Music Review: Richard Thompson, Electric

By Chelsea Spear

At this point in Richard Thompson‘s life, his legacy is assured. As one of the members of British folk band Fairport Convention, he played a role in bringing together traditional Celtic music, folk rock, and psychedelia, and his albums with former wife Linda are some of the most melancholic and offhandedly cathartic albums of their time. As a songwriter, Thompson has a mordant wit and a great sense of melancholy. His guitar work brings together several different styles and approaches, but unlike his contemporary Eric Clapton, his real skill is in the notes he doesn’t play. In short, one could forgive him for coasting.

To some extent, Electric picks up where Thompson’s previous album Dream Attic left off (review). While he doesn’t appear to be playing these songs before a live studio audience, this latest album at least sounds as though it was recorded live, with all the members of the band in the same room. While the stripped-down arrangements, with their focus on Thompson’s electric guitar solos, find him in his comfort zone, the lyrical content seems a bit angrier and more immediate than much of his previous work.

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Assemblog: February 1, 2013

Vanishing Waves

New this week on Popshifter: Paul examines “Wrestling’s Dark Heart” and reviews the game Cart Life; Maureen recommends The Sessions as “a gem of a film;” I get excited about new music and videos from Parenthetical Girls, Iceage, and Jesca Hoop and review the excellent but troubling film Compliance; and Elizabeth talks about Netflix, Wall Street, and why televangelism means we can’t have nice things like a la carte cable in this week’s installment of “TV Is Dead, Long Live TV.”

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TV is Dead, Long Live TV: I Welcome Netflix As Our New Television Overlords

By Elizabeth Keathley

The author’s Netflix home screen. Our new media overlords know what my family wants to watch a surprising amount of the time.

With House of Cards premiering February 1 on Netflix, it’s time to acknowledge our new media overlords. While I have yet to see the new series, I have a strong suspicion I’ll like it—Kevin Spacey was born to play to the Devil, and television loves an actor that chews scenery. As long as the writing is solid, with Spacey in the lead and Robin Wright as his dance partner, they could be acting with no sets and wearing clothes by Hanes sweat suit division and I’d still watch. Investors agree with me; Netflix stock shot up 42 percent in the last week, but exactly why the stock made such a dramatic jump is a reflection of the struggle between old and new media, and involves the death of linear TV and the complex copyright struggles that tangle all visual media distribution.

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DVD Review: Compliance

By Less Lee Moore

It’s difficult to review a movie like Compliance. Usually the tag line, “Inspired By True Events” signals a couple of hours of cinematic hyperbole. Even documentaries aren’t immune from altering or omitting facts to suit the filmmakers’ agenda(s). What’s most disturbing about Compliance is how scenes that might trigger the viewer’s bullshit meter actually did occur. While much of the dialogue used to illustrate the events may have been created, the scenarios themselves are real.

Anyone who has worked in a fast food restaurant (or as industry parlance prefers, a “quick-service restaurant”) might immediately feel discomfort during the opening scenes of Compliance, not because of any horrific events taking place, but because of the remarkably authentic atmosphere of what takes place in those environments.

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Movie Review: The Sessions

By Maureen

TM and © Twentieth Century Fox Film Corporation. All Rights Reserved.

I knew very little about The Sessions going into it. I knew that it was about a man suffering from polio (John Hawkes) who hires a woman to have sex with him. That was enough to pique my curiosity, and so I watched it.

The Sessions is based on the life of a real-life man, Mark O’Brien, who contracted polio at a young age and has to spend all but about four hours per day inside an iron lung to keep him breathing. Even when outside this device, he is required to remain flat on his back on a gurney with portable oxygen.

He manages to work his way through an English degree at Berkeley, and when the story picks up in 1988, he is 38 years old and working from home as a poet and occasional journalist. He’s contacted about a news story about sex and the disabled, and his quest for professional research opens a world of personal doors and discoveries for him.

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New Jesca Hoop Single/Video: “Ode To Banksy”

By Less Lee Moore

The third single from Jesca Hoop‘s amazing The House That Jack Built album (review), is out now and there’s a video to go with it.

“I’ve been a fan of Banksy for ages,” explains Jesca. “This song is a splatter of inspirations that I have gathered from his pieces round the world. There are four or five specific pieces that inform the lyrics. I named the song ‘Ode To Banksy’ because, as a huge fan, I much prefer to keep the mystery of his identity alive . . . and while I was writing the song there were big press blasts to reveal his identity . . . which I ignored. I’ll keep him masked, thank you! This song is like pop art itself . . . for art’s sake. I am also a big a fan of Bobbie Gentry and her song ‘Ode to Billy Joe’ is a long time favorite of mine . . . the thought of the death of a great intrigue gave me a good excuse to write my own Ode.”

“Ode To Banksy”—with its catchy chorus and insistent guitar riffs—is another perfect example of the beautifully diverse talents of Ms. Hoop. If you haven’t yet heard The House That Jack Built, I highly recommend it.

Jesca Hoop will be supporting I Am Kloot on their February tour of the UK.

Tour Dates:
Feb. 12 – GLASGOW, Oran Mor
Feb. 13 – LEEDS, Irish Centre
Feb. 14 – MANCHESTER, The Ritz
Feb. 15 – MANCHESTER, The Ritz
Feb. 18 – NOTTINGHAM, Albert Hall
Feb. 19 – LONDON, Barbican
Feb. 21 – BRIGHTON, St Bartholomew’s Church
Feb. 22 – CAMBRIDGE, Junction
Feb. 23 – BRISTOL, Trinity
Feb. 24 – COVENTRY, Warwick Arts Centre

Game Review: Cart Life

By Paul Casey

Cart Life is a game fixated on worry. You worry about the time. You worry about the pain in your head. You worry about how you get to where you need to be, and how much it will cost you. A taxi will allow you to make that meeting in time, but it will cost more. Each character—there are two available in the free version—has their own concerns and needs. Andrus has recently arrived in America. He has a cat and is addicted to cigarettes. Melanie has a daughter from a failed marriage. She needs to prove that she can support her child. She buys a coffee stand.

Richard Hofmeir, who is responsible for Cart Life, combines the classic video game staple of resource management with a thoughtful narrative. There is a lot here that will be familiar to anyone who has obsessed over balancing the budget in Sim City. Once you have the required elements to start your business though, Cart Life becomes a quest to gain customer satisfaction. You must type out sentences as fast as you can—for instance, reminding yourself to unpack something carefully—keep orders in mind and go through the process of making a cappuccino. The customer will only wait so long.

Around this is a simple but endearing story of people trying get a hold on life. Hofmeir is effective at giving normal pressures importance and making his characters seem more substantial than their sparse dialogue. Their struggles are common, and you get the sense that they have a real history behind their actions. There is desperation for these people to get their lives in order. Exploring the small but detailed world which the characters inhabit is a joy. The game gives just enough direction to make finding that next person or location an achievement.

Cart Life can be frustrating at times. It takes a couple of hours to get a proper handle on the demands the game asks from you. Using your time wisely is the biggest challenge at the beginning of the game and the travelling cut-scenes are a pain. This does however increase the satisfaction when you put in a good day’s work. With a pleasing art style and a core experience with depth, Cart Life is worth your time.

Cart Life is nominated for Excellence in Narrative and the Seamus McNally Grand Prize at the 2013 Independent Games Festival which takes place in late March. It is available free for Windows at http://www.richardhofmeier.com/cartlife/.

Watch Iceage’s New Video, Pre-Order Their EP: “Ecstasy”

By Less Lee Moore

Photo © Anton Rothstein

A couple of weeks ago I posted a link to “Coalition,” the first single from Iceage’s upcoming album You’re Nothing (out 2/19 on Matador).

Now they’ve released another new track—”Ecstasy”—and this one has a proper video.

The song actually gives me goosebumps. It also reminds me of my mortality; as much as I’d love to see this band on their upcoming tour, I’d also probably be crushed to death.

“Ecstasy,” “Coalition,” and an exclusive B-side “A Rifle,” will feature on an Escho 7″, released on February 5 and available via import through Matador in a limited quantity.

Stream “A Note To Self” By Parenthetical Girls: Upcoming Album, Spring Tour

By Less Lee Moore

The eclectic, engaging Parenthetical Girls released a series of EPs over the last few years entitled Privilege. These were limited edition and only available via mail order. Oh, and each one was hand-numbered n the blood of one of the band’s members.

Now they’ve condensed the 21 songs that make up the five-part series into 12 tracks, all of which have been remixed and remastered. The Privilege album will be released by Marriage Records and the band’s own Slender Means Society Label on February 19.

To support the release, Parenthetical Girls are embarking on a Spring tour, beginning March 6 in San Francisco.

Obviously, none of us have the patience to wait for either of these momentous occasions, so the band has thoughtfully provided a streaming track, “A Note To Self.”

Additionally, they’ll be producing a series of video commercials for Privilege, beginning with the one below (a clever homage to Brooke Shields’s infamous Calvin Klein jeans ads from the 1980s).

For more on Parenthetical Girls, check out their website.

Tour Dates:
03/06 Portland, OR – Holocene
03/07 Berkeley, CA – Starry Plough
03/08 Los Angeles, CA – The Smell
03/09 Phoenix, AZ – Trunk Space
03/10 Albuquerque, NM – Low Spirits
03/12 San Antonio, TX – Korova
03/13 – 03/16 Austin, TX – SXSW
03/17 Dallas, TX – Spillover Music Festival
03/19 Birmingham AL – Bottletree
03/20 Atlanta, GA – The Earl
03/21 Chapel Hill, NC – Local 506
03/22 Washington, DC – TBA
03/23 Philadelphia, PA – PhilaMOCA
03/24 Hamden, CT – Outer Space
03/25 Brooklyn, NY – Glasslands
03/26 NYC – Bowery Electric
03/27 Montreal, QB – Divan Orange
03/28 Toronto, ON – Double Double Land
03/29 Ann Arbor, MI – Arbor Vitae
03/30 Chicago, IL – Empty Bottle
03/31 Minneapolis, MN – TBA
04/02 Denver, CO – Hi Dive
04/03 Salt Lake City, UT – Kilby Court
04/04 Boise, ID – Flying M
04/07 Seattle, WA – Chop Suey

Wrestling’s Dark Heart

By Paul Casey

One of the biggest problems for the modernization of professional wrestling, not covered in my last wrasslin’ bit, is the so called wrestling community. This especially concerns its Internet variant, which continues to be a barrier to any outsider views being able to filter through long enough to have any positive or lasting impact.

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