Best Of 2013: Erik Alcock of The New Royales

Published on December 30th, 2013 in: Best Of Lists, Music |

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Photo © Mike Quain

Ty Segall, Sleeper

Ty Segall’s new one was a bit of a departure. It was a pared-down acoustic collection that showed not only his versatility, but also his softer side. For a guy who releases an album in what seems like every couple of months, it was nice to see him follow his moods and whims and still come out with a solid and surprisingly emotive collection of tunes. He’s got some John Lennon to him; his voice can quaver in that direction, but there is also the subject matter. He lays some things very bare and does not hide behind pedals or bombast.

When the guy does do his rock and roll, as on Twins from last year, he makes everyone else sound slow.

Fave tracks: title track and “She Don’t Care”

My Bloody Valentine, MBV

I don’t remember what I was listening to 22-years ago, but it sure wasn’t the last MBV record. When I got into them, I didn’t think that a follow-up would ever happen, but lo and behold, earlier this year, the 22-year drought ended and is it weird that I feel it was worth the wait? I’ve read they are the loudest live band of all time and people have left shows delirious in need of new underwear. My friend in Montreal said he was depressed after seeing them last month because he realized that no show could ever compare. It’ s otherworldly, challenging, blissful, and strangely sexy, all of this and more.

While I’m sure Kevin Shields didn’t spend all of those 22 years making this album, you can tell the man knows his way around a studio. No one has made a guitar sound like he does. It tells me that listening to an album as an album and not just digital files is not an old-fashioned idea. It’s best played without anything else going on, with the biggest speaker system you can find, and if you don’t have anything other than an iPod dock, find your nearest audiophile friend and persuade him to let you blow his mind for an hour. (If he’s a real rock audiophile, he’ll already have the album, but I digress.) You will both be cleansed of any urge to listen to bro-rock or bad Auto-Tune flash-in-the-pan for a good long while. If any of the above urges return, I recommend you repeat the dosage. . . louder.

Fave track: “In Another Way”

Kurt Vile, Walking On A Pretty Daze

Not sure where this guy came from; well, Philadelphia specifically, but apparently he’s been plying his brand of psych-folk-rock for a good few years and has been on a pretty good clip as far as albums go. Picture a lazier Neil Young and that would be half the picture, though I would never deign to call someone who releases an album a year “lazy.” Anyway, he can finger pick acoustic with the best of them and throw down a sludgy swampy rock stomper without missing a beat. He throws more than the usual “cowboy chords” into the mix and does not shy away from programming and sequencers. I have it on good counsel that Kurt Vile is actually is his real name and he’s got great hair. This isn’t an instant gratification record: his first song is nine minutes long, but he takes the time to wind the tune and play it out. In fact. two other songs are over eight minutes long, but there are certainly some hooks. He’s well worth checking out if you like albums that make you want to get in a car and just drive past small towns and country fairs, letting that great hair go in the breeze. Did I mention he has great hair?

Fave tracks: “KV Crimes,” “Air Bud”

The New Royales will release their new covers album, Freedom’s For The Brave: The Mixtape, on January 14, 2014.

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Best Games Of 2013: Luke Shaw

Published on December 30th, 2013 in: Best Of Lists, Gaming |

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I should start by going out of my way to elaborate that this is not a best games of the year list, or any other such nonsense. I don’t own every console, I barely played a quarter of the year’s releases, and I spent a disproportionate amount of the year on older games like S.T.A.L.K.E.R Shadow of Chernobyl.

Instead, I’m just going to write about things that I wasted my time playing this year, and why I am not sad I wasted my time doing so. The only real theme to this list is impact: anything that engrossed me for a sufficient space of time, or something that resonated deeply, or long after I finished it. I have included the three biggest critical releases of the year, not just because I enjoyed them but because they did a lot of things wrong. Regardless they deserve to be talked about and weighed into any discussion like this. I regret not being able to play tantalizing releases such as Gone Home and Papers, Please but I am no journalist and my time and money are limited. There is an overall winner, but it is only taking that spot due to the sheer lunacy of the hours invested.

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ICYMI: December 20, 2013

Published on December 20th, 2013 in: ICYMI |

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New this week on Popshifter: Jeff remembers “The Power of Love” in the last Waxing Nostalgic of 2013; Less Lee is not totally compelled by Ain’t Them Bodies Saints, but jubilant over Good Vibrations, and recommends Psych-Out Christmas for holiday music blues.

There are Best Of 2013 lists galore!

Reed Mathis of Tea Leaf Green

Jazz guitarist Nir Felder

Singer/songwriter Lewis Watson

Chris Butler of The Waitresses

Jeremy Fury, Jeremy and the Harlequins

Singer/songwriter Ducky

Corey Cunningham of Terry Malts

Popshifter writers weigh in, too, with unexpected movie faves from Jeff, and lists from Melissa, Paul, Tim, and Julie

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Best Of 2013: Corey Cunningham of Terry Malts

Published on December 20th, 2013 in: Best Of Lists, Music, Retrovirus |

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Here are five reissues I liked this year:

Neo Boys, Sooner Or Later
Oh man, this was very overdue. I’m also really surprised that it took this long. Kudos to the fine folks at K Records for getting this late ’70s/early ’80s Portland punk band’s music back out there so a whole new audience can find it.

For Against box set
I was really excited about this. For Against is one of those perpetual underdogs and I love them for it. They’ll never be co-opted and have their name mined for all it’s not-quite-post-punk, not-quite-shoegaze glory in crummy new band’s one-sheet. Pretty great artwork here, too, by Independent Project Press guru Bruce Licher. (Captured Tracks)

Giant Henry, Big Baby
Numero Group puts out some fantastic records; everybody knows that. I really truly loved the Wayfaring Strangers series and the Codeine reissues as well. They never disappoint with the packaging either. This release is an early recording by Unwound (as a part of their reissue campaign for that band) when they were in high school playing under the name Giant Henry and it shows the group in it’s early Nirvana/Tad inspired phase. A++ release here, folks!

Philip Perkins, Drive Time
Full disclosure on this one: I re-released this with my friend Matt Kallman on our label Body Double, a subsidiary of Captured Tracks. That being said, it’s an obvious candidate for my favorite reissues of the year. This is a mid-’80s sound collage by a former conspirator in The Residents. The whole thing is presented as an alternative to the AM radio commuters often listened to back then. It’s perfect listening for a long drive. Trust me.

I Am The Center: Private Issue New Age In America, 1950-1990
This is not so much a “reissue” as it is a compilation featuring private press new age from before it was a recognized genre until its saturation point in the ’90s. You can’t go wrong with this and you’ll find yourself scrambling to a computer to find the original pressings on Discogs after your first spin. (Light In The Attic)

Terry Malts’ new album, Nobody Realizes This Is Nowhere, came out through Slumberland Records on September 10.

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Best of 2013: Julie Finley

Published on December 20th, 2013 in: Best Of Lists, Movies, Music, TV |

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This year has been awful . . . for me at least. Between agonizing pain that led to back surgery, as well as polycystic ovarian syndrome, it made it very hard for me to enjoy anything (with the exception of a few out of town excursions).

I watched more movies than usual, due to my combined illnesses, but not too many were new films. I actually only went to a movie theater once this year. As far as television shows go, there were only a few current shows I bothered with; most were re-runs (but I hadn’t watched originally, so it was like watching a brand new show).

Concerts were VERY few: The Hives (who were great; my review), and going to see Bill Burr do stand-up. I was supposed to see Adam Ant, but that was when my back injury was out of control, and I couldn’t attend, so those tickets went unused.

So with that said, here’s a list of media I enjoyed in 2013. There are no books listed, because even though I am cooped-up, I find no joy in reading!

Most of the music I listened to was old, but there were a few releases that came out this year that I really liked.

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Music Review: Various Artists, Psych-Out Christmas

Published on December 20th, 2013 in: Current Faves, Holidays, Music, Music Reviews, Reviews |

By Less Lee Moore

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It’s that time of year when you’re sick to death of Christmas music. The forced cheer, the same five or six songs over and over . . . you know the routine. Thankfully, the fine folks at Cleopatra Records have recently released Psych-Out Christmas, which is exactly that.

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Movie Review: Good Vibrations

Published on December 20th, 2013 in: Current Faves, Movie Reviews, Movies, Music, Reviews |

By Less Lee Moore

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No doubt there are many who’ve heard of Terri Dooley, music lover, DJ, record shop owner, and tireless champion of the unheard music, but for those of us who haven’t, Good Vibrations is a giddy delight. Based on the real life (mis)adventures of the Belfast native, the film should win the hearts of all movie and music lovers, even those who’ve determined themselves too jaded to care.

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Best Of 2013: Tim Murr

Published on December 19th, 2013 in: Best Of Lists, Movies, Music, TV |

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When I started thinking about how my best of list was going to look, I had four entries in mind. I kept putting off writing it though, because I still hadn’t seen Jessica Cameron’s Truth Or Dare, Lawrie Brewster’s Lord Of Tears, Richard Raaphorst’s Frankenstein’s Army, or heard the new Black Flag album. Well, the year is winding down and I must move on. No doubt I’ll blab at great length about them all later. So my list is short, but strong.

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Best Of 2013: Singer/Songwriter Ducky

Published on December 19th, 2013 in: Best Of Lists, Books, DVD, Music |

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Photo © Meredith Dooma

Everything Dopest in 2013:

– DJ Rashad, Double Cup
– That show I went to in a warehouse in Detroit that Jay Daniel played
– My decision to buy the entirety of Daria and The State on DVD
– Arduinos
– DJ Koze’s new album, Amygdala
– Suzi fucking Analogue
Masters of Sex, especially the boobs
Thinking, Fast and Slow, by Daniel Kahneman
This Is How You Lose Her, by Junot Diaz
– WebGL
– Ben UFO, fabriclive.67
– DJ Deeon in general
– CodeAcademy/generally learning how to code
– Ableton Push
– Medium (the blogging platform)
– This GIF

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– Lukid
Los Simpsons
South Park in German
– Five Leaves restaurant in Greenpoint

Ducky’s newest single, “Two Over Ten,” was released on December 10. The Natasha Kmeto Remix of the track is out today.

Best Of 2013: Jeremy Fury, Jeremy and the Harlequins

Published on December 19th, 2013 in: Best Of Lists, Movies, Music, TV |

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I must confess, I had to read a few other “Best of 2013” lists to help recall what came out between January 1, 2013 and now. . . but here it goes.

The Limiñanas album, Costa Blanca, was highly underrated. Also underrated was Hunx and His Punx, Street Punk. Along with the rest of the world, I liked the new Arctic Monkeys record, AM, quite a bit and Bowie’s return with The Next Day.

I didn’t feel Haim’s entire record, Days Are Gone, as much as everyone else on Earth seemed to, but the song, “The Wire,” is amazing and extremely catchy. As far as film, the documentary Room 237 was great and so was, A Band Called Death.

Can we go into TV? I’m addicted to Portlandia and Season Three did not disappoint. Also, the final season of Eastbound & Down redeemed Seasons Two and Three.The finale was what all TV series finales should aspire to.

Lastly, Gravity was quite a ride. Right?

Jeremy and the Harlequins’ self-titled EP came out December 17.

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