Music Review: Hirsute Pursuit, Tighten That Muscle Ring

By Ann Clarke

It’s been a while since I’ve written any reviews about anything, mainly because I can’t fucking stand new shit, because that is what it is—SHIT! However, sometimes you hear something and it compels you to expel your thoughts in a written context, basically excreting your reaction upon observation. In this particular case, that would be the album Tighten That Muscle Ring by Hirsute Pursuit. This might not be a brand new release (it came out in 2012, so it isn’t old, either), but it is new to my ears.

I wanted to publish this review during the month of June since it’s Pride Month and because I have NEVER heard anyone that is as proud to be gay as the fellas in Hirsute Pursuit! They take their pride to parts unknown. With the Supreme Court ruling on DOMA and Prop 8, the gay pride is at an all-time high, but for the two that are Hirsute Pursuit (Harley Phoenix and Bryin Dall), they clearly aren’t thinking about anything marital when composing their songs. In fact, these are the types of guys that would be out even if it meant the death penalty! Laws or not . . . these guys are going to cause some butt-hurt to someone!

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Assemblog: June 28, 2013

Among The Living (image from Twitch)

New this week on Popshifter: Chelsea reviews new albums from Dessa and Bosnian Rainbows; Julie puts the music of Dream Affair into a musical context; Paul explains why Christy Moore’s “Delirium Tremens” has multiple meanings; Jeff lifts up his lighter for Styx’s Big Bang Theory; Cait reminisces on Big Star and their soundtrack for the movie Nothing Can Hurt Me; and I try to describe the somewhat indescribable film The Rambler.

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Blu-Ray Review: The Rambler

By Less Lee Moore

The Rambler is like a Jim Thompson science fiction novel adapted into a film. Its panoply of bizarre characters could be interpreted as either being influenced by David Lynch and Alejandro Jodorowsky or just pretentious. Yet, most of the seemingly random bits make a strange kind of sense in the world of an already nonsensical film. Everything is so specifically odd that it must mean something and not be an accident. There are only a few times when things appear to be weird for the sake of it. These scenes persist for so long they transform from disgusting to hilarious. Perhaps that’s the point.

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Music Review: Big Star: Nothing Can Hurt Me Soundtrack

By Cait Brennan

There’s a part of you that gets wistful sometimes when you see some secret treasure you love finally get its day in the sun. You think back to the day, seven worlds ago, when a friend of a friend handed you a cassette tape of some band you never heard of called Big Star, on an obviously fake record label called PVC Records. The friend gives you a knowing look and you don’t know; you don’t know you have a universe in your hand, that this grubby little tape is going to change your life, it’s going to detonate some ecstatic explosion inside you, and you will never be that person ever again. And a thousand miles later you chance across another copy in the cutout bin of some strip-mall record shop and you buy it for 49 cents and you put it in the hands of someone you love who’s never heard it, and you look at their uncomprehending expression and think “that was me, once upon a time.” And if you’ve chosen wisely and the quantum entanglement is aligned just so, the chain reaction goes on.

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Waxing Nostalgic Cover Albums: Styx, Big Bang Theory

By Jeffery X Martin

In retrospect, there weren’t too many corporate pop/rock bands quite as ballsy as Styx. They were great proponents of the concept album, managing to score hit after hit with singles that, taken out of their album’s context, gave no clue to the listener of what they were really about. While I was slow dancing with yet another girl who wouldn’t let me touch her butt to “The Best of Times” in Tracy White’s basement during another hormonally-interminable eighth grade party, I had no idea I was listening to a song about America, rising like a phoenix from the ashes of the Seventies and rushing headfirst into the Eighties. I just knew I was staying a virgin for another long weekend.

Styx’s biggest hits tended to be the namby-pamby Dennis DeYoung ballads. The rocking songs like “Heavy Metal Poisoning” never had quite the same popularity. It’s interesting, then, that for their covers album, Big Bang Theory, the band reaches out for the rockiest rock they can rock your rocks to. Even more interesting is how well it works.

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Random Rant: Delerium Tremens

By Paul Casey

If I could speak for my nationality, I would say this: Christy Moore’s song “Delirium Tremens” and the differences between its live and studio versions account for all significant space between the assumptions about Ireland and the realities which are suffered from living here. A look at the differences between these songs also gives insight into the nature of the man who created them. It displays the capacity of Traditional Irish music to express a more complex reality than craic and stompy dancing.

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Music Review: Bosnian Rainbows, Bosnian Rainbows

By Chelsea Spear

Remember the ’80s? Not the kitschified dayglo era of synthesizers and Patrick Nagel portraits, but the pre-Nirvana era of college radio, fly-by-night indie labels, and adventurous bands with eclectic influences. Bosnian Rainbows, a Latin alternative supergroup-of-sorts, exemplifies the magpie musical styles and willingness to experiment that made the previous generation’s proto-alternative bands so addictive.

Bosnian Rainbows trade in expansive, cinematic melodies, driven by curlicuing guitar riffs and strong arrangements. Omar Rodriguez-Lopez, the creative force behind the band, perfected these skills with his previous band, the Mars Volta. Reacting to what he saw as a dictatorial manner of producing and fronting a band, the guitarist opted for a more democratic experience with his next band.

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Music Review: Dream Affair, From Now On EP

By Julie Finley

Dream Affair are a trio of musicians from various locales that started out in Philly, but are currently based out of Brooklyn. They have undergone a few line-up changes since their inception, but the primary figure has been Hayden Payne (vocals, guitar, and various electronics). The other members are Abby Echiverri (synths, violin, and vocals), as well as Bryan Spotlore (bass). I am not sure if they classify themselves in a genre per se, but their music tends to be filed under “post-punk,” “new wave,” “cold wave,” “Goth rock,” etc.

From the sound of their latest release, From Now On, those various genre labels wouldn’t be too far off the mark. The problem with those specific genre labels is that any band falling under that umbrella is inevitably going to be compared to Joy Division or The Sisters of Mercy. Yes, there are many newer bands that clearly take their cues from their forefathers, but this is what I find different about Dream Affair.

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Music Review: Dessa, Parts of Speech

By Chelsea Spear

Performance poet Dessa burst on the scene in the mid-oughties with A Badly Broken Code, an inventive record that meshed the confrontational attitude of hip hop, the confessional qualities of poetry, and an appealingly rough-hewn production aesthetic. These seemingly disparate elements came together for an album that explored familial love, particularly Dessa’s relationship with her disabled younger brother. Her flow was unimpeachable, and she transitioned well between spitting triples and crooning verses. Her use of analog and toy instruments underscored these themes and gave the album a greater poignancy.

In the three years since A Badly Broken Code dropped, Dessa’s interest in exploring new genres and working with different styles of music is understandable. Parts of Speech represents a transition for Dessa: from the experimental rap style in which she made her name into a more traditional pop music idiom.

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Assemblog: June 21, 2013

Elysium

New this week on Popshifter: Melissa remarks on the good and bad in The Cary Grant Film Collection on DVD; Chelsea loves El Valiente, the new album from Piñata Protest; Jeff finds little to love in Ozzy’s covers album, so cleverly titled Under Cover; Paul remembers some of the great roles from James Gandolfini; I have great things to say about iLL Manors, the debut film from Ben Drew; discuss the horror bona fides of Donna Davies’s documentary Nightmare Factory; and am impressed by The ABCs of Death, now on home video.

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