By Tyler Hodg
Hardcore Henry, a Russian-American first-person POV action movie from Ilya Naishuller, delivers a unique cinematic experience. The film relies heavily on the visual gimmick, and for what it’s worth, is completely memorable for it.
By Brian Baker
At one point, during the film Green Room, “Welcome to the meatgrinder” is uttered.
No other phrase can sum up the misadventures of an out-of-town punk quartet—with left-of-the-middle politics—as they take on a last-minute gig at a white supremacist roadhouse outside of Portland, Oregon.
Green Room is director Jeremy Saulnier’s third full-length feature and much like his cult favorite Blue Ruin, it’s a lovely shot of adrenaline directly into the scrotum called fear.
WARNING: SPOILERS
“Shabbat shalom, motherfuckers.”—Ilana
When an episode of Broad City, set almost entirely on an airplane, starts with Maroon 5’s Adam Levine in an absolute fever dream of an airline safety video, you know it’s about to pop off. And pop off it does, because with Abbi and Ilana in the air, en route to Israel, there are no punches left to be pulled in this finale. I can safely say that “Jews on a Plane” is the perfect bookend to a near-flawless season of Broad City and is easily my favorite episode of a comedy show in which a person’s homemade tampon is mistaken for a bomb.
Continue reading ‘TV Review: Broad City S3 E10, “Jews on a Plane”’
James Booker collected nicknames like some people collect vinyl. The New Orleans piano great has been called (by himself or by others) The Piano Prince, The Ivory Emperor, the Black Liberace, and the Bayou Maharajah. Filmmaker Lily Keber went with the latter, Bayou Maharajah, as the title of her documentary, now being released on home video.
Another week, another beloved and peerless musician has left us. In case you’ve been on some sort of Luddite retreat, you’ve heard the news that Prince has passed away at age 57. There are far too many good articles contemplating his death online to list them all here, but you might enjoy this one, in which I ponder what it means to lose our heroes, “The Beautiful Ones U Always Seem 2 Lose.”
Here are two vastly different new releases you might want to check out: Cherry Red Records has released Tiny Tim: The Complete Singles Collection (1966-1970) about which Hanna writes the following:
Hearing a grown man do a believable Shirley Temple imitation is always a beautiful experience, and “Mickey the Monkey,” a song from the perspective of a monkey in a zoo providing his story to the child listener, seems almost a comment on Tiny Tim’s own position as a novelty performer: “While you’re watching me, I am watching you, too / You’re as funny to me as I am to you.”
On a totally different segment of the musical spectrum is Trágame Tierra, the long-awaited follow up to Big Black Delta’s self-titled debut. Why this record isn’t blowing up I cannot imagine. I’ve seen only two other reviews for it, and one of them is the most ghastly and insulting thing imaginable, on a website whose name rhymes with “Consequence of Sound.” Ignore that crap, and just read about how great this album is.
Unicorn Booty’s got some music news for you on this week’s NOW HEAR THIS, including the Afropunk festival lineup and more.
Game of Thrones fans are gearing up for the new season which starts tomorrow and at Everything Is Scary, Tim Ford discusses the most frightening characters on the show. None of them is Cersei Lannister. If vintage sitcoms are more your speed, you can check out the first two episodes of the TV or GTFO podcast, in which our own Sachin Hingoo teams up with Gary Heather to talk about Perfect Strangers and Hulk Hogan’s Thunder in Paradise.
Laury Scarbro has a lot to chew on after Outsiders’ episode 11, while Carol Borden has a lot to say about Scandal, How to Get Away with Murder, and more on the Cultural Gutter.
Movies? You want movies? We got ‘em. Well, we have reviews, at least. Dump those copies of Bride of Re-Animator in the trash, but not before picking up Arrow Video’s glorious new reissue, which Tim Ford assures us is the definitive edition. Sachin reviews a couple of Hot Docs movies, the new ten-part film essay from Werner Herzog, Lo and Behold: Reveries of the Connected World and the more-horrifying-than-an-actual-horror film Tickled. Women In Hollywood has their always-welcome list of women-centric, directed, and written films for the week, including the fantastic High-Rise, which I’ll be reviewing next week.
Unicorn Booty is the best site you’re not reading, unless of course, you are already reading it, in which case, yay! The excellent “A Trans Person Explains What’s Really Behind Transphobic Bathroom Bills” does exactly what the title suggests, but there is oh so much more good stuff in there. There’s also a rundown of why Harriet Tubman should be on the US $20 bill as well as some huge developments in world LGBT politics.
Oh, and if you’re having trouble sleeping at night, by all means, do not read this creepy assessment of H.P. Lovecraft’s uber-creepy short story “The Festival” by Peter Counter on Everything Is Scary.
“It’s a saying here in Chile when something terrible happens and you want to disappear from the face of the earth. Is there a similar sentence in English?”
–Username kiesha, regarding the phrase “trágame tierra” on WordReference.com
Sometimes upbeat, happy music doesn’t cut it. Sometimes there needs to be that murky undercurrent of melancholy or it just feels fraudulent. So much of modern pop music is missing that yearning quality; there is not enough darkness to temper the glittering, brittle, and frequently hollow light.
Big Black Delta, the musical alter ego of one Jonathan Bates, knows this. Big Black Delta exploded into my musical consciousness in 2012 with an EP that was like nothing I’d ever heard before or since. The self-titled full-length release that followed it was a tour de force of varying sonic landscapes: ridiculously, almost hysterically hooky, while at other times shockingly contemplative, or even sinister. It was one of my Top Ten favorites of 2013.
Continue reading ‘Music Review: Big Black Delta, Trágame Tierra’
I think most of us are familiar with the “Wikipedia hole,” where you’ll go to the site to look something up and find yourself entangled in a long series of links to related-but-unrelated entries, only to forget what you came for in the first place. A rabbit hole like this is the only way I can describe Tickled, because it’s a documentary that begins with the most benign and banal of subjects and ends up as a three-continent-spanning pursuit of, well, I’m still not sure. The characters along the way have a Lynchian surrealness to them, never as repulsive and pitiable on the surface as they are under the skin, which is really saying something because some of them are pretty gross externally, too.
In Lo and Behold: Reveries of the Connected World, a ten-part essay film that’s as far-reaching and excessive as its title, Werner Herzog explains the Internet as though you’ve never heard of it. If I didn’t know any better, I could actually believe that Herzog never has. He approaches this sprawling, impossible-seeming project with the often childlike point of view of a complete outsider and, one might say, Luddite. This usually manifests itself in a funny way but it also allows Herzog an entry point that’s not bogged down with jargon and which never seems patronizing. In fact, it easily and readily walks the line between wonderment and revulsion.
Continue reading ‘Movie Review: Lo And Behold: Reveries Of The Connected World’
On this episode of TV or GTFO, Gary and Sachin review the 1994 Hulk Hogan vanity project, Thunder In Paradise! Is Hulk Hogan that kid’s real dad? How big is that boat, anyway? Why is so much of this show echoed in Hulk’s recent real-life Gawker controversy? Will he ever take off that bandana? Find out this week on TV OR GTFO!
In the wake of Breece’s death, I expected things to go just a bit differently. Thankfully, I was wrong about Ledda blaming Wade, but he does indeed blame himself. Normally, I would say that’s a bad thing, but the new and improved Wade uses that guilt to propel himself into taking action that he should have been more willing to take several episodes back.
