// Category Archive for: Reviews

Blu-Ray Review: Sugar Cookies

By Brad Henderson

I’m in love with many distribution companies—Scream Factory, Cult Epics, Synapse, Arrow, Scorpion Releasing, and many more—but one company that stands out from all the rest is Vinegar Syndrome. It is the one company that is all over the place in terms of genres as well as the one that is releasing everything that is dead or dying. These guys truly believe in film preservation throughout all genres of film and yearn to keep them alive. The only other company that comes close is Cult Epics, who are well on their way to greatness.

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Music Review: Rich Robinson, The Ceaseless Sight

By Melissa Bratcher

Black Crowes’ guitarist and songwriter, Rich Robinson, writes amazing choruses. On his third solo album, The Ceaseless Sight, Robinson sings of love and happiness, as well as the flip side of that, with candor and a seeker’s quest to make sense of it all. While lyrically, the songs are interesting, the choruses are brilliant nuggets of rhythm and melody that are so striking and ear-wormy that I found myself humming them constantly.

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Music Review: LP, Forever For Now

By Cait Brennan

New York-born, L.A.-based singer/songwriter LP is a true American survivor. With roots in the music business going back to the ’90s, LP recorded two promising albums in the early 2000s, collaborating with Cracker’s David Lowery and hit maker Linda Perry in the process. But the impossible to pigeonhole artist and her considerable charm and swagger never really fit in with the machine. Deals with labels like Island Def Jam didn’t pan out, and LP reinvented herself as a songwriter, co-writing smash hits for Rihanna (“Cheers [Drink To That]”) and Christina Aguilera (“Beautiful People”), among others.

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Blu-Ray Review: Pig / 1334

By Brad Henderson

I often ask myself: what is the most disturbing movie I’ve seen? I can never come up with an answer because the most disturbing things aren’t in films. We have seen countless things online that are real and have never left our minds. Nico B’s Pig and 1334 will never leave my mind . . . ever.

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Blu-Ray Review: Death Spa

By Brad Henderson

Ahhh, Death Spa. . .

I felt like I was eight years old all over again when my copy of Death Spa arrived last week. I distinctly remember renting it at the video store one summer while I was visiting my grandmother in Ohio. It was a night I would never forget. Death Spa is the perfect example of a fun, cheesy, straight from the ’80s horror flick that maintains both goofiness and bloodshed until the bitter end.

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Music Review: Aurelio Valle, Acme Power Transmission

By Melissa Bratcher

Not only does Calla front man Aurelio Valle’s debut solo album have one of the best titles of the year (Acme Power Transmission, named after his landlord’s auto parts store), it is also one of the most interesting, atmospheric records I’ve heard in 2014. It could be the score for the next True Detective season, awash in mystery, dark places, and hushed echoes. While not explicitly about a specific place, it has a great feeling of place and specificity.

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Music Review: Little Barrie, Shadow

By Hanna

Shadow is the fourth Little Barrie album and their first release after a pause in activity for the band; their last album, King of the Waves, was released in 2011. In the meantime, several members of the band have been working for other bands, notably Primal Scream, while Virgil Howe has joined as drummer. These changes are audible in this new album, as Shadow is different from their previous albums.

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Movie Review: The Sacrament

By Less Lee Moore

Suspense is vital to the horror genre. Blood and guts can be effective, true, but without suspense, they’re just gore. Filmmaker Ti West has proven that he can build tension in a film until we’re begging for release. The House of the Devil was a master class in how to freak the hell out of audiences starved for actual scares. Plus, it’s just a great movie. The Innkeepers was less terrifying, but still worthwhile, and West’s contribution to the first V/H/S found footage anthology, “Second Honeymoon” is one of the few films in the last five years to make me sleep with the lights on. What’s most impressive about that is the way absolutely nothing happens in the film for the longest time, so the payoff is inexplicably frightening.

All of this made me extremely excited for The Sacrament, especially since West was once again tackling found footage (a style which I quite like), but this time using the real-life events at Jonestown as the basis for his film. It makes me sad to report that The Sacrament did not live up to my expectations.

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Blu-Ray Review: Countess Dracula

By Less Lee Moore

The term “Hammer Horror” evokes a certain feeling. For more than two decades, Hammer Film Productions produced some of the most iconic horror films of all time, movies which implied a distinctive cachet: lush, artful, Gothic. There were also buxom beauties and a lot of vivid red blood.

Countess Dracula was released in 1971 when the studio was starting to lose its grasp on the market and trying different approaches to the Dracula/Frankenstein/Mummy trilogy of terrors. Ingrid Pitt, fresh from Hammer’s The Vampire Lovers (loosely based on J. Sheridan LeFanu’s Carmilla), stars as the Hungarian countess Elisabeth Nádasdy, herself loosely based on the infamous Countess Elisabeth Bathory, who allegedly bathed in the blood of virgins to maintain a hold on her youth.

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DVD Review: Jungle Blue

By Brad Henderson

Whenever I get mail from Vinegar Syndrome I hold my breath while I open it because I have no idea what I’m getting myself into. Recently I acquired Jungle Blue and holywhatthefuckohmygodwhatthefuck! I still don’t have a clue what I watched. I’ve seen a number of vintage hardcore pornos in the past couple months and I have never seen anything like this.

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