// Category Archive for: Reviews

Don’t Fall Into The Pit: Parks And Recreation

By Lisa Anderson

A network TV season has ended, and as usual, the battlefield is littered. Some shows have been renewed, some have been axed, and some have found homes on other networks. One survivor among new shows was Parks and Recreation, a sitcom co-produced by and starring Saturday Night Live alum Amy Poehler.
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Cheap Trick, The Latest

By Less Lee Moore

I haven’t bought a new Cheap Trick album since their 1997 self-titled release on the then soon-to-be-defunct Red Ant label. Now that I’ve copped to this embarrassing admission, the next one should be easier. I hate writing record reviews. That old chestnut comparing the ridiculousness of music writing to “dancing about architecture” worms its way into my brain and I start to panic. Panic turns to dread as deadlines quickly approach.

Look, it’s not that I don’t love the latest release from Cheap Trick (cleverly titled The Latest), it’s that I don’t know if I can properly convey how much I love it, or perhaps more succinctly, I don’t know if I can convince you to love it as much as I do.
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Foetus, Limb

By Less Lee Moore

For a discussion of the design elements of the 48-page Limb booklet, please read Ann Clarke’s review here.

For a discussion of the Foetus NYC documentary, please read my review here.

Those fans introduced to JG Thirlwell via The Venture Bros. might be surprised (or perhaps confused) by the unique listening experience that Limb, the new Foetus release, provides. If you already knew about the avant garde and experimental reference points which inspired the pieces on Limb, you’ll likely have a different perspective on it than I do. So I’m not going to front and tell you I was intimately familiar with Steve Reich, Terry Riley, Philip Glass, and John Cage before I heard this album.
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Pink Martini For A Blue Girl

By Chelsea Spear

Opera House, Boston MA
June 13, 2009

“Eclectic” doesn’t begin to describe the music of Pink Martini. For the better part of a decade, this twelve-piece “little big band” has beguiled indie hipsters, polyglots, blue-haired grannies, and NPR junkies alike with their interpretations of standards from America and around the world. Likewise, the original songs that appear on their albums draw inspiration from French poetry, transcendental literature, songs from beloved 1970s movies, and bad dates.
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Peter Holsapple & Chris Stamey, Here and Now

By Less Lee Moore

It’s been 17 years since Peter Holsapple and Chris Stamey recorded an album together. The first time it was the Mavericks album in 1992 and as Holsapple notes, “[It] was recorded and mixed in one fell swoop; this one took a couple years and a hurricane to complete.”
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One Sweaty Show: Yeah Yeah Yeahs with Grand Ole Party

By J Howell

Beaumont Club, Kansas City MO
June 3, 2009

Ah, summer. Some things go hand in hand with the onset of summer: sunny days, lemonade, box-office blockbusters, and rock shows. OK, maybe summer isn’t really all that much more conducive to rock shows than any other particular season, but in any event, summer is conducive to being out and about and enjoying live music.

Grand Ole Party and the Yeah Yeah Yeahs were a bit like a typical summer movie—a thrilling, if not quite profound, way to spend a couple of hours on a gorgeous evening.
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Tinted Windows, S/T

By Less Lee Moore and Noreen Sobczyk

A band with Bun E. Carlos and Taylor Hanson probably sounds strange (and horrifying) to those who think Cheap Trick has nothing in common with Hanson. As a fan of both bands, we were excited about hearing this album. Having James Iha (Smashing Pumpkins) and Adam Schlesinger (Fountains Of Wayne) as part of the mix could have rendered the whole affair nothing more than a poorly executed publicity stunt, but it really works.

So here is a track-by-track review…
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NYC Foetus DVD

By Less Lee Moore

For a discussion of the music on Limb, please read my review here.

For a discussion of the design elements of the 48-page Limb booklet, please read Ann Clarke’s review here.

JG Thirlwell has been making music since 1978. . .
He is a singer, a producer, a musician, a composer and a graphic artist.
From the intro to NYC Foetus, directed by Clément Tuffreau
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Sports: The Band, S/T EP

By Megashaun

In recent years, we’ve seen an increase in quality regarding the debut releases of bands. Now, there are many bands with such strong debuts that listeners can’t imagine how they can possibly get better. Toronto, Ontario’s Sports: The Band is certainly guilty of this. Their debut album, technically only an EP, sounds so mature you’d imagine the band has been together for ages instead of the few short years they actually have been around.
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Black Moth Super Rainbow, Eating Us

By Noreen Sobczyk

When you visit the Black Moth Super Rainbow website, you’ll find that their new album Eating Us is available in a limited “hairy summer jacket” version. Well if that doesn’t say it all, what does? Hopefully this review will help elaborate on this, at least a bit, because a lot of the beauty of Black Moth Super Rainbow is that the music must be experienced and can’t be fully explained in text. Does that sound pretentious? It’s not, I promise. Take a tab of BMSR and you’re guaranteed not to have a bad trip.
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