// Category Archive for: Reviews

Music Review: Various Artists, Loose Lips Might Sink Ships—Greasy Instrumental Magic From The Vault Of Lux And Ivy

By Melissa Bratcher

If you were to give Quentin Tarantino a copy of Loose Lips Might Sink Ships—Greasy Instrumental Magic From The Vault Of Lux And Ivy, he could probably pull a movie out of it, or the soundtrack to one at the very least. It’s a tidy, brief collection of pockets of unheralded instrumental awesome, and it may as well have been subtitled “All your guitar vs. sax needs are covered here.” Like it says on the tin, these are tracks culled from Lux Interior’s Purple Knife Show and they cover the gamut of early rock with twangy guitars, dirty sax, and surfy beats.

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DVD Review: No One Lives

By Less Lee Moore

It’s surprising that horror movies and wrestling haven’t combined forces until recently, seeing as there is such a crossover between fanbases. No One Lives, a WWE Studios production, premiered at TIFF’s infamous Midnight Madness program last year and is now available on home video.

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Music Review: White Lies, Big TV

By Less Lee Moore

The critical and commercial success of White Lies over the last few years should come as no surprise to those who’ve followed the band’s career closely. For their newest album, Big TV, White Lies are once again working with Ed Buller, who produced their debut To Lose My Life . . . The production on Big TV is more restrained than it was on Ritual, but that only allows the songs to shine more brilliantly. It feels like both a blending of the band’s first two albums and a further development of the band’s signature sound.

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Movie Review: A Band Called Death

By Less Lee Moore

In an article on Film School Rejects, Scott Beggs points out the similarities between A Band Called Death and other recent music documentaries.

He notes that the trajectory of this film is similar to that of Searching For Sugar Man and Anvil! The Story of Anvil. Watching A Band Called Death, I was reminded of both Bad Brains: A Band In DC and also Nothing Can Hurt Me, the film about Big Star. The trajectory—unknown band, their individual and collective obstacles to fame, and their posthumous rediscovery and appreciation—is one that’s repeated in all of these films.

This is not to say that any of these films are formulaic or that music documentaries are repetitive. As Beggs argues, it just means that our preconceived notions of music history might be skewed.

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Blu-Ray Review: The Incredible Melting Man

By Brad Henderson

The Incredible Melting Man is one of the most recent releases from Scream Factory and this viewing was actually a first for me. If I had watched it as a child, I’m guessing I would have had a different feeling about this . . . movie? The story is basic: An astronaut is exposed with radiation, and then he begins to melt and kill. He shows some emotion but then it ends. Boom.

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Music Review: Serge Gainsbourg, Intoxicated Man 1958 – 1962

By Melissa Bratcher

Serge Gainsbourg was a provocateur. That cannot be disputed. He wrote songs about subjects that raised the eyebrows of the world (Incest? Check. Sodomy? Check. Cigarettes? Heaven forefend, but check) and courted notoriety. Still, the man was a poet and a great wit.

Intoxicated Man 1958-1962 is a tantalizing glimpse into the origins of Serge Gainsbourg. A vast collection (66 tracks), it illuminates his early career as a chanteur, singing story-driven songs. Full disclosure: I know only the most rudimentary French. I could pick out the occasional word I understood (like window and love— he sings quite a bit about windows), so I missed some of the nuances of lyrics. It was a challenge.

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Music Review: Los Nuggetz: ’60s Garage and Psych From Latin America

By Chelsea Spear

If music is the universal language, then garage rock was a generational dialect of rebellion. Bands like The Beatles and The Rolling Stones inspired an infinite number of teenagers to take to their garages and annoy their parents with three chords and ten decibels. While American and British garage bands have been exhaustively exhumed and cataloged, their peers in Spain and South America have not received the same treatment . . . until now. Los Nuggetz, a four-disc compilation, showcases almost 100 bands that put out singles during garage rock’s peak period of 1964-1968.

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Blu-Ray Review: Swamp Thing

By Brad Henderson

Horror buffs, film fans, and even non-die hard moviegoers know about Swamp Thing. What started as a comic book, oozed into a movie, a sequel, and both animated and live-action television series.

The story of Swamp Thing is actually pretty cool; an incredibly intelligent man (Alec, played by Ray Wise) is working on a top-secret project involving a hybrid plant that can survive and even thrive in extreme situations and environments. A group of soldiers led by a crazy doctor obsessed with immortality tries to steal the formula that Alec is working on. Guess what happens? Yep, Alec manages to get covered in the formula, and Swamp Thing is born.

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DVD Review: The Hot Flashes

By Chelsea Spear

On one level, The Hot Flashes is not a remarkable film. This chicken soup-comforting feature will play as well as a basic cable favorite as it did during its truncated theatrical release. The broad sports comedy follows a beleaguered basketball team made up of middle-aged women (hence the title) who play a series of games against the current high school champions to raise money for a travelling mammogram truck. The script hits all the Save the Cat high points, all but one of the narrative guns from the first act goes off in the third, and the movie leaves its audience on a plausible high note.

Though the film has an agreeably mainstream approach, The Hot Flashes is made with care and has a winningly self-aware quality that elevates it from standard seat- and schedule-filling fare. Director Susan Seidelman made her name on edgy, feminist-minded features like Smithereens and Desperately Seeking Susan, and the goodwill she earned on those films has granted her a good audience base.

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Music Review: Demon Queen, Exorcise Tape

By Ricky Lima

Demon Queen‘s first album Exorcise Tape has been officially described by lead vocalist Zackey Force Funk as “really about satanic stripper shit.” I don’t think I’ve heard a more accurate description of an album in my life. Exorcise Tape is dark, sexy, and super catchy. Zackey Force Funk is totally right; this is the kind of music they’d play in a strip club in Hell, and if that’s the case, that’s a place I want to go to. Zackey Force Funk and TOBACCO have knocked it out of the park in their first collaboration.

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