Among The Living (image from Twitch)
New this week on Popshifter: Chelsea reviews new albums from Dessa and Bosnian Rainbows; Julie puts the music of Dream Affair into a musical context; Paul explains why Christy Moore’s “Delirium Tremens” has multiple meanings; Jeff lifts up his lighter for Styx’s Big Bang Theory; Cait reminisces on Big Star and their soundtrack for the movie Nothing Can Hurt Me; and I try to describe the somewhat indescribable film The Rambler.
New this week on Popshifter: Melissa remarks on the good and bad in The Cary Grant Film Collection on DVD; Chelsea loves El Valiente, the new album from Piñata Protest; Jeff finds little to love in Ozzy’s covers album, so cleverly titled Under Cover; Paul remembers some of the great roles from James Gandolfini; I have great things to say about iLL Manors, the debut film from Ben Drew; discuss the horror bona fides of Donna Davies’s documentary Nightmare Factory; and am impressed by The ABCs of Death, now on home video.
New this week on Popshifter: Emily reviews Dark, the latest from the British Electric Foundation; Chelsea appreciates the “exuberant energy” of CSS’s Planta; Melissa thinks Gap Band VII has “moments of brilliance” and enjoys the “invariably perfect” Volume 4 of Music from True Blood; Jeff introduces us to his next Waxing Nostalgic series on cover albums; and I review the new film Peaches Does Herself from the inimitable Peaches and the “remarkably original” John Dies At The End, now on DVD.
In 2008, I conducted an interview with the fabulous artist and all-around amazing lady Vicki Berndt. In it, we discussed her artwork, photography, fanzines, fandom, the punk rock aesthetic, and much more.
La Luz de Jesus Gallery in Los Angeles is presenting an exhibit of Vicki’s work that runs from Friday, May 3 through Sunday, June 2. She’ll be present at the artist reception on Friday, May 3 from 8 to 11 p.m.
For more information on Vicki and her art, be sure to check out her guest appearance on the “Over Under Sideways Down” podcast on LuxuriaMusic. It aired on Wednesday, April 24 and you can listen to the show on the LuxuriaMusic website (hour one and hour two).
La Luz de Jesus Gallery is located at 4633 Hollywood Blvd. In Los Angeles, CA. You can contact the gallery at 323-666-7667 or via their website at www.laluzdejesus.com. Take a look at the exhibit
online, too!
Check out more photos of Vicki’s art and her studio.
You’ve probably heard of Canadian Music Week, but did you know that films are part of the festivities? Much like South by Southwest and North by Northeast, where there is music, there are films. If you have music, films will come (or something like that).
This year marks the sixth annual CMW Film Fest (as it’s called ’round these parts). It takes place over three days, from March 21 – 23. Conveniently, all movies will be screened at the TIFF Bell Lightbox on King Street West in Toronto.
I’ll be reviewing every film in the festival over the next week or so, but in the meantime, here’s some short previews of what to expect.
Andrea Subissati and Paul Corupe
For hardcore genre fans in the Toronto area, last year’s The Black Museum was a dream come true: an interactive lecture series on horror and cult films that didn’t require waking up early or writing papers.
Luckily, curators Paul Corupe and Andrea Subissati are presenting another season of The Black Museum, and this time, it’s personal! (Not really, but I couldn’t resist that joke.) Season Two will feature five more lectures on genre themes that will be both fun and educational.
Il Futuro
It was nearly impossible to narrow down the films at this year’s Sundance into a Top 20, much less a Top Ten. I tried to pick my top choice from each category to give the best indication of the diversity of films screening at this year’s festival.
Information on this film is scarce, but Sundance’s website description, taken directly from the film’s website, is captivating: “Seven young women. A mansion perched on a Cycladic rock. A series of lessons on discipline, desire, discovery, and disappearance. A melancholy, inescapable cycle on the brink of womanhood—infinitely.” The Capsule is a French production with a Greek cast from director Athina Rachel Tsangari, who produced both Alps (2010) and Dogtooth (2009). Read more …
Although the Sundance Film Festival has only been around since 1978, it’s become synonymous with both indie filmmaking and “the next big thing.” Originally it was called the Utah/US Film Festival; the awkward title reveals the festival’s initial goal: to bring more filmmakers to the US; show older, well-regarded American films; and provide a place for filmmakers operating outside of the Hollywood system to screen their films.
Initially held in Salt Lake City, the festival moved to Park City in the hopes of attracting more people. Who wouldn’t want to spend a few days at a ski resort in January watching good movies, right? Despite the festival’s popularity and success over the next few years, it remained in an astonishing amount of debt. Thus in 1985, Robert Redford’s still-newbie Sundance Institute took over sponsorship and financial backing and the awkward name was scuttled in favor of what we all know now as the Sundance Film Festival. (At one point it was known as the even-more-awkward title of The US Film and Video Festival.)
Sundance has premiered an incredibly diverse selection of independent films throughout its 35 years. If there’s an indie film you know and love from the past three decades, chances are it has premiered at Sundance: sex, lies, and videotape; Reservoir Dogs; El Mariachi; Clerks; The Blair Witch Project; and documentaries like Hoop Dreams, Super Size Me, and Man On Wire all premiered at Sundance and went on to critical acclaim, massive financial success, or both.
At long last, I finally attended one of The Black Museum‘s “lurid lectures for the morbidly curious.” (Go here to read my Q&A with the curators.) It was Thursday, November 22 and the topic was “Echoes From The Sleep Room,” an examination of the history of medical experimentation in horror cinema. The presentation was wonderful; my only complaint was that I was unable to attend the previous four lectures!
Wrong: An absurd crime thriller about a man and the very strange things that happen to him as he tries to track down his kidnapped dog.
Written and directed by Quentin Dupieux, also known as Mr. Oizo.
If you remember Rubber, the movie about a serial killing tire, you’ll want to catch Wrong. If you know of Quentin Dupieux from his Mr. Oizo music and videos, you’ll also want to catch Wrong. The film was declared the Most Innovative Feature at Fantasia Fest. For a three-week film festival, this is huge praise.
The trailer is hilarious and the cast is impressive, including Jack Plotnick (who was also in Rubber), William Fichtner (one of the most diverse character actors around), and Steve Little (from Eastbound and Down). If you’re still not convinced, watch the trailer again.
Wrong makes its Toronto premiere on Thursday, October 24 at 9:45PM.
Bloor Cinema, 506 Bloor Street West.