The problem with being a hardcore fan of any artist is the constant desire for more. We want new songs. We want new versions of new songs. We want a tour. We want new videos. We want it all, and we want it now, sooner if possible.
The new Suzanne Vega concert DVD, a show from Rome filmed in 2003, is great for those who haven’t had the chance to see her live. It’s a stripped-down affair, with Vega on acoustic guitar and vocals, Mike Visceglia on bass, and a translator, Valerio Piccolo. It has the earmarks of a small, intimate show. We would have a better sense of that, if we were ever shown the audience outside of some silhouette shots.
Final Exam is one of the slashers that got me into the subgenre. I first came across this film when I was young because I set out to watch every slasher ever made. I still haven’t accomplished that task, but I’m well ahead of the game. Final Exam has always and will forever be in my Top 10 favorite slasher films of all time.
It seems like there are four to five low-budget horror films hitting DVD every week lately, and most of them are not very good. I admire the work and effort that the individuals put into these projects, but at the end of the day you have to ask: Is the film good? Unfortunately, the answer is “no” the majority of the time, but we do get some kickass ones like Scream Park.
There are people who will love Wrong Cops. Others will probably cringe with embarrassment and/or confusion. Some might even run from the room screaming. These are all normal reactions to a Quentin Dupieux movie. His absurdist humor is certainly not for everyone.
I first witnessed Sidney Lumet’s work when I was a young kid and saw 12 Angry Men. It was the first non-horror black and white film that I saw and I’ve loved it ever since. Sidney Lumet has made some great films: Dog Day Afternoon, Network, Deathtrap, Serpico. When I heard that Olive Films was releasing The Pawnbroker (a film I hadn’t seen) I was stoked because Lumet hasn’t disappointed me yet.
I dig the Hatchet series and Wrong Turn 2 and much of what Joe Lynch and Adam Green have brought us. They are obviously huge horror fans and that shows on the screen. When I first heard these two got together to make a sitcom I was a little confused because they didn’t seem like the types. I assumed it would be horror-related but really didn’t have a clue where they would go with a horror-related sitcom.
Holliston is about Joe Lynch and Adam Green, aspiring filmmakers who’ve been working on a film for years called Shinpads (“They score, you die.”) They work at a studio that does commercials. Their boss, Lance Rocket, is played by Dee Snider from Twisted Sister. Joe and Adam host a TV show (and podcast) called Movie Crypt on which they play old horror films.
All film fans should explore movies made during the “Ozploitation” era of Australian low budget filmmaking. Just about every film that came out during this time is fantastic. Many people have probably seen these films and are just unaware of the term Ozploitation or what movies fit this description.
The term Ozploitation was coined after the R rating was introduced in Australia in 1971. I’m not sure if people thought such films were just being created to make money or to push limits like other “ploitation” films but that wasn’t the case. Even to this day there are Ozploitation films released and they still carry out the feel, look, brutality, and the hilariousness.
There is something about these films in particular that stands out from the rest. Most of them are absolutely beautiful. Everything is shot and framed perfectly. Films like Razorback, Wolf Creek, Road Games, Dark Age, and others are just spectacular. The action flicks are action packed and the horror films are suspenseful and don’t follow the normal formula that other countries’ horror films do. Of course, we have great and wonderful films elsewhere but Ozploitation is something special and sadly, nearly forgotten about.
I’ve never been a big fan of Troma so I’ve only enjoyed a small number of the films among their extensive catalogue. Some Troma films pop up occasionally that I’ve never heard of but I still give them a chance even though they usually leave a bad taste in my mouth. Recently I came across a film called Lust For Freedom released by Vinegar Syndrome. It’s a Troma release from back in the day directed by the guy who brought us the sequels to Class of Nuke ‘Em High. As we know, Troma hasn’t been doing well lately and I think they’ve been licensing their films to other companies. Now Vinegar Syndrome has reissued this movie and they didn’t pick up one of Troma’s pieces of trash, either.
Read Cait Brennan’s interview with Graham Parker.
At the end of the Seventies, a British gas station attendant, who was also a musician, got his record played on the radio. The next day, he had a contract offer from a major record label. Overnight success? A Cinderella story? Not quite.
The Kickstarter-backed documentary Don’t Ask Me Questions chronicles the rise, fall, and rise of Graham Parker and the Rumour, a band whose contemporaries included Elvis Costello and Squeeze. Their big US hit was “Local Girls,” one of the earliest videos to be played on MTV.
When their first album, Howling Wind, came out in 1976, the critical acclaim was instant and practically universal. They were widely regarded as the best live act in Britain. That doesn’t necessarily lead to stellar album sales, though, and as Parker says, “Everything was just a bit off.”
When I was little I saw the cover for No Holds Barred countless times but never watched it because I really wasn’t into wrestling. When I was in my early teens I got a little into wrestling for a year or so, but then just got bored with it all. So as you can see, I’ve never been into wrestling and just don’t understand its following.