// Category Archive for: Comedy

Blu-Ray Review: Blind Date

By Brad Henderson

There are many ’80s comedies that were popular in their time but are slowly fading away. Blind Date isn’t the funniest flick from the decade, but we get to see Bruce Willis and Kim Basinger in a slapstick comedy love story directed by Blake Edwards . . . yes, The Pink Panther guy.

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Movie Review: Hellaware

By Less Lee Moore

One of the greatest things about Kids in the Hall was the show’s ability to convert the utterly banal into comedy. It requires far more skill to underplay a scene and still get laughs, as the audience imagines a waggling finger pointing at the object of the joke. Hellaware, from writer/director Michael M. Bilandic, achieves this so well it leaves the viewer breathless, both from amusement and admiration. At 75 minutes, Hellaware is expertly paced, wringing the most out of every detail in every scene and each seemingly throwaway secondary character.

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Movie Review: Electric Man

By Less Lee Moore

Electric Man, a Scottish comedy out on VOD today, explores the world of comic book fans with one eye on comedy and another on the caper film. If that sounds like a strange combination to you, you’d be right, but the clever writing, genuinely funny dialogue, and endearing cast of the film make it work.

Electric Man deals with a rare first edition of the titular comic and how its value comes to signify different things to very different people. Jason (Jazz) and Wolf, owners of Deadhead Comics, are at the center of a cast of characters including a surly bald man who may or may not be a murderer; a mysterious, leggy redhead with glasses; and a comic collector who believes he’s Electric Man himself.

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DVD Review: The English Teacher

By Less Lee Moore

Withing the first ten minutes of The English Teacher, I thought, “This is a good, light-hearted comedy.” It’s the tale of Linda Sinclair (Julianne Moore), a high school English teacher who decides to help her former student, a failed playwright suffering from a crisis of confidence, produce his play with the help of the high school’s drama teacher Carl (Nathan Lane).

The film immediately sets up Linda’s character as a single, middle-aged woman—plain but pretty—who watches A Room With A View at home while eating organic food, and its clever voice over narration won me over. Then things got weird. I don’t mean David Lynch weird, but The English Teacher was definitely not the movie I thought it was going to be.

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DVD Review: The Hot Flashes

By Chelsea Spear

On one level, The Hot Flashes is not a remarkable film. This chicken soup-comforting feature will play as well as a basic cable favorite as it did during its truncated theatrical release. The broad sports comedy follows a beleaguered basketball team made up of middle-aged women (hence the title) who play a series of games against the current high school champions to raise money for a travelling mammogram truck. The script hits all the Save the Cat high points, all but one of the narrative guns from the first act goes off in the third, and the movie leaves its audience on a plausible high note.

Though the film has an agreeably mainstream approach, The Hot Flashes is made with care and has a winningly self-aware quality that elevates it from standard seat- and schedule-filling fare. Director Susan Seidelman made her name on edgy, feminist-minded features like Smithereens and Desperately Seeking Susan, and the goodwill she earned on those films has granted her a good audience base.

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DVD Review: John Dies At The End

By Less Lee Moore

John Dies At The End is a remarkably original movie, even though it’s based on a novel. Director Don Coscarelli, who also adapted the screenplay, has merged several different, potentially conflicting styles— horror, comedy, sci fi—into a movie that resides firmly in its own universe(s).

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Assemblog: June 7, 2013

Insidious Chapter 2

New this week on Popshifter: Melissa B. calls the expanded edition of Doris’s Did You Give The World Some Love Today, Baby “mind blowing and brilliant” and thinks Pokey LaFarge’s self-titled debut is “excruciatingly fine”; Cait wants to remind everyone of Dudley Moore’s musical talents in her review of From Beyond The Fringe; I chat with Jen and Sylvia Soska, directors of American Mary; Chelsea explores the “eclectic style” of Young & Wild; Lisa hopes that After Earth will “represent a step back toward redemption for M. Night Shyamalan”; and Jeff gives his first impressions of “Came Back Haunted,” the new Nine Inch Nails single.

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Fifteen Minutes With: Doc Hammer & Jackson Publick of The Venture Bros.

Interviewed by Less Lee Moore

When you’re a Venture Bros. fan, you see things through Venture-colored glasses and everything looks so much better. There is nothing not to love about this show: incredible characters, an overabundance of wit, numerous pop culture references, clever visuals, and a narrative arc that puts most live action TV shows to shame. In anticipation of the show’s Season 5 premiere on June 2, I chatted with Doc Hammer and Jackson Publick, the show’s creators, writers, voice actors, and just about everything else. We started discussing how they work and what drives them and eventually got into the important stuff: Kajagoogoo concerts, whether or not Trent Reznor is a poseur, and Gary Numan. When I got on the phone, Doc and Jackson were already there, chatting with each other.

Jackson: Yesterday there was fake harpsichord hold music.
Doc: I think it was fake guitar.
Jackson: I think it was trying to be fake harspsichord.
Doc: Really?!

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Assemblog: January 18, 2013

Bates Motel

New this week on Popshifter:
J Howell likes the new Atoms For Peace single “Judge, Jury, and Executioner”; Cait raves about The Definitive Shoes Collection; JG Thirlwell gives us his Best Of 2012; Emily says John Cale will always be cool; Chelsea suggests Erin McKeown newbies check out her latest album Manifestra; I interview Resolution directors Justin Benson and Aaron Moorhead; give my Top Ten Picks for 2013 movies and the Sundance Film Festival; and discuss new music from Adam Ant, Iceage, and Suede.

Remember when I said I wasn’t going to talk about the Oscars? I didn’t lie, but I do want to talk about something Oscars-related (though technically, it’s just about awards in general).

Over the last few months, we’ve seen a lot of “Best Of” lists for movies. Some of these are even compiled and counted and used to determine the “Best Movie” announcement for a particular group or publication. In that way, they’re sort of like mini-awards ceremonies, except no one goes home with a gold statue.

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Resolution: Interview with Justin Benson and Aaron Moorhead

By Less Lee Moore

Resolution

Resolution was the most unexpectedly intriguing movie of 2012 for me (review). The trailer was fascinating, but I had no idea what I was in for. I could say much the same about writer/director Justin Benson and co-director/cinematographer Aaron Moorhead. Their abilities at keeping an audience transfixed extended beyond the movie and into the intro and Q&A for Resolution at its Toronto After Dark screening.

Luckily, I was able to catch up with the pair a few days ago, in anticipation of Resolution‘s upcoming release on VOD and in theaters. Here’s what they had to say.

On the new poster for Resolution:
Justin: In general, when you make a movie and you make your own key art and you’re really happy with it, you then show it to the distributor who probably has their own ideas, which are very well placed: this is to sell it on VOD. And then you wait for months to get kicked in the balls, thinking it’s gonna be terrible. But we were so happy . . . nothing against horror movie posters, but it doesn’t look like a horror movie poster. There’s something very odd about the poster but it doesn’t look like a horror movie poster.

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