Music Review: Various Artists, Popcorn Exotica

By Melissa Bratcher

Croydon Municipal’s third album of Popcorn tracks, Popcorn Exotica, is another unbelievable confection. “Popcorn” refers to a Belgian club music scene that peaked commercially in the 1970s, and the common thread is the rather sleepy tempo. DJs would sometimes play 45s at 33 RPM to hit the proper beat.

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DVD and Music Review: Jobriath A.D.

By Hanna

Jobriath A.D. tells the story of singer and would-be glam rock star Jobriath’s career and personal life. It focuses on the period when he was professionally active between 1968 and his death in 1983. His story is told nearly entirely from interviews with people who were involved in his life and career at the time or people who were influenced professionally by his work. There is some narration (by Henry Rollins, no less) to tie parts of the interviews together, and a series of animations provide visual interest and make up for the fact that there exists very little actual footage of Jobriath.

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Music Review: Bill Fay, Who Is The Sender?

By Tyler Hodg

Bill Fay released two albums, one in 1970 and the other in 1971, before disappearing into the wind like so many artists have done over the years. Virtually erased from musical history, Fay’s work has since been resurrected, along with his drive to create new music. His second album since his 2012 return, Who Is The Sender? is a reminder that even musicians with his immense caliber of talent are able to slip through the cracks every once in a while.

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Music Review: Allie X, CollXtion I

By Less Lee Moore

There are a lot of singers with impeccable voices who make terrible music. And there are many great songwriters who can’t sing worth a damn. Luckily, Allie X is not plagued with either of these problems.

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CMW 2015 Concert Review: The Jesus & Mary Chain At The Phoenix

By Stephanie Quinlan

May 1, 2015
Toronto, ON

Sometimes, nostalgia is all it’s cracked up to be. Friday night’s blistering and brilliant Jesus & Mary Chain show was one of those times.

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Music Review: Marc Almond, The Velvet Trail

By Melissa Bratcher

Marc Almond’s latest, The Velvet Trail, feels like something of a miracle and sounds even better. After his 2010 release, Varieté, Almond intimated that he would no longer record his original material. When producer and songwriter Chris Braide (Lana Del Rey, Britney Spears, Beyoncé) heard this news, it became his mission to change Almond’s mind. Braide composed a trio of instrumental tracks specifically for Almond. Upon hearing them, Marc Almond changed his mind. They worked together long distance: sending files to each other, writing long emails and not speaking on the phone, all to keep their chemistry intact. They didn’t meet until the album was finished.

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Music Review: Roger Taylor, Strange Frontier (Reissue)

By Tyler Hodg

Omnivore Recordings has reissued two previously unreleased CD versions of Roger Taylor’s early solo work—with Fun in Space being the first and Strange Frontier the second—and now it’s easier than ever to revisit or become acquainted with them. The latter, which was Taylor’s sophomore solo album, saw its initial release in 1984.

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Music Review: Roger Taylor, Fun In Space (Reissue)

By Tyler Hodg

Queen drummer Roger Taylor, along with Omnivore Recordings, has dug into the vaults and re-mastered his first solo record, Fun in Space. Initially released on vinyl in 1981, the album was previously only obtainable on CD as part of a ten-CD plus DVD collection titled The Lot, but now, it has been packaged with three bonus tracks (“I Wanna Testify,” “Turn on the TV,” “My Country [Single Version]”) and made available on a single disc. Generally, the album may not be considered a classic per se, but it’s definitely underrated enough to deserve the reissue treatment.

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Music Review: Kermit Ruffins, #imsoneworleans

By Melissa Bratcher

It’s not often that I listen to an album that makes me grin like a lunatic after every track. Kermit Ruffins and the Barbecue Swingers’ #imsoneworleans is nine tracks of pure joy. (See what they did there? It’s a hashtag, for the Twitters.) (Incidentally, I kept reading it as “I’ms One Worleans” which makes no sense. I mean, I knew New Orleans was in there, but I just didn’t know where exactly. Pardon the digression.) A mix of covers and originals, #imsoneworleans is a fun album. The musicians sound like they love what they’re doing, and Ruffins always brings a great time.

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Movie Review: Gut and Phobia

By Jeffery X Martin

When approached with the right mindset, there can be few things better than a low-budget horror film. Limited funding can force creativity and turn a small story into something greater. This is not always the case, as anyone who has been burned by a late-night drunken Netflix choice knows. Cheap computer generated effects can snap a viewer out of a movie like cracking a roasted peanut out of its shell. Unfortunately, that’s the route most filmmakers choose to take.

The guiding hands behind the films Gut and Phobia have chosen the road less traveled by, and their finished products are all the better for it.

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