// Category Archive for: Reviews

Canadian Music Week Film Fest Review: The Last Pogo Jumps Again

By Less Lee Moore

Photo © Gail Byrek

For documentaries that chronicle a certain scene, be it music, theater, film, or another art form, the question many might ask is why? Is the documentary supposed to shed light on a misunderstood or little-known series of events? Is the documentary trying to cast the people and events in a flattering or unflattering light? Or, as some might speculate, is the documentary just a forum for those involved to pat themselves on the back and say, “I was there”? For The Last Pogo Jumps Again, the answer to all of these questions is yes, but it’s a qualified assent.

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Canadian Music Week Film Fest Review: The History of Future Folk

By Less Lee Moore

Despite being set in modern times, The History of Future Folk feels like a movie from 30 years ago. Recall, if you will, when niches weren’t quite so niche-y, and a movie could include comedy, drama, romance, science fiction, and/or suspense without being a rom com, a dramedy, or a sci-mance (I just made that last one up).

It’s a shame that self-congratulatory cynicism has also infected the cinematic realm, particularly when it comes to criticism or just people blabbing on the Internet. The History of Future Folk is a movie that is sweet, charming, funny, and exciting, but not corny or cloying. You could take your mom to see it and neither of you would be embarrassed. It’s genuinely warmhearted and enjoyable, which is a rarity these days.

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Music Review: Old Man Markley, Down Side Up

By Paul Casey

Old Man Markley’s second album, Down Side Up, is certainly more Bluegrass than Punk. The tempo is up there but the vocal approach is quite apart from, say, The Dropkick Murphys’ mixture of traditional and hard rock influences, or indeed Shane MacGowan’s Johnny Rotten sneer pushed through the balladry of Luke Kelly. While their first album Guts n’ Teeth does have some of the growl and shout and knock back pirate chant quality to it, there are more similarities with how The Decemberists or Okkervil River approach Traditional music. Even when the lyrics get colorful and the band gets fired up, the vocals remain gently emotive. Even live, they retain much of this quality. From viewing footage of their live act, it is clear that they are a tight outfit. As a delicious stew of influences, they recall the flavor of Hot Buttered Rum.

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DVD Review: Deadfall

By Less Lee Moore

Photo courtesy of Magnolia Pictures

Deadfall has the feel of a western and a horror film, an interesting dynamic made more so by the impressive cast. From the old school there’s Sissy Spacek, Kris Kristofferson, and Treat Williams. Olivia Wilde, Eric Bana, Charlie Hunnam, and Kate Mara are the new kids on the block, but there is no showboating here. This is a true ensemble and everyone is outstanding.

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Music Review: Shooter Jennings, The Other Life

By Emily Carney

As I sit in my apartment on a quiet Sunday morning, the Tampa Bay area is still reeling from the effects of a Kenny Chesney concert. It even merited an article in our local paper, the Tampa Bay Times. While I’m glad these fans raised a bit of G-rated hell and enjoyed some country music, some of us enjoy the grittier sounds of the son of one of the canon’s finest, Shooter Jennings. On his new release The Other Life, Waylon’s son proves himself to be worthy of his dad’s crown.

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Canadian Music Week Film Fest Review: AIN’T IN IT FOR MY HEALTH: A FILM ABOUT LEVON HELM

By Less Lee Moore

If you are a fan of The Band, then you already know that drugs and money are a bad combination. Ain’t In It For My Health doesn’t dwell on the troubled legacy of the group, but it doesn’t shy away from it, either. However, this is a film about survival, and the exceptional life of Levon Helm, drummer, singer, songwriter, father, friend, and legend.

Filmmaker Jacob Hatley shot the footage for Ain’t In It For My Health throughout 2007 and 2008. It encompasses Helm’s 2008 Grammy nomination for Dirt Farmer, the recording of Electric Dirt, his contributions to The Lost Notebooks of Hank Williams, and the birth of his grandchild and namesake, Lavon. (Helm was christened as Lavon, but became known as Levon when no one in Ronnie Hawkins’ band could correctly pronounce his name.)

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Movie Review: The Call

By LabSplice

You would certainly be forgiven if you did not pay much attention to the release of The Call this weekend. The marketing material for the film seemed determined to highlight two actresses trending in the wrong direction: Halle Berry, who has seen her career lose momentum after her turn in the disastrous Catwoman movie, and Abigail Breslin, who is entering the awkward high school years that seem to break so many talented child actors. Like many movies within the thriller genre, the release of this film was preceded by stale casting and mediocre trailers. When the most noteworthy aspect of your film’s marketing campaign is the nuisance of Halle Berry’s introduction to the trailer, most moviegoers don’t feel they are missing out on the next big thing.

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Music Review: Suede, Bloodsports

By Less Lee Moore

Is it bird song?
Or is it just the car alarms
Making us feel so young?
Savage like the dawn.
—Suede, “Fault Lines”

My love for Suede stretches back to the summer of 1993, when I first saw the videos for “Metal Mickey” and “The Drowners.” Suede looked, sounded, felt like a band you could fall in love with. I was fortunate enough to see them live in New Orleans in October 1993. After that, my fandom was eternal.

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Blu-Ray Review: Jack & Diane

By Less Lee Moore

If you were expecting a horror romance from Jack & Diane due to the trailer, you’ll probably be disappointed. If you approach it with an open mind, however, you’ll be pleasantly surprised.

The film, written and directed by Bradley Rust Gray, is a slightly meandering glimpse at the romance between two young women, Jack (Riley Keogh) and Diane (Juno Temple). There are beautiful visuals that veer from hyperrealist to almost hallucinatory, and sometimes both at the same time. If that sounds like a contradiction, then it’s one that can easily apply to the film as a whole.

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Movie Review: Oz The Great And Powerful

By Lisa Anderson

Disney’s Oz The Great and Powerful opened strong on the weekend of March 8. Sam Raimi’s prequel to the classic film (based on the work of L. Frank Baum) had the biggest box office opening of the year. I was only one of many people who were intrigued by the prospect of James Franco taking on this iconic material, supported by such talented actresses as Michelle Williams, Mila Kunis, and Rachel Weisz. The eventual experience, however, was disappointing.

The story can be divined from the trailer, from start to finish, even if you somehow hadn’t managed to see the film or read any of the books on which it was based. A huckstering carnival magician gets swept by a tornado to the land of Oz, where he’s immediately greeted as the prophesied wizard who will save the place from the wicked witch that terrorizes it. He reluctantly grows into the role, finally maturing emotionally even though he’s already over 30 years old. It’s one of the least original stories there is, and this film doesn’t do anything new with it.

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