By Christian Lipski
Darick Robertson has been creating and illustrating comics since the age of 17, when he first published the cult favorite Space Beaver. Now an established force in the comics world, Robertson has collaborated with some of the medium’s finest writers and brought life to such larger-than-life characters as Wolverine, Nick Fury, and Spider Jerusalem. Currently he’s drawing the series The Boys, which he created with writer Garth Ennis (The Preacher, Hitman). The Boys takes a realistic (if sometimes slightly tongue-in-cheek) look at superheroes and how they would operate in our modern-day world.
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By Emily Carney
Some personal history: at the age of 19, I joined the United States Navy. The reason why I joined the military was ostensibly to get money for college. After many struggles (too many to mention, or else this article would be at least 100 pages long), I went to my first (and only) ship, the USS George Washington, CVN 73, in January 1999. I was one of the only women in my department at the time, and certain higher-ups (chiefs and officers) made it abundantly clear that my 100-pound frame would not make it in the US Navy. I was terrified.
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Idea by Matt Keeley
With contributions by. . .
What is an album with artwork so amazing that despite knowing you’d dislike the music, you’ve almost bought (or perhaps actually did buy)?
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What is an album with artwork so ugly or hideous that, despite having a good feeling that you’d like the music on there, you could never bring yourself to own?
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By Christian Lipski
What makes a D.I.D.? It’s not necessarily your favorite movie—we’re talking about a desert island here (albeit one with a DVD player). You’re only going to have these movies for what may be years, and that’s the deal: they need to stand up to repeated viewing, and although that may include your top five faves of all time, it also may exclude them. For example, Star Wars is one of my favorite movies. It played a major role in my adolescence, and I will still watch it today. However, since I’ve seen it so many many times, I would probably regret bringing a move that I have memorized, and would not go to it as often. That said, my five DIDs are. . .
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By Less Lee Moore and Noreen Sobczyk
A band with Bun E. Carlos and Taylor Hanson probably sounds strange (and horrifying) to those who think Cheap Trick has nothing in common with Hanson. As a fan of both bands, we were excited about hearing this album. Having James Iha (Smashing Pumpkins) and Adam Schlesinger (Fountains Of Wayne) as part of the mix could have rendered the whole affair nothing more than a poorly executed publicity stunt, but it really works.
So here is a track-by-track review…
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By Ann Clarke
For a discussion of the music on Limb, please read Less Lee’ Moore’s review here.
For a discussion of the Foetus NYC documentary, please read Less Lee Moore’s review here.
Since I have reviewed the musical works of JG Thirlwell on more than one occasion (as well as interviewed the man himself), I am officially burned out from the praise that I’ve given his musical merits. Sorry JGT, I can’t think of any more ways to say that your music “kicks ass!” That only really points to an audio preference and not much more. . . and I can only expound upon those ideas so much!
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By Less Lee Moore
For a discussion of the music on Limb, please read my review here.
JG Thirlwell has been making music since 1978. . .
He is a singer, a producer, a musician, a composer and a graphic artist.
From the intro to NYC Foetus, directed by Clément Tuffreau
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The new millennium has become the Battle of the Social Networking Websites. Which one you prefer depends upon how you utilize each one. As much as Facebook fans may bitch that MySpace is ugly and user-unfriendly, when people want to hear what a band sounds like, they usually go to MySpace.
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By Megashaun
In recent years, we’ve seen an increase in quality regarding the debut releases of bands. Now, there are many bands with such strong debuts that listeners can’t imagine how they can possibly get better. Toronto, Ontario’s Sports: The Band is certainly guilty of this. Their debut album, technically only an EP, sounds so mature you’d imagine the band has been together for ages instead of the few short years they actually have been around.
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By John Lane
I have always been suspicious about the prevailing historical theory that The Beatles became big in America as a direct reaction to the Kennedy assassination. It’s too easy: our beautiful, youthful leader is dead, therefore we need youthful music to wake us up?
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