// Category Archive for: Reviews

DVD Review: Young & Wild

By Chelsea Spear

Eighteen-year-old Daniela has the makings of a precocious sex geek. She is bisexual and game to playing with new partners, and she writes about her adventures in her blog, “Jovenes & Alocada.” Two factors make Daniela’s story a little more notable: She grew up in Chile during the post-Pinochet era, and her family is deeply involved with the Evangelical church. Daniela’s experiences as a queer teenager comprise the story of Young & Wild.

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Music Review: The Dudley Moore Trio, From Beyond The Fringe

By Cait Brennan

Dud, we hardly knew ye.

To Americans of a certain age, Dudley Moore was that loveable, “cuddly” Englishman of a certain height who improbably got the girl in several huge blockbusters of the ’70s and ’80s—notably Foul Play, 10, and Arthur (for which he received a well-deserved Oscar nomination). Even his less-successful films kept him firmly in the pop-culture consciousness throughout the ’80s—Wholly Moses, Micki and Maude, Best Defense, the Preston Sturges remake Unfaithfully Yours, Arthur 2: On The Rocks, Santa Claus: The Movie, the delightfully crass advertising send-up Crazy People.

Hits or flops, there’s something to love in all those films, and more importantly in his absolutely magnificent work in films like Stanley Donen’s Bedazzled; Bryan Forbes’s The Wrong Box; 30 Is A Dangerous Age, Cynthia; The Bed Sitting-Room; and so many others. But many of his film fans are only vaguely aware of Moore’s career as a highly regarded jazz composer and pianist, whose albums and film scores are every bit the equal of his comedy talent.

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Music Review: Pokey LaFarge, Pokey LaFarge

By Melissa Bratcher

Pokey LaFarge is a great addition to Jack White’s Third Man Records roster. His debut album for the label, Pokey LaFarge, is a rootsy, charming collection of tidy songs (only one is over four minutes long) that is terrifically listenable.

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Music Review: Doris, Did You Give The World Some Love Today, Baby (Expanded Edition)

By Melissa Bratcher

Issued only in Sweden in 1970, Doris’s second album Did You Give The World Some Love Today, Baby is an overlooked gem. It’s a mix of jazz, pop, country, and psychedelia, all percolated together and topped with a singer who has great range and charm. I had put this album on my iPod when it arrived, and when a song would pop up on random play, I’d think, “Oooh, this is interesting,” but it has to be listened to as a whole. Did You Give The World Some Love Today, Baby is mind-blowing and brilliant. It was intended to introduce Doris to English speaking audiences, but it tanked, which is a terrible shame. Newly remastered here, it is absolutely worth listening to.

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Music Review: King Tuff, Was Dead

By Less Lee Moore

Burger Records is synonymous with fun. The last two releases from the label I reviewed were incredibly fun and their reissue of King Tuff’s Was Dead is no exception.

Originally released in 2008 on Tee Pee Records as a limited edition on vinyl only, Was Dead was out of print for several years before this reissue. Fans who missed out will be overjoyed while those who haven’t yet dipped their toes into King Tuff’s pool party are in for a treat.

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Music Review: Hot Club Of Cowton, Rendezvous In Rhythm

By Chelsea Spear

The cover drew me in.

The playful sleeve art for Rendezvous in Rhythm spoke to the part of me that loves flappers and circuses. I loved the hand painted, Belle Epoque-esque lettering, the trompe l’oeil circus tents, and the doleful corgi. The men and woman of Hot Club of Cowtown looked as though they’d stepped out of a 1930s musical, the gentlemen in natty suits and ties and the lady clad in a silver dress worthy of Clara Bow. Reading the description of the Hot Club’s sound put me in mind of my beloved Pink Martini, who has likewise reinvented early 20th century music for a contemporary audience, and I anticipated discovering a new band with a classic sound.

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Music Review: Davell Crawford, My Gift To You

By Melissa Bratcher

I don’t know that I’ve ever been brought to tears by a piano piece. Davell Crawford has changed that. On his intensely personal album My Gift To You, the “Piano Prince of New Orleans” lives up to his nickname, and his performance of “Southern Nights/Many Rivers To Cross,” the marriage of an Allen Toussaint song to a Jimmy Cliff song, is transcendent. I cried. It felt like a gift to hear it.

Davell Crawford hadn’t released an album in 13 years. It must have been time well spent, because My Gift To You is simply extraordinary. He changes effortlessly between styles; jazz, funk, Louisiana low country music, and does it all so well. He surrounds himself with a who’s who of contemporary New Orleans musicians. The liner notes alone are worth the price of the record—they are witty and interesting, and give even more insight into the clever Mr. Crawford.

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Music Review: Iggy and The Stooges, Ready To Die

By Less Lee Moore

Every time I write a review of something Iggy Pop or Stooges-related, I feel obligated to provide some sort of context, to explain why these old dudes are still important to me and why they should be important to everyone else. With Ready To Die, the latest from Iggy and The Stooges, I’m not sure that context is needed. It’s just that good of an album. Besides, if you haven’t liked Iggy’s or The Stooges’ music over the last four decades, there’s probably no hope for you, anyway.

Although Iggy himself is fairly prolific, actual Stooges albums are scarce, which makes their legendary status all the more impressive. This particular incarnation of the band includes Iggy, Scott Asheton on drums, James Williamson on guitar, Steve Mackay on sax, and Mike Watt on bass. (Frequent Stooges auxiliary member Scott Thurston also appears on a track.) With the untimely, much-lamented death of Scott’s brother Ron in 2009, this is as close to a bona fide reunion as we’re going to get now.

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DVD Review: Comforting Skin

By Less Lee Moore

Sometimes the best horror films aren’t the ones that deal in the supernatural or killers who won’t die. Treading the line between reality and insanity can frequently be horrifying enough. Comforting Skin is that rare, unclassifiable movie that blurs the lines between genres and defies categorization.

Ostensibly, Comforting Skin is about a young woman named Koffie (Victoria Bidewell) who gets a tattoo on her shoulder blade and is thrilled with the results, until it starts talking to her. Yet, the film is about so much more.

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Music Review: Marty Robbins: The Legend/Come Back To Me (Reissue)

By Melissa Bratcher

You’ve got to love a guy who explains the title of his album The Legend this way: “What I wanted was Super Legend, but they didn’t go along with it, so it’s just The Legend.” Released for the first time on CD, Marty Robbins’s 1981 album of that modest title has been paired with his 1982 record, Come Back To Me.

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