. The album, which features live tracks from his extensive repertoire and the pairing’s 2015 effort The Monsanto Years, is a 98-minute long collection of what Young describes as songs about “living here on our planet together.”
I heard a voice, a whisper in the dark
And I followed it until I couldn’t see anything anymore.
–Bloody Knives, “Poison Halo”
When your band is named Bloody Knives, you’d better have the tunes to back it up. Fortunately, the Austin four-piece deliver the gory goods on their latest release, the viscerally titled I Will Cut Your Heart Out For This.
Has there ever been a greater musical misnomer than “industrial”? Initially coined as a response to the music being released by Genesis P-Orridge’s Industrial Records and the phrase “industrial music for industrial people” on the first Throbbing Gristle album (at least according to Wikipedia), it’s become a catch-all for any dissonant music that uses drum machines. What is great about drum machines, though, is that they provide such a perfectly sterile template for compelling melodies, the kind that you can either thrash or dance to.
While Odonis Odonis’s latest album, Post Plague, was inspired by industrial bands like Nitzer Ebb and Front 242, it also owes a debt to films like Ex Machina and Beyond The Black Rainbow, as well as of-the-minute ideas about transhumanism and virtual reality.
Since childhood, I’ve wanted to make movies. Last night I got to watch a documentary about a group of kids who were determined to make a shot for shot remake of Raiders Of The Lost Ark. Raiders! The Story Of The Greatest Fan Film Ever Made tells the story of this incredible attempt and the resulting admirable success.