Best Of 2016: Ronnie Barnett of The Muffs

Top Ten Reissues of 2016

1. Milk ‘N’ Cookies, Milk ‘N’ Cookies (Captured Tracks): They shoulda been contenders but their initial good luck turned bad quickly. This long-in-the-works compilation of their lone album, singles, demos, and rehearsal tapes finally does this overlooked band’s legacy right. The two-CD set is accompanied by an exhaustive booklet jammed with photos, ads, flyers, and liner notes. Sigh!!

2. Ramones, Ramones: 40th Anniversary Deluxe Edition (Rhino): Obviously no introduction necessary for this band/album but the most special thing about this edition is the earthshaking news that the groundbreaking masterwork has finally been given an additional mono mix. The only thing wrong is that none of the boys are around anymore to hear it…

3. Crowded House, Deluxe Editions (Universal): Digitally remastered & expanded two-disc versions of all seven releases with tons of b-sides, outtakes & demos. Any morsel of Neil Finn is a true godsend.

4. Big Star, Complete Third (Omnivore): As the world borders on “Big Star overload,” Omnivore has he final word with this lavish three-disc set devoted to the tortured, beautiful Big Star’s Third. Exhilarating.

5. Scientists, A Place Called Bad (Numero Group): Wouldn’t be a year-end release without a Numero Group title, this time a four-disc set compiling the complete works of Australia’s hugely influential Scientists. Essential!

6. The Shaggs, Philosophy Of The World (Light In The Attic): No introduction necessary, Pat Thomas and LITA finally get this classic back in print & done right. I can’t believe I missed the in-store at Newberry Comics!

7. Game Theory, The Big Shot Chronicles and Lolita Nation (Omnivore): The GT reissue campaign continued this year with arguably their two most important works. I always thought the genius of Scott Miller would be appreciated by future generations, thanks to Omnivore my dream has come true.

8. Jack Lee, Bigger Than Life (Alive!): I hate to complain at all when discussing the long overdue reissue of both Jack Lee albums on one disc but… come on Alive! at an expensive list price should at least include some much needed liner notes about one of the most under-appreciated power pop icons of all time!

9. Public Image Limited, Metal Box: Super Deluxe Edition (Universal UK): If the newish trend of four-disc box sets devoted to one album made sense for one title only, this would be it.

10. Long Ryders, Final Wild Songs (Cherry Red): Compiling their complete works, B-sides, live tracks & demos… though I should say “complete minus one” as there is one key track mysteriously missing. Note to record companies: in this situation go ahead and put the song on and deal with the fallout and hurt feelings afterwards; they will get soon get over it and thank you later.

Another Ten:

Lush, Chorus (4AD)
MnMs, Melts In Your Ears (Burger)
King Crimson, On (And Off) The Road 1981-1984 (Panagyric)
David Bowie, Who Can I Be Now? (Parlophone)
Redd Kross, Teen Babes From Monsanto (Redd Kross Fashion)
Nymphs, S/T (Rock Candy)
Cluster, 1971-1981 (bureau b)
Ryan Adams, Heartbreaker (Pax-Am)
Plasticland, Wonder Wonderful Wonderland and Salon (Wounded Bird)

We reviewed the reissue of The Muffs’ Blonder and Blonder on July 22.

Best Of 2016: Cheryl Pawelski of Omnivore Recordings

Ten Good Things… in a kinda cruddy year (not really in any order, sorta):

1. Some new record releases that were thrilling in 2016:
David Bowie, Blackstar
Wilco, Schmilco
Syd Arthur, Apracity
King, We Are King
Parquet Courts, Human Performance
Kendrick Lamar, untitled unmastered
A Tribe Called Quest, We Got It From Here… Thank You 4 Your Service
Emitt Rhodes, Rainbow Ends
Case/Lang/Veirs, Case/Lang/Veirs
Mudcrutch, Mudcrutch 2
Hamilton soundtrack
John Beasley, Monk’Estra Vol. 1
Eric Bachman, Eric Bachman
Luther Dickinson, Blues & Ballads
Sturgill Simpson, A Sailor’s Guide To Earth
East Of Venus, Memory Box
Still making sense out of Bon Iver’s 22, A Million (but I think I like it a lot) and still can’t stop listening to The Epic by Kamasi Washington, a 2015 release but a towering achievement!

2. Reissues, boxed sets & previously unissued music that I was happy to hear, happier to own:
Crooked Fingers, Crooked Fingers and Bring On The Snakes reissues
Midlake, The Trials Of Van Occupanther 10th Anniversary Edition
The three-LP “Loser Edition” of Wolf Parade’s Apologies To The Queen Mary
The Crowded House catalog reissued in deluxe fashion
Fleetwood Mac, Mirage (finally!)
David Bowie, Who Can I Be Now?
Gillian Welch, Boots No. 1
Art Pepper & Warne Marsh, Unreleased Art Vol. 9: Live At Donte’s; April 26, 1974
My Morning Jacket, It Still Moves (deluxe edition)
Patti Smith, Horses: Live Electric Lady Studios
The Meters, A Message From The Meters: The Complete Josie, Reprise & Warner Bros. Singles 1968-1977

3. Various Artist compilations that make me glad that in the digital/Internet/technology-will-be-the-end-of-humankind era we live in, curation of various artist compilations still happens:
Celestial Blues: Cosmic, Political And Spiritual Jazz 1970-1974
The Girls Want The Boys! Sweden’s Beat Girls 1966-1970
Tanbou Toujou Lou, Haiti 1960-1981
Various Artists, (The Microcosm): Visionary Music Of Continental Europe 1970-1986

4. Favorite records that I produced or worked on (that finally came out in 2016), of which I’m particularly proud:
Big Star, Complete Third
NRBQ, High Noon: A 50-Year Retrospective
Judy Henske & Jerry Yester, Farewell Aldebaran
Game Theory, Lolita Nation and The Big Shot Chronicles
JD Souther, John David Souther; Black Rose; and Home By Dawn
The Crowded House deluxe reissues
Buddy Guy & Junior Wells, The Criteria Sessions

5. Best shows of the year (no order, all awesome):
Emitt Rhodes, Grammy Museum
Systema Solar, SXSW
Lucius, SXSW
The Bangles & The Muffs at the Whisky
Case/Lang/Veirs at the Greek
Three nights of Wilco at the Theatre at the Ace Hotel
Judy Henske & Jerry Yester, at both the Grammy Museum & McCabe’s and Jimmy Webb actually performing on a lovely summer evening in MacArthur Park!
And this just in: sneak Beyonce performance at the Lemonade screening with a full all-female band complete with strings, horns and background vocalists!

6. Music books that were super cool:
Bruce Springsteen, Born To Run
Robbie Robertson, Testimony
Guy Clark, Without Getting Killed Or Caught: The Life And Music Of Guy Clark
Trouble Boys: The True Story Of The Replacements
Patti Smith, M Train
Under The Big Black Sun: A Personal History Of L.A. Punk

7. More about Bruce’s book Born To Run:
As a life-long Bruce fan, the surprise of an autobiography (both book and audiobook!) and accompanying book tour, was a bit mind boggling. Coolest thing? None of it sucked, in fact, the book is charming, funny, arresting, insightful, honest and human. While I and a truckload of other super nerds would have liked more insight into the recordings and songwriting, a book by Bruce was something I never thought I’d see. Just like all his musical work in the past, Born To Run is life affirming and a place from which to draw inspiration in difficult times. We all deserve some transcendent rock and roll as we peer over the edge of 2017, I find some of mine here.

8. Runner up in Bruce-ville
The release of the Christic Benefit shows from November of 1990. It was my first Bruce show as a fresh L.A. resident (I was there the 17th). A mind-blower in that he had not performed solo since the early 1970s—before he had a record deal with Columbia. He was nervous, but still managed to debut brilliant new songs like “Real World” and “Soul Driver” among others. The solo versions of these songs performed on these two nights, remain the definitive versions. Extra bonus, a photo by Greg Allen, my partner at Omnivore adorns the cover of the Nugs release!

9. Music Film: The Beatles, Eight Days A Week: The Touring Years
Never having had a chance to see The Beatles live (I don’t think I’ll be able to say this for much longer, but I’m too young to have seen The Beatles live), it was a treat to see this documentary in the theater. The film itself was fun, but the really great part of motivating my ass to the theater (and not waiting for streaming, on-demand, Blu-Ray, DVD or whatever method the ones and zeros bring us our entertainment these days as we calcify on our couches), was seeing the bonus concert at Shea Stadium on the big screen. It was large, it was loud, and it was glorious good fun!

10. Favorite album design/packages
I love music. I love it so much, I made it my life’s work. I also love all the things music comes in—the packaging, the artifact. Yeah, yeah, I know, streaming. Whatever. I really like all my cool records and don’t really like the idea of renting music. Just ain’t for me. I love art, photography, liner notes, and package design and how powerfully they co-mingle with music, each amplifying each other.

A few I dug the most this year were…
David Bowie, Who Can I Be Now? LP set
Various Artists, Waxing The Gospel: Mass Evangelism & The Phonograph 1890-1900
Radiohead, A Moon Shaped Pool deluxo-LP/CD
Sloan, One Chord To Another LP/45 set
Grateful Dead, July 1978: The Complete Recordings
Pearl Jam, Live At Third Man Records vault package
The Band, The Last Waltz 40th Anniversary

Check out our reviews of 2016 releases from Ominvore Recordings.

Music Review: Those Pretty Wrongs, Those Pretty Wrongs

By Melissa Bratcher

The music that Those Pretty Wrongs makes is familiar in the best of ways. It’s sun-dappled melancholy, 1970s AM radio-friendly songs that soar with warm harmony and delicate guitar. It’s quiet power pop with heart, which makes sense if one looks at their pedigree.

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Music Review: End Of Love, Ghosts On The Radio

By Melissa Bratcher

There are a lot of cooks in the band End Of Love. The press release refers to them as a collective of musicians, and from the unevenness of their album Ghosts On The Radio, it certainly seems they’re more of a collective. The players on Ghosts On The Radio read like a who’s who of college radio: Lee Ranaldo from Sonic Youth, Chris Stamey from the dB’s, members of Wilco and Big Star. There’s a rotating cast of vocalists, most notably Django Haskins from Old Ceremony, but also Skylar Gudasz, Karlie Bruce, and Elisa Peimer.

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Music Review: Alex Chilton, Electricity By Candlelight

By Melissa Bratcher

Electricity By Candlelight is the kind of record that music nerds dream of. Imagine your favorite musician playing an acoustic set of his favorite songs, things by the artists who influenced him, to a very intimate, engaged crowd. Imagine that he is playing in a venue where a storm has knocked out the electricity, and he’s playing in a nearly pitch black room, illuminated by only three table candles. And you have had the foresight to bring your trusty tape recorder, which is great, because if you hadn’t documented it, no one would believe it even happened.

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Movie Review: Big Star: Nothing Can Hurt Me

By Less Lee Moore

When I first heard Big Star, I wondered “Why weren’t these guys huge?” like all their other fans have been wondering for the last 40-plus years. Big Star: Nothing Can Hurt Me answers the why, but their lack of mainstream success still boggles the mind. When Brian Wilson sang “I Just Wasn’t Made For These Times,” he could have easily been singing about Big Star.

The story of Big Star is full of both good things—talent, camaraderie, ambition—and terrible ones—bad luck, personal demons, and death. This mixture of the bitter and the sweet is a good metaphor for Big Star’s music, which fuses the two in an unforgettable aural and emotional experience. This is what drew fans and critics to the band and what continues to characterize their legacy.

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Music Review: Big Star: Nothing Can Hurt Me Soundtrack

By Cait Brennan

There’s a part of you that gets wistful sometimes when you see some secret treasure you love finally get its day in the sun. You think back to the day, seven worlds ago, when a friend of a friend handed you a cassette tape of some band you never heard of called Big Star, on an obviously fake record label called PVC Records. The friend gives you a knowing look and you don’t know; you don’t know you have a universe in your hand, that this grubby little tape is going to change your life, it’s going to detonate some ecstatic explosion inside you, and you will never be that person ever again. And a thousand miles later you chance across another copy in the cutout bin of some strip-mall record shop and you buy it for 49 cents and you put it in the hands of someone you love who’s never heard it, and you look at their uncomprehending expression and think “that was me, once upon a time.” And if you’ve chosen wisely and the quantum entanglement is aligned just so, the chain reaction goes on.

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Canadian Music Week Film Fest Movie Review: Big Star: Nothing Can Hurt Me

By Less Lee Moore

When I first heard Big Star, I wondered “Why weren’t these guys huge?” like all their other fans have been wondering for the last 40-plus years. Big Star: Nothing Can Hurt Me answers the why, but their lack of mainstream success still boggles the mind. When Brian Wilson sang “I Just Wasn’t Made For These Times,” he could have easily been singing about Big Star.

The story of Big Star is full of both good things—talent, camaraderie, ambition—and terrible ones—bad luck, personal demons, and death. This mixture of the bitter and the sweet is a good metaphor for Big Star’s music, which fuses the two in an unforgettable aural and emotional experience. This is what drew fans and critics to the band and what continues to characterize their legacy.

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Music Review: Chris Stamey, Lovesick Blues

By Cait Brennan

Just about any item on Chris Stamey‘s resume would get you your cult rock and roll bona fides. He played with Big Star’s Alex Chilton, and formed his own great (if short-lived) powerpop band Sneakers alongside Mitch Easter and Will Rigby. Stamey even founded his own indie record label, which released the one and only solo single by Big Star’s Chris Bell, the transcendent “I Am The Cosmos.” But he was just getting started.

Perhaps best known as a founding member of influential rockers the dB’s, Stamey cemented his place in music history early with that band’s first two landmark albums, 1981’s Stands For Decibels and 1982’s Repercussion. But despite the acclaim, Stamey stepped out for a solo career shortly before the band’s third album Like This, and has traveled a fiercely independent road ever since.

The past few years have found Stamey busier than ever. He’s produced records for artists as diverse as Yo La Tengo, Whiskeytown, Le Tigre, and Alejandro Escovedo, recorded duo albums with his former dB’s compatriot Peter Holsapple, and even served as the driving force behind the acclaimed Big Star tribute shows, fully-orchestrated live performances of Big Star’s Third/Sister Lovers.

In 2012, 30 years after leaving the band, Stamey and the dB’s reunited for an outstanding new album, Falling Off The Sky, a blazing rock record that sounded less like a reunion of old pals and more like the debut of a vital new band (review). And now, before the ink’s even dry on Falling Off The Sky‘s strong reviews, Stamey’s back with a complete about-face, a warm, intimate solo collection of new songs called Lovesick Blues.

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Best of 2012: Danny R. Phillips

My editor at this fine publication has informed me that I need not stick to 2012 releases for my “Best Of” list. With that in mind, I have made a list of new releases & “classics” that I have gone back to in the last year or so.

Shall we begin?

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