By Matt Keeley
I have been listening to Shonen Knife for literally half my life. I’m 30 now, so do the math! That being said, I’ve only been able to see them live twice: once on the Gokigen Tour in 2005, and recently for the new album Free Time. There’ve been line-up changes since the first time, but the sound is the same and just as good as it always was.
I was so thrilled to interview Shonen Knife before their show at the Tractor Tavern in Seattle—the first stop on the new US tour. I got to talk to all of them and ask Naoko Yamano about her songwriting, finding records in Japan when she was growing up, Japanese vs. English, writing about animals and food, and more, including the band’s recent experience playing in China. She even tells a scary story, seeing as it is the Halloween issue and all!
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By Emily Carney
Obviously, I am more than familiar with what scares me the most in my real life; in my attempts to look for “scary” videos for this issue of Popshifter, I stumbled across a lot of scenes from horror films, bad attempts at karaoke, videos of methamphetamine addicts doing their “thing,” clips of “actor”/mess Paz de la Huerta, and of course Michael Jackson’s “Thriller” video (which I never watched until I was in my twenties. . . no kidding).
However, I can’t say that any of these actually frightened me; at most, they were mildly amusing. So, I became blocked on what to do for this article. . . that is, until last night, when I discovered a masterpiece of an absolutely terrifying kids’ show.
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By Less Lee Moore
From MEN‘s press release:
MEN, the Brooklyn-based band fronted by Le Tigre’s JD Samson . . . began in 2007 as the DJ/production/remix team of Le Tigre members JD Samson and Johanna Fateman. When the duo began to write new songs, it made sense to merge with JD’s live band named Hirsute, which she had formed with Michael and Ginger. JD Samson, Michael O’Neill and Ginger Brooks Takahashi now comprise the core of MEN, with Johanna and artist Emily Roysdon contributing as writers, consultants, and producers.
But what do they SOUND like?
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By Ann Clarke
I hate most commercials. Probably 99 percent of them! I especially hate commercials with those goddamned whining wuss-bags playing an acoustic guitar, or a whispery girl with a ukulele. Fuck that bullshit!
In the midst of having to suffer through that torture, I noticed a few diamonds in the roughage. . . and let me just say these are brilliant, and whoever came up with these advertising concepts has my unyielding respect for going against the current shitty trends in commercialism.
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By Jim R. Clark
This is Part Two in our series on bizarre videos you may have forgotten about or never seen.
The EU is well-represented in this installment. If you have heard these songs or seen these videos before, please comment and let us know.
By J Howell
Here’s something that might appeal to fans of artists like Eleni Mandell or even Tom Waits. Smart, stinging lyrics delivered in harrowing harmonies backed by clanging percussion, Peggy Sue‘s “Watchman” has left me eager to hear more.
This Brighton, UK band—comprised of Katy Young, Rosa Slade, and Olly Joyce—is now on the fine Yep Roc label stateside, and on tour in the US through June. The video for “Watchman” is interesting too, featuring animation by Betsy Dadd. Easily one of the most impressive tracks to cross my path recently, “Watchman” has put Peggy Sue on my short list of bands to keep an eye on. Brilliant.
Watch the video for “Watchmen” here.
Peggy Sue’s album, Fossils And Other Phantoms, comes out June 1 on Yep Roc. Be sure to catch the band on tour.
June 9: Johnny Brenda’s in Philadelphia, PA
June 10: Piano’s in NYC
June 11: Paradise in Boston, MA
June 12: Le Divan Orange in Montreal
June 13: Sneaky Dees in Toronto
June 14: Schuba’s in Chicago IL
June 20: Mississippi Studios in Portland, OR
June 21: Bottom of the Hill in San Francisco CA
June 22: Spaceland in Los Angeles CA
By Jemiah Jefferson
“Love Is a Loaded Pistol,” the first new track from Thomas Dolby since approximately 2007, might come as a surprise to listeners who never knew anything more than “She Blinded Me With Science,” but the steampunk maestro has left his electronic roots well behind, interested now in a quieter, more personal, but no less intense approach to writing and performance.
“Loaded Pistol” soars on a combination of thoughtful strings and supper-club piano, with Dolby’s voice traversing from a husky near-whisper to a passionate, braying bell and a dozen emotional points between. Between the noir-styled story-song lyrics and the piano, you’d think he’d been possessed by the Blue Valentine-era Tom Waits, but the reality is a lot more clear and delicate.
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By Lisa Anderson
The Evil Mad Scientist is a familiar figure in popular culture, and is found most often in science fiction, horror, or superhero tales. Evil Mad Scientists are not to be confused with their more benevolent counterparts, like Emmett Brown of Back to the Future. While the Evil Mad Scientist can be a figure of great terror, when this archetype is used for comic effect the results can be hilarious. Following are five of the best examples.
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By Jim R. Clark
By Emily Carney
When I was a kid, we had these volumes and volumes of World Book Encyclopedia “Year Books” in the house; they came as subscription updates with our set, and were a summation of the events of the previous year (this was obviously way before the Internet).
In my house, we had the entire set from the 1970s, and when I was bored (which was often) I would make my way through these books. I kept noticing that a guy named Pierre Trudeau would frequently pop up, especially in the “Canada” section, usually looking glamorous, distinguished, yet slightly disheveled, and frequently with his gorgeous wife Margaret. They looked exactly like film stars, but weren’t. Being American, I had no clue who Trudeau was, so I assumed he was simply just some nameless, faceless personality from the 1970s who didn’t make much of a dent here in the US or internationally.
Damn, how wrong I was!
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