Music Review: Ty Segall, Manipulator

Published on August 29th, 2014 in: Current Faves, Music, Music Reviews, Reviews |

By Less Lee Moore


Pick yourself up, walk down the street
Feel the freaks that you shall meet
They are your family now. . .
Ty Segall, “The Feels”

Singing old Pat Benatar songs at a karaoke party this spring revealed to me something that I hadn’t realized: most popular songs today don’t have guitar solos, which makes for some slightly awkward, “let’s skip to the Taylor Swift track” moments when you’re waiting to belt out that last Pat Benatar chorus. It doesn’t make those songs any less singalong-able, it just means that a lot of younger (ahem) music fans seem to get bored if a song isn’t wall-to-wall vocals.

But no one could be bored by Ty Segall. It’s true, the man does have a penchant for shredding, but he can sing like a mofo and doesn’t noodle or show off, unless you call displaying his prodigious talents “showing off.” Spawning dozens of releases at a breakneck pace for the last six years or so (plus constant touring) means he’s had plenty of opportunities to hone his craft and Manipulator is the epitome of that craft thus far.

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Blu-Ray Review: The Walking Dead, Season Four

Published on August 29th, 2014 in: Blu-Ray, Current Faves, DVD/Blu-Ray Reviews, Horror, Reviews, TV |

By Less Lee Moore


The first season of The Walking Dead was nothing short of brilliant (review). It went through some growing pains—literally—in Season 2, figuring out how to deal with a new showrunner as well as twice as many episodes. The criticisms of that season have been discussed to death and don’t need a rehash. Season 3 expanded the show’s scope further with even more new characters and 16 episodes. Amazingly, Season 4 is better than the excellent Season 3 (review); those who gave up on the show after Season 2 should definitely try and catch up, as it is on par with those first six episodes.

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Music Review: Naomi Punk, Television Man

Published on August 29th, 2014 in: Current Faves, Music, Music Reviews, Reviews |

By Less Lee Moore


Those who claim all The Ramones songs sound alike have clearly never listened to Naomi Punk. This trio from Washington has cast their lot with a very limited sonic palette. Each of the tracks on their newest release, Television Man, strain against those limits like fish in a tank that’s too small.

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Music Review: The Psycho Sisters, Up On The Chair, Beatrice

Published on August 29th, 2014 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Less Lee Moore


In the 1990s, I was lucky enough to live in New Orleans. The Continental Drifters lived there, too, and I’ve lost track of the number of times I saw them play live, mostly at The Howlin’ Wolf. Drifter Peter Holsapple played a free acoustic set every Sunday at Carrollton Station which completely obliterated the “Sunday night blues” for those of us stuck in that Monday to Friday, 9 – 5 grind. And occasionally, Drifters Susan Cowsill and Vicki Peterson would perform as The Psycho Sisters. Those familiar with The Cowsills or The Bangles who’ve never heard these two women harmonize are in for a special treat with Up On The Chair, Beatrice.

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Music Review: Tinnarose, Tinnarose

Published on August 29th, 2014 in: Music, Music Reviews, Reviews |

By Melissa Bratcher


Tinnarose’s self-titled debut album feels like a classic rock album. There’s a tablespoon of Nilsson, a dash of Bowie, some drops of Steely Dan, all shaken up together and covered in sprinkles of inventive harmonies. Cooking metaphors aside, Tinnarose is a likeable debut with power pop sensibilities.

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Music Review: Spoon, They Want My Soul

Published on August 29th, 2014 in: Current Faves, Music, Music Reviews, Reviews |

By Noreen Sobczyk


Guess what? This review isn’t going to compare Spoon to their possible influences, nor will the author jack herself off by citing said influences with hipper than thou references. Spoon has been, at the very least, a good band (with moments of a great band) for a long time. You may or may not know that yet, but They Want My Soul is worthy of your time and money. Knowing how cool you are by “getting” an author’s dazzling musical knowledge has nothing to do with that. The short version of this review is that the lyrics are clever, witty, and at times acerbic, and the music is interesting, melodic, simple yet layered, and other bits are more complex or partially in conflict with the general melody, but never cacophonous. It’s worth buying and unpeeling the onion skin of lyrical meanings at your leisure—or not. The album sounds great and stands alone whether or not one cares to excavate lyrics like a scholar examining cave paintings.

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Music Review: Royal Blood, Royal Blood

Published on August 29th, 2014 in: Current Faves, Music, Music Reviews, Reviews |

By Melissa Bratcher


Jack White, what hath you wrought? The debut album from Brighton UK’s Royal Blood sounds amazingly like the White Stripes, from the gutbucket blues stylings to Mike Kerr’s anguished howls and yelps. They, too, are a duo, though the thing that sets them apart is they are a bass and drum combo. I have no idea how one can make a bass sound so guitary, but Kerr does it. Hell of a trick, that is.

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DVD Review: Killer Mermaid

Published on August 29th, 2014 in: DVD, DVD/Blu-Ray Reviews, Horror, Movie Reviews, Movies, Reviews |

By Brad Henderson


Between artwork mishaps and title changes, distributors are getting worse at promotion. I understand their target audience perspective and get the logistics behind it, but that doesn’t change how dumb it is.

In the beginning of the year a film was circulating festivals with the title Nymph. That recently changed once the film was picked up and distributed in the US as Killer Mermaid. Of course the title Killer Mermaid is bland and straight to the point, but the title is the spoiler. I was pissed. While watching the film we are anticipating a mermaid and that’s fine, but it actually isn’t revealed until nearly the end of the film. The fact that it is a mermaid is meant to be the twist, but we are flat out told what it is in the goddamn title and the cover of the DVD.

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Kickstarter Project: The Gates Of Misery Horror Comic Anthology

Published on August 29th, 2014 in: Comics, Horror, Kickstarter Projects |

By Less Lee Moore


Who doesn’t love horror anthologies? Who doesn’t love comics? Even if you think you don’t like either, you’ll probably change your mind once you find out about The Gates of Misery.

Here’s the synopsis:

The Gates of Misery is a horror anthology comic set in Mount Misery Cemetery. The comic features three unique tales of terror, each illustrating a different character’s journey to the grave and how their souls came to be trapped within the Gates of Misery. Issue #1 features tales by genre filmmakers Steven Kostanski (writer/director Manborg), Brandon Cronenberg (writer/director Antiviral), and Jon Knautz (writer/director Jack Brooks: Monster Slayer). Each story is illustrated by Matthew Therrien (Manborg: The Official Comic) and coloured by Shira Haberman (Manborg: The Official Comic).

Those are some serious horror pedigrees right there, people. If you’re attending this weekend’s FanExpo Canada in Toronto, please check out booth #5229 in the Rue Morgue/Festival of Fear area. They’ll have posters for sale for $20 and all proceeds will go towards the comic.

The project needs $3,500 by September 30 so do what you can to make sure this happens.

Official Website:

Music Review: Mortals, Cursed To See The Future

Published on August 22nd, 2014 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Tim Murr


The debut album by Mortals from Brooklyn, NY is a black/thrash/sludge metal-enthusiast’s dream. Cursed To See The Future hits hard and never relents across six tracks, clocking in at around 50 minutes. With brutal, pummeling rhythms, throat-shredding vocals, and unimpeachable guitar and bass work, Cursed sets a high bar for a debut.

I don’t think it should be necessary in 2014 to make a big deal about Mortals being an all female power trio that rightly earns comparisons to High On Fire and Darkthrone, but there you go. These three women—Caryn Havlik (drums), Lesley Wolf (bass/vocals), and Elizabeth Cline (guitar)—create rhythmically exciting metal that stands shoulder to shoulder with any of their contemporaries. Track 5, “Series Of Decay,” backs up that assessment nicely.

After buying this album, it’s been pretty much all I’ve listened to, and before that I’d been listening to their Death Ritual EP and Night Terror Demo. I like Mortals quite a bit and highly recommend Cursed To See The Future. It’ll be exciting to watch this band continue to evolve; they’ll certainly be one of Relapse Records MVPs. If you can catch them on tour make sure you buy them each a quadruple espresso!

Cursed To See The Future was released by Relapse Records on July 8 and can be purchased on the label’s website. You can listen to the album on Bandcamp and purchase it from there, too.