Though he was born in New York, Marc Stone’s adopted home of New Orleans is an undeniable presence in his album, Poison & Medicine. It’s there in the swampy groove of the opener, “I Tried.” It’s there in the killer horns of “When You’re Bad.” It’s there in Stone’s wondrous slide guitar work. It certainly doesn’t hurt that for the past two decades, Marc Stone has been backing a who’s who of seminal NOLA artists like Ernie K-Doe, Marcia Ball, Rockin’ Dopsie, and Terrance Simien, as well as hosting WWOZ’s “Soul Serenade” (incidentally, you can listen to WWOZ streaming on the Internet, and you should. All the time. And send them money at pledge drive time).
By John Lane
Let’s start the proceedings with a heartfelt ode to Omnivore Recordings for bringing to light a long-lost and rumored (but now real!) holy grail in comedy history. That grail is Ernie Kovacs: Percy Dovetonsils . . . thpeaks
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By Paul Casey
“It. Is. Later. Than. You. Think. Lights Out brings you stories of the supernatural and the supernormal, dramatizing the fantasies and the mysteries of the unknown. We tell you this frankly. So if you wish to avoid the excitement and tension of these imaginative plays, we urge you, calmly, but sincerely to turn off your radio, now. And now, Lights Out, everybody.”
By Lisa Anderson
There is a new Sherlock Holmes movie coming out in December, and I for one am a little nervous.
Now, I’m no Holmes expert, even though I read some of the original stories by Arthur Conan Doyle when I was younger. And I was actually excited about the project at first, because of the involvement of Robert Downey, Jr. and in spite of widespread skepticism over the director, Guy Ritchie. It was the trailer that really concerned me.
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By Jesse Roth
On an otherwise normal Sunday night a couple months back, I found myself sitting alone in my car, mourning the loss of what can best be described as a fair-weather friend. 94.7 The Globe, a mediocre but mostly listenable attempt to resurrect the hallowed progressive rock station WHFS , was echoing its long-departed cousin by playing Jeff Buckey’s “Last Goodbye.” Following a minute of dead air, the station would transition to yet another bland adult contemporary wasteland, a now-familiar occurrence on the radio dial.
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By Jesse Roth
Like many members of my generation (and those of the previous one), I received a decent yet incomplete music education via the radio, MTV, and my parents’ eclectic record collection. By the time I hit high school however, I was quickly seeking new avenues for discovering music.
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By Less Lee Moore
Being a tremendous fan of things Halloween- and horror-related, I look forward to the Rue Morgue Festival of Fear each year at the Toronto FanExpo. It’s a genuine thrill for me to look at original artwork, drool over horror movie posters, create my ongoing DVD wish list at the Anchor Bay store, and watch people wander around in costume.
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By Nicole V.
One of Canada’s national treasures is the Canadian Broadcasting Corporation, or the CBC. Since an early age, I’ve understood its reach across the country as a public broadcaster and have even referred to it as the lifeblood of the nation, a proclamation that is perhaps a bit dramatic (not to mention very nerdy), but for as long as I can remember the CBC has been both a television and radio staple in my life. Why so beloved?
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TRANSMISSION #3574927656234689
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TUESDAY / JANUARY / 28 / 2005
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8:00 A.M.
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HOTEL CALIFORNIA RADIO SHOW—TITLE: CROISSANTS AND COFFEE
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RETRIEVED RADIO BROADCAST
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ALIEN A-1 RADIO SATELLITE
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5 MINUTES RUN-TIME
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TERRI
I am Terri Titwell, your gracious host. We are here daily at 8 a.m. in the Grand Dining Hall of the Hotel California to bring you interviews with your favorite celebrities, both living and dead, for your listening pleasure.
From Dracula to Diva—my guests today are Cult Classics. Some of the most interesting individuals, both on and off the screen, that Hollywood has to offer. All of my guests today are Stars of Cult Film.
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