By Tim Murr
Ten minutes is barely enough time for some films’ opening credits to run, much less properly set up the first act. Writer/director Izzy Lee deftly creates a three-act story in just minutes that feels every bit as complete and satisfying as a full-length feature. Her new film Innsmouth takes a police procedural and drops it into Lovecraftian horror. The result is truly something to behold.
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The Knoxville Horror Film Fest wrapped up its eighth year with a fascinating and diverse lineup, happily anchored by the invigorating re-examination of the Phantasm franchise. Some of the movies were overly dependent on politics or allegory to make their points, but overall, the Fest was well-programmed and a lot of fun.
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Though it was made in 2006, New Orleans Music In Exile, is finally getting a Blu-ray release. The film, made by famed music documentarian Robert Mugge (Last Of The Mississippi Jukes, Gospel According To Al Green, The Kingdom Of Zydeco, among a great many), was shot in the rather immediate aftermath of Hurricane Katrina: two months later. Mugge and his crew had open access to a who’s who of New Orleans musicians and luminaries as they try to pick of the pieces of their lives and careers.
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Do you ever feel like you’re about to get sick, but the actual sickness takes days or even weeks to manifest itself? Observance, a new film by Australian director Joseph Sims-Dennett, made on a microbudget and which received acclaim at Montreal’s Fantasia Festival, taps into that unsettlingly suffocating feeling of disease in a major way.
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By Tim Murr
Tenebre is Italian horror master Dario Argento’s return to the genre he helped create with a style and vicious edge rarely equaled even by himself. In it, American thriller author Peter Neal (Anthony Franciosa) steps off the plane in Italy and into a mystery straight out of one of his own books, literally. A killer is using passages from his newest book, Tenebre, to commit vicious murders and apparently attempting to impress Neal by sending him clues after each murder. In classic Giallo style Neal becomes an amateur detective trying to solve the murders himself.
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In his third feature, Trash Fire, Richard E. Bates taps into very visceral discomfort and revulsion in so many ways that it’s disorienting, but uniquely, he largely does it with dialogue rather that with traditional scares or gore. At the same time, Bates mixes in an undercurrent of his particular brand of black humor to ensure that you’re laughing at the most inappropriate situations.
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By Tyler Hodg
Hi, my name is Tyler Hodgkinson and I am a total horror n00b. In this series, I’ll be taking a look of classic, cult classic, and modern horror films with ignorant eyes. Its concept is scary simple. (more…)
By Tim Murr
As we’re still unpacking in our new house, I’m already brainstorming a little Halloween party, writing a treatment for a short film, and getting the itch to watch as many seasonally themed horror flicks as possible. I already started with Halloween III: Season of the Witch, a favorite since middle school, and last night settled in with Night Of The Demons. Starring Cathy Podewell, Linnea Quigley, and Mimi Kinkade, NOTD is the perfect Halloween rollercoaster flick.
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By Tyler Hodg
Hi, my name is Tyler Hodgkinson and I am a total horror n00b.
In this series, I’ll be taking a look of classic, cult classic, and modern horror films with ignorant eyes. Its concept is scary simple.
(more…)
By Tyler Hodg
Hi, my name is Tyler Hodgkinson and I am a total horror n00b.
In this series, I’ll be taking a look of classic, cult classic, and modern horror films with ignorant eyes. Its concept is scary simple. (more…)