Valerie Solanas: Who Shot Andy Warhol?

By Less Lee Moore

In June of 1968, a woman named Valerie Solanas rode the elevator up to The Factory, Andy Warhol’s loft. In the elevator with her was Andy Warhol himself. In the Factory’s office was Mario Amaya, an art editor from London; Fred Hughes, one of Warhol’s assistants; and Paul Morrissey, Warhol’s executive producer. Morrissey walked into the bathroom. Within a few minutes, Solanas pulled out a .32 caliber gun and shot Warhol three times. She then shot Amaya in the hip. Hughes begged her to stop. When she fired the gun at him, it jammed. Just then, the elevator doors opened and Hughes told her get on. So she did.

Screencap from I Shot Andy Warhol, 1996

Soon after, Valerie turned herself in to police. When questioned by the media outside of the police station, Valerie said that her reasons for shooting Warhol were “very involved. Read my manifesto and it will tell you what I am.” Solanas served a three-year sentence for attempted murder and died in 1988.

Over forty years have passed since the shooting, but people are still asking the question “Why?” (more…)

Scandal In The 21st Century: The Different Faces Of Irene Adler

By Lisa Anderson

To Sherlock Holmes, she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It’s not that he felt any emotion akin to love for Irene Adler. All emotions, and that one in particular, were abhorrent to his cold, precise, but admirably balanced mind . . . He never spoke of the softer passions, save with a gibe and a sneer . . . And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.
—”A Scandal in Bohemia,” by Sir Arthur Conan Doyle

In recent years, two new versions of the stories of Sherlock Holmes have captivated viewing audiences. One is the film version starring Robert Downey, Jr. The other is the BBC Television version with Benedict Cumberbatch as the lead. Both versions make good use of characters that have either been portrayed very differently or not used as extensively in other incarnations of Holmes stories. For example, both Jude Law and Martin Freeman portray John Watson as a much better sidekick than did Nigel Bruce and others. Mycroft Holmes, Sherlock’s smarter older brother, gets screen time and importance in both the movies and the television show. However, none of Arthur Conan Doyle’s characters has seen their stock increase more in these retellings than Irene Adler. SPOILERS BEHIND THE CUT!
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Melody Walker, Gold Rush Goddess

By Kai Shuart

In the interest of full journalistic disclosure, I have to say that I know Melody Walker—the artist behind this CD—personally; I had the privilege of playing with her many times when we were both attending Humboldt State University and seeing her talent grow from her early days playing at Muddy Waters. We remain great friends to this day.

However, that does not diminish the fact that this is an outstanding record. The opening title track, “Gold Rush Goddess” intertwines the earthy images of dynamited mountains and the lusty image of a woman dancing for money and melds them into a cohesive allegory for exploitation, as evidenced in the lyric “Come down off that mountain/come down all you men/but don’t you come knockin’ without money in your hand.”
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Top Five 1970s Films Directed by Women

By Chelsea Spear

If your knowledge of the American New Wave begins and ends with the studio films of the era and Peter Biskind’s Easy Riders, Raging Bulls, you may regard 1970s Hollywood as a roiling cauldron of testosterone. The pictures of the day may have featured more complex female protagonists, and may have ushered in an era of unconventional actresses like Shelley Duvall, Ellyn Burstyn, and Barbara Streisand. However, the exploits of Altman, Bogdanovich, Hopper, and Scorsese and their second-string peers left little room for emerging distaff talent.

As any good artist does, however, the female directors of the 1970s found a way around the system and were able to make feature films. Many of these saw distribution at mainstream houses, while others languished, undiscovered until recently. Here are five features helmed by intrepid lady lensers during the Easy Riders/Raging Bulls era.
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Linda Ronstadt: Not So Easy

By David Speranza

She’s not in the Rock & Roll Hall of Fame. She’s shockingly absent from Rolling Stone‘s list of Top 100 Singers. And yet in the 1970s she went where no woman had gone before, a female superstar in a male realm, clearing the way for the generations of pop, rock, and country superstars to come. She was featured on six Rolling Stone covers, the covers of Time and Newsweek, and received such appellations as “queen of rock,” “first lady of rock,” “rock’s superwoman,” and “top female pop singer of the decade.”

She was the first artist since the Beatles—and the first woman ever—to have two Top Five singles at the same time. Her string of multi-platinum albums and unprecedented (for a woman) arena rock shows made her the highest-paid female musician of the decade. Critical approval included a satchel-ful of Grammys, multiple Vocalist of the Year awards, and a date singing “The Star Spangled Banner” at Game Three of the 1978 World Series. Her voice was a technically perfect yet heartfelt instrument capable of expressing a multitude of emotions in an intimidating array of styles. Where female rockers were concerned, there was Linda Ronstadt—and there was everyone else.
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Arkham City: World Of Echo

By Paul Casey

Arkham City, released October 21, is an important Batman story. While perhaps not as unexpected as its predecessor, Arkham Asylum, Rocksteady have turned in a Batman game that builds on that one’s many successes. As someone who has been obsessed with Batman for a couple of decades, with changing degrees of intensity, Arkham City is literally a dream come true.

To have an interactive slab of Gotham City with such extremely detailed and well observed parts of Batman’s long history concealed for your own brand of detective work . . . well, it makes me feel both old and lucky to have been around this long. That the game is actually a wonderful, expertly paced, physical experience is something else entirely. As with Arkham Asylum, it still seems quite unusual to have a great comic book like Batman finally tap into why video games are such an exciting medium.
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Mixtape For The Apocalypse: An Interview With Author Jemiah Jefferson

By Lisa Anderson

With electronic books pulling ahead of paper books in popularity, self-publishing is getting easier and easier. One of the pioneers on this new frontier is Dark Horse comics editor and Popshifter contributor Jemiah Jefferson. Jemiah and I met up over IM to discuss her recently self-published novel, Mixtape for the Apocalypse, as well as her previous work.
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Congratulations To PJ Harvey, Two-Time Mercury Music Prize Winner

By Less Lee Moore

You may have already heard that PJ Harvey has won the UK’s 2011 Mercury Music Prize for her most recent album, Let England Shake, but what you may not know is that she is the first person to win the award twice. Additionally, she was the first female to win the award ten years ago for her outstanding 2001 album Stories From The City, Stories From The Sea.

Watch her performance of “The Words That Maketh Murder” at the Mercury Prize ceremony on September 6.

We reviewed Let England Shake on the Popshifter blog back in February, with J Howell saying that it “will likely stand the test of time as one of the finest, perhaps even one of the most important, records of the early twenty-first century.”

On September 12, 2011, PJ Harvey will release an exclusive iTunes Session which can be pre-ordered on the iTunesStore. The EP features seven recently recorded live tracks along with an interview. It also includes four songs from Let England Shake as well as three of her most widely acclaimed songs from past albums.

iTunes Session track listing:
1. Let England Shake
2. The Words That Maketh Murder
3. The Last Living Rose
4. Written On The Forehead
5. Angelene
6. C’Mon Billy
7. Down By The Water
8 – Interview -

Says Harvey of her win, “I feel surprised and astonished that I’ve won twice and I do feel proud, it’s amazing, I can’t quite take it in but at the same time I feel that making music and words is very important to me and I’ve always tried to make it the best it could possibly be and I hope to continue doing that. I hope to be back here again in another 10 years’ time with another record because it’s very important to me to keep making word that is of relevance, not just to myself but to other people.”

We hope so, too.

You can stream two songs from Let England Shake on Soundcloud: “Written On The Forehead” and “The Words That Maketh Murder.” You can also purchase the album from iTunes and Amazon.

In Defense Of Television

“There are only two things I love in this world: everybody, and television.”
—Kenneth the Page on 30 Rock

“Now I am become death, the destroyer of worlds.”
—The Bhagavad Gita, as quoted by J. Robert Oppenheimer

TV is bad for you, right?

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My Little Pony: Friendship Is Magic Is Magic

By Matt Keeley

The Hub’s My Little Pony is one of the the best shows on television. I came to it rather late, despite having friends who were already fans, mainly because, well . . . who would ever think that statement could ever be true? But it is. And it’s all thanks to Lauren Faust.
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