Ten Reasons Why You Should See In Bruges

By Michelle Patterson

In Bruges, a delightful and surprising film out of Ireland that won critical acclaim in 2008—winning a Best Actor in a Musical or Comedy Golden Globe for Colin Farrell, gaining an Academy Award nomination for Best Original Screenplay, and winning numerous awards in its native country—deserves much credit for being a genuinely black comedy.

When it is funny, it creates guffaws a-plenty and when it is black, it is inky, friends. What is most astonishing is how it manages to allow the proper amount of depth within the characterization. Yet, when one considers that the filmmaker, Martin MacDonagh, is a well-established playwright and has a Best Live Action Short Film Academy Award under his belt for his first foray into film, Six Shooter, it isn’t really that shocking. We’re also reminded that Colin Farrell can act. So, let’s settle into the Top Ten Moments of one brilliant piece of Irish filmmaking.
Continue reading ‘Ten Reasons Why You Should See In Bruges‘

The Art or the Crime?

By Jesse Roth

The arrest of director Roman Polanksi in the fall of 2009 on a decades-old arrest warrant stirred up quite a bit of controversy on many fronts. For some, it was the unexpected but welcome capture of a convicted sexual predator, allowed to run free in Europe for far too long. Others, particularly those in the Hollywood community, were quick to defend one of their own on charges they felt were unwarranted. They wanted Polanski to be free to escape his troubled past, allowed to continue to perfect the craft that made him famous.

As the debate raged on, some brought up the idea that people should boycott the films of Polanski and the actors that supported his scandalous freedom fight. In the eyes of these protestors, the viewing and enjoyment this man’s films meant supporting the actions of a child molester.

Roman Polanski then

M Continue reading ‘The Art or the Crime?’

Andy Barker, P.I.

By Michelle Patterson

One of Andy Richter’s strengths as a comedic actor is something he was just born with: his cherubic face. What the majority of his performances exhibited—in his other (sadly) failed television shows and various film roles—was a wholesome, dimpled mug offset against a usually sardonic soul or secret freak-of-nature. It’s an old show business trick (see Jack Benny and even Dick Van Dyke) but it works.
Continue reading ‘Andy Barker, P.I.‘

Irish Folk With A Twist: Frank Tovey and The Pyros, Grand Union

By Emily Carney

Starting in the late 1980s, Frank Tovey (also known as Fad Gadget, whose music and general adventures were chronicled in a past Popshifter article) departed from avant-garde synth-pop, and started making Irish folk records.

Continue reading ‘Irish Folk With A Twist: Frank Tovey and The Pyros, Grand Union ‘

Images of Peter: Finding Peter Godwin

Interview and introduction by Emily Carney

Cherchez la femme: “Images of Heaven”

Years ago (it’s been so long, I’ve forgotten what year it was exactly), I was watching one of those late night “alternative” music shows on MTV, looking for videos by my then-favorites, Joy Division and New Order (I regularly bored friends to tears in school gushing about these two bands). I thought it was slightly insulting that the very best musical artists around were only seen on a Sunday night at 12:00 a.m. and later.

I had a crappy circa-1983 VHS recorder I would tape these videos on. . . I remember these tapes were filled with old-wave hits. Pete Shelley’s “Homosapien,” the Psychedelic Furs “Love My Way,” and the Human League’s “Love Action (I Believe in Love)” were just a few of the videos I remember seeing over and over again on extremely grainy videotape.

. . . But I digress. This one particular night a video by a guy called Peter Godwin flickered to life on the Magnavox TV screen. It was called “Images of Heaven” and it straddled the line between being ridiculously 1980s and strangely intriguing. The plot of the video included a man living in a rather sophisticated townhouse (with a spiral staircase!) being tormented by a sexy woman who existed in his television, and in his mind. His apartment was filled with fur, leopard-skin rugs, and silver couch cushions. (I’ll bet it smelled like Opium by Yves Saint Laurent.)
Continue reading ‘Images of Peter: Finding Peter Godwin’

Nine, A Soundtrack Review

By Danny R. Phillips

I’m not much for musicals. People walking down the street, spontaneously breaking into song. . . it’s all very hokey and unrealistic to me. Generally, I think it’s a stupid genre. . . wait, does Walk The Line count as a musical? If so, I liked that one. Anyway, soundtrack albums to musicals are often more painful than the actual film, but there is something about the soundtrack of Nine that makes me let my guard down and dial down the hate just a bit.
Continue reading ‘Nine, A Soundtrack Review’

The Rebirth Of The Un-Dead: Q&A With Dacre Stoker

By Lisa Anderson

Dacre Stoker, the great-grandnephew of Dracula author Bram Stoker, has co-written an official sequel, Dracula: The Un-Dead, along with screenwriter Ian Holt. I was fortunate enough to get to meet Dacre at a signing at Sherlock’s Books in Lebanon, TN this past December, and he graciously agreed to follow up with an interview by email.
Continue reading ‘The Rebirth Of The Un-Dead: Q&A With Dacre Stoker’

Legion

By Lisa Anderson

If you’ve gone to the movies in the past few months, you’re probably at least peripherally aware of Legion. It’s the movie advertised by the cardboard cutout of the winged, shirtless man with weapons in both hands. If you’ve seen the trailer, you know that its premise is that God gets fed up with humanity and sends angels to exterminate us, but that there’s a baby who can turn everything around if only it survives, and one lone angel who wants to help. Even with all of that, though, I went in not really knowing what to expect.
Continue reading ‘Legion‘

A Fortnight In The Tower Of Song: Leonard Cohen And The Creative Life

By Ben Sullivan

When my mother approached me with two tickets to Leonard Cohen’s first-ever performance in Columbus, Ohio as a present for my thirtieth birthday, the extent of my familiarity with the man was a much-loved copy of Songs of Leonard Cohen I happily stumbled across a few years back, as an initiate to the pleasures of record shopping.

Outside of the debut, I’d heard a handful of the seemingly countless Cohen covers. And then there was the copy of Songs of. . . I gifted to an ex-girlfriend (which, for shame, subsequently melted in the backseat of her Accord). My enthusiasm for the concert wasn’t predicated on long hours spent under his spell, but rather for the opportunity to sink into his work and discover the tics, irregularities, and strengths of an enduring voice.
Continue reading ‘A Fortnight In The Tower Of Song: Leonard Cohen And The Creative Life’

England, Ireland, And Oliver Cromwell’s Lasting Musical Legacy

By Katrina Armstrong

Oliver Cromwell

Oliver Cromwell was the tyrant of English history: the great Lord Protector, the rebellious regicidal egoist, and the hero of none. For a murderous, cruel, coup master who died over 350 years ago, he certainly has a stronghold on some of the 20th (and 21st) century’s best-loved musicians.

First, a little background on our man Ollie. A supposed Tudor cousin (think Henry VIII and Elizabeth I), Cromwell became an active and vocal member of the English Parliament, eventually becoming a strong military leader who helped in the overthrow and execution of Charles I. It was during this tumultuous time that Cromwell built the “New Model Army” (a precursor to the modern English Army) which he marched into Ireland to regain control of lands from already warring Catholic anti-monarchists. The toll was huge in terms of Catholic population and land ownership. To these Catholics, Cromwell was a monster; to the English, a pretender. Why has this man carried such weight in the music of artists such as Elvis Costello, Flogging Molly, and even Morrissey?

Continue reading ‘England, Ireland, And Oliver Cromwell’s Lasting Musical Legacy’