// Category Archive for: Reviews

Looking Back: 80 Mod, Freakbeat & Swinging London Nuggets—Various Artists

By Noreen Sobczyk

This eighty-track British compilation (save for a scant few Australian tracks), includes many songs making their first appearance on CD. Also included are a handful of previously unissued tunes (that were lingering about on reel to reel), from groups such as A Wild Uncertainty, Tony Rivers & The Castaways, The Thoughts, The Trekkas, and The Knave. The Looking Back compilation also boasts appearances by future rock stars such as Yes’s Steve Howe when he was in The In Crowd; AC/DC’s Bon Scott as member of The Valentines; and even Motorhead’s Lemmy (Kilmister) in his early combo The Rockin’ Vickers.

The discs serve as a good option for lovers of sixties British music unwilling to pay collector 7″ vinyl prices. Sure, there are Mod purists who will only spin these songs in clubs on vinyl, but for those of us content just to have the music, or to put on a CD at a party and let it roll without the fuss of compiling the tracks—this is a gem. There are only a few few songs that might prompt one to skip forward to the next offering, but none go so far as to risk clearing the dance floor.

If you’re a casual listener looking for an introduction to Mod music, this may not be your bag, but in researching a larger and earlier box set from Universal Music Archives titled The In Crowd, I found it selling at over $100 for used copies. That said, the tracks included herein may not boast names recognizable to the casual listener, but it doesn’t take an archivist to recognize this little set is worth the price of admission.

Looking Back: 80 Mod, Freakbeat & Swinging London Nuggets was released by Cherry Red on November 21, 2011 and is available to order from their website.

Keep The Beat: The Very Best of The English Beat

By Danny R. Phillips

Shout! Factory announced recently that they would be re-issuing the entire catalog of material record by English ska/toasting masters The English Beat. Included in this is every album (that’s three studio albums and two of bonus materials) and a CD/DVD of the band playing the US Festival in May of 1983.

That much material could be a lot to swallow by anyone other then the most fanatical and hardcore of English Beat devotees. Well, for those in the world who do not want to dish out $34 for the box set (that is still a killer deal), Shout! Factory will be releasing a concise greatest hits package, Keep the Beat: The Very Best of The English Beat, as a complement to the five-disc wonder. (more…)

The Hives, Lex Hives

By Julie Finley

What can be said about The Hives that hasn’t already been said? If you are reading this, this is probably not the first time you’ve ever heard of them—and it won’t be the last! If you like them at all, you pretty much know what you’re in for, and what you’re in for is FUN! The word “fun” describes The Hives very accurately (much more so than that lame band actually known as Fun). They aren’t a band that you listen to for technical or lyrical prowess (and I’m not discrediting their musicianship or lyrics by saying that, either). The Hives are a band that you like because they achieve the goal of making the listener happy! The Hives aren’t a band you sit around listening to whilst brooding, because if you are brooding whilst listening to The Hives, you need many MANY years of therapy!

With that said, how does The Hives latest release, Lex Hives, measure up? I would have to say extremely well, and on par with what you’ve come to expect from them. Keeping up their formula without succumbing to industry pressure to change is challenging, but the only thing they’ve changed is their attire.
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Kovacs for Beginners: Ernie Kovacs, The ABC Specials

By John Lane

For a background history of the genius of Ernie Kovacs and his influence, I refer readers to my previous article concerning the grand, pioneering master.

One can say it is an embarrassment of riches when one holds anything product-wise in your hands having to do with Ernie Kovacs. But that having been said, I feel like the release of Ernie Kovacs: The ABC Specials is a slight misstep on the part of Shout! Factory. (more…)

Thoughts On: The Band, THE BAND

By Paul Casey

Part two in a continuing series on THE BAND’s discography.

To read the whole series, go here.

Photo © Elliott Landy, 1969

Recorded primarily in a Los Angeles house that once belonged to Sammy Davis Jr., THE BAND’s second, self-titled LP, is considered to be their masterpiece. It is the album on which the legend of THE BAND was built. Unlike Music From Big Pink, Robbie Robertson gets a writing credit on every song, collaborating with Richard Manuel on three tracks, and Levon Helm on one. It does not have the diversity of their debut, but instead comes their most cohesive work.

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John Lee Hooker, Cook With The Hook: Live 1974 DVD

By Jemiah Jefferson

One of the rare live video recordings of blues legend John Lee Hooker was filmed with three cameras at a festival in Massachusetts called “Down in the Dumps,” the second in a hoped-for series of concerts on the site of a city landfill area, and shown on local access television in 1974. Thank heavens that this footage didn’t suffer the fate of so much video tape of the era, and survived to the 21st century to released on a bare-bones DVD called Cook With The Hook: Live 1974. Additional material might have been nice, but we must assume there isn’t any, besides what’s on the explanatory, single-sheet disk insert.
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Neneh Cherry & The Thing, The Cherry Thing

By Kai Shuart

Neneh Cherry debuts her collaboration with new band The Thing on the album The Cherry Thing. It is a testament to the adage that no matter what the genre, good music is good music.
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Ty Segall Band, Slaughterhouse

By Less Lee Moore

If you haven’t yet heard of Ty Segall that will probably change very soon. The twentysomething California native has been exceptionally busy for the last seven years, recording and playing with a slew of bands like Epsilons, Party Fowl, The Traditional Fools, and The Perverts, not to mention stuff released under his own name as well as with White Fence. This prolific output, along with his age, garage-rock influences, and connection to Goner Records might remind you of another overachieving young musician.

When asked about being “the next Jay Reatard” in interviews, Segall admits he considers it a huge compliment. However, Slaughterhouse, the debut recording of Segall and his touring band, should firmly establish him as a musical force in his own right.

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DIIV, Oshin

By Less Lee Moore

Iona: “Why can’t we start old and get younger? I envy you. I really envy you!”
Andie: “Iona, you’re gonna OD on nostalgia.”
—Pretty In Pink, 1986

“Shoegaze” is an overused buzzword these days, with a number of press releases touting bands as such, and in the process revealing that they don’t seem to understand what the word actually means. Although I haven’t yet seen the word applied to DIIV, the newest musical incarnation of Beach Fossils guitarist Zachary Cole Smith, it’s beyond appropriate.

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Jesca Hoop, The House That Jack Built

By Less Lee Moore

It’s hard to believe The House That Jack Built is Jesca Hoop‘s third proper album. Her last full-length (the excellent Hunting My Dress, reviewed here) came out three years ago, so the artistic growth she demonstrates here is nothing short of astonishing. The mostly acoustic, low-key 2011 EP Snowglobe only hints at the magnificent song craft displayed on The House That Jack Built. I haven’t stopped thinking about it since I first heard it and I want to listen to it over and over again.

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