Music Review: Atoms For Peace, Amok

Published on March 28th, 2013 in: Current Faves, Music, Music Reviews, Reviews |

By J Howell

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One of the most difficult considerations in music criticism lies in following an artist’s career for the long haul and remaining objective enough about said artist’s work to give it a fair shake. This notion really hit home for me in a major way recently while listening to and thinking about the most recent Nick Cave and The Bad Seeds record. Push The Sky Away is a record I came to fully appreciate only after at least a dozen spins—long enough to finally let go of some of my expectations from Cave and the Seeds and just listen (review).

That’s kind of the bitch of following a body of work enthusiastically over years (or decades). Avoiding becoming jaded is a subject far beyond the scope of this review, but even if it seems obvious, it’s worth noting that after a certain point, it’s hard to get the same life-altering feeling you got when you heard “Tupelo” or “Taut” or Bone Machine or Doolittle (wait—scratch that, I still get that teenage feeling listening to Doolittle) or “Paranoid Android” for the first time.

What we get in return for following where people like Cave or Polly Harvey or Thom Yorke—with Atoms For Peace’s Amok—lead may not always be that immediate, profound experience of hearing something important for the first time. When you’re lucky, though, the sense of growing and changing, maybe even maturing (it’s okay to wince; I did typing) alongside such artists, finding their work still (and sometimes strangely) relevant to where you find yourself right now, can be just as rewarding.

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Waxing Nostalgic: Robert Hazard, “Escalator Of Life”

Published on March 27th, 2013 in: Music, Waxing Nostalgic |

By Jeffery X Martin

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As a writer, I am in love with the English language. It’s my tool, it’s my crutch, it is my weapon. While I hate to see the language abused and used poorly, I enjoy it when other creative people grab hold of it and whip it around, make it snap and do things it normally wouldn’t. This usually happens in the area of analogies, similes, and metaphors. And I must admit: I love ’em when they’re bad. If you can take a bad comparison and make it work on your behalf, make it seem credible and acceptable, then you’ve accomplished something. It’s a dubious and weird thing, but a thing, nonetheless.

Let us ponder, then, the most excellent badness of Robert Hazard’s “Escalator of Life.”

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Canadian Music Week Film Fest Movie Review: Big Star: Nothing Can Hurt Me

Published on March 26th, 2013 in: Current Faves, Documentaries, Film Festivals, Movie Reviews, Movies, Music, Reviews |

By Less Lee Moore

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When I first heard Big Star, I wondered “Why weren’t these guys huge?” like all their other fans have been wondering for the last 40-plus years. Big Star: Nothing Can Hurt Me answers the why, but their lack of mainstream success still boggles the mind. When Brian Wilson sang “I Just Wasn’t Made For These Times,” he could have easily been singing about Big Star.

The story of Big Star is full of both good things—talent, camaraderie, ambition—and terrible ones—bad luck, personal demons, and death. This mixture of the bitter and the sweet is a good metaphor for Big Star’s music, which fuses the two in an unforgettable aural and emotional experience. This is what drew fans and critics to the band and what continues to characterize their legacy.

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Music Review: Wendy & Lisa, Wendy and Lisa

Published on March 25th, 2013 in: Feminism, LGBTQ, Music, Music Reviews, Reviews |

By Paul Casey

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Wendy & Lisa have put out five albums and one EP of original material during the years they have worked as a duo. For such a talented pair this does not seem like nearly enough. The benefit of having so few albums is, however, there is no off period. Their debut, Wendy and Lisa, came out in 1987 and started a (short) string of great albums. It is a classic of the 1980s, and unavoidably a document of what Prince lost when he fired Wendy, Lisa, and Bobby Z. (who co-produces the album).

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Movie Review: Olympus Has Fallen

Published on March 25th, 2013 in: Action Movies, Movie Reviews, Movies, Reviews |

By LabSplice

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In Olympus Has Fallen, Gerard Butler plays Mike Banning, a former secret service agent who has been reassigned to a desk job after the accidental death of the First Lady. It has not been an easy transition; Banning feels the loss of his extended first family and drifts through his life disconnected from those around them. However, his shot at redemption comes when a small band of terrorists take over the White House under the guise of a peace envoy from South Korea. As the only man left alive, Banner must overcome his past failures to ensure that the leaders of the country are not used as pawns in a nuclear war against the United States.

While Olympus Has Fallen received comparisons to Die Hard even before it was released, the movie is not content to draw on only one inspiration and borrows heavily from across the genre. There is no shortage of ’90s action films that pit a lone agent against a small force of terrorists who have taken over a building or installation. I lovingly refer to these films as Only Hope We’ve Got movies—they often feature a roundtable of government officials who argue over what to do with their inside agent, only to have one character pound a desk and announce that he or she is the Only Hope We’ve Got.

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Canadian Music Week Film Fest Review: Bad Brains: A Band In DC

Published on March 23rd, 2013 in: Current Faves, Documentaries, Film Festivals, Movie Reviews, Movies, Music, Reviews |

By Less Lee Moore

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When it comes to bands like Bad Brains, genre becomes meaningless. Influenced by such disparate artists as Chick Corea, The Sex Pistols, The Damned, The Ramones, and Bob Marley, they combined a variety of musical styles into their own unique sound, going on to influence dozens of other musicians (Dave Grohl, The Beastie Boys, Cro-Mags, Red Hot Chili Peppers, to name but a few) in the process.

Bad Brains: A Band in DC, directed by Ben Logan and Mandy Stein, is not an exhaustive account of the history of Bad Brains; that would be impossible, although it would make for an extremely entertaining TV series. When watching the film, you’re not only left with the distinct impression that there are many more stories to be told, but also that you can’t wait to dig into the band’s discography, which includes nine studio albums, a couple dozen singles, a handful of live albums, and appearances on various compilations.

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Assemblog: March 22, 2013

Published on March 22nd, 2013 in: Assemblog, Copyright/Piracy, Film Festivals, Horror, Legal Issues, Movies, Trailers, True Crime |

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Under The Bed

New this week on Popshifter: LabSplice says Brad Anderson’s new movie The Call is “guided by a very sure hand”; Emily thinks Shooter Jennings is worthy of his dad’s crown on The Other Life; Paul recommends Old Man Markley’s Down Side Up; I unabashedly gush about Suede’s Bloodsports, categorize the movie Deadfall as a “gritty, rewarding genre exercise,” admire the fashion sensibilities of Redd Kross in their new video for “Uglier,” and review four films from Canadian Music Week Film Fest 13: Ain’t In It For My Health, The History of Future Folk, The Last Pogo Jumps Again, and Apocalypse: A Bill Callahan Tour Film.

Please note: there will be no Assemblogs for the next three weeks. I’ll just be providing round ups of that week’s articles. The Assemblog will be back in full effect on April 19.

I’m sad to report that our ongoing column “TV Is Dead, Long Live TV” is on hiatus. If you’re interested in picking up the coverage of the transformation of television from linear to its currently shifting model, please drop me a line at editor@popshifter.com.

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Canadian Music Week Film Fest Review: Apocalypse: A Bill Callahan Tour Film

Published on March 22nd, 2013 in: Film Festivals, Movie Reviews, Movies, Music, Reviews |

By Less Lee Moore

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I started watching Apocalypse: A Bill Callahan Tour Film knowing nothing of Bill Callahan. Callahan has been writing, performing, and recording music for almost 25 years, originally under the name Smog, and then with the release of 2007’s Woke on a Whaleheart, under his own name. Apocalypse chronicles Callahan’s US tour in 2011 to support the album of the same name.

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Canadian Music Week Film Fest Review: The Last Pogo Jumps Again

Published on March 22nd, 2013 in: Canadian Content, Current Faves, Documentaries, Film Festivals, Movie Reviews, Movies, Music, Reviews |

By Less Lee Moore

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Photo © Gail Byrek

For documentaries that chronicle a certain scene, be it music, theater, film, or another art form, the question many might ask is why? Is the documentary supposed to shed light on a misunderstood or little-known series of events? Is the documentary trying to cast the people and events in a flattering or unflattering light? Or, as some might speculate, is the documentary just a forum for those involved to pat themselves on the back and say, “I was there”? For The Last Pogo Jumps Again, the answer to all of these questions is yes, but it’s a qualified assent.

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New Video: Redd Kross, “Uglier”

Published on March 21st, 2013 in: Current Faves, Music, New Video, Video |

By Less Lee Moore

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Photo © Arlie Carstens/Incase

Redd Kross has never followed fashion (that’d be a joke). Instead, they’ve always existed in some parallel, alternate universe, doing their own thang.

For proof of this phenomenon, check out this new video of them looking natty and rocking in Room 205, performing “Uglier” from their incandescent 2012 release, Researching The Blues (review).

For more Redd Kross, check out their website and go see them on tour! If you missed out on your chance to get Researching The Blues on vinyl, it’s back for a limited time from Merge Records.

Tour Dates:
Apr 3: The Earl; Atlanta GA
Apr 4: Kings Barcade; Raleigh NC
Apr 5: Black Cat; Washington DC
Apr 6: Santo’s Party House (early show) ; New York NY
Apr 7: Kung Fu Necktie; Philadelphia PA
Apr 10: Il Motore; Montreal QC
Apr 11: Horseshoe Tavern; Toronto ON
Apr 12: Lager House; Detroit, MI on sale March 20
Apr 13: Empty Bottle; Chicago IL
Apr 14: Cactus Club; Milwaukee WI

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