// Category Archive for: Music

Patrick Wolf, The Bachelor

By Ann Clarke

Just when I didn’t think young musicians had anything left to offer (because they’re all either fake and talentless or just fashion plate hipsturds), along comes Patrick Wolf. Granted he is fashionable, and has done some modeling for Burberry, but he is quite alluring, and it’s nice work if you can get it! (It definitely helps finance some lucrative projects.) I had first heard Patrick by accident when stumbling upon the video for “The Magic Position,” and was immediately totally addicted. I rarely ever seek out a new artist, but there are times when something grabs you by throat and won’t let go until you give in, and with “The Magic Position,” such was the case.
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Underappreciated Album: Queen’s Sheer Heart Attack

By Christian Lipski

At first glance, Sheer Heart Attack‘s only claim to fame is that it’s the album with “Killer Queen” on it, which may even come as a surprise to people who thought that that was Greatest Hits I. But the album goes quite a bit deeper, and is one of my favorite complete albums from Queen, even above A Night At The Opera or News Of The World, both very popular albums. Sheer Heart Attack was Queen’s third album, and the first one to really peek its head out from the progressive-rock mire that the previous two had been firmly entrenched in. There were still some elements of fantasy and nods to prog rock, but they were kept at a tasteful level. What you got was a selection of catchy rock songs of the pop-, hard-, and arena- varieties.
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Jarvis Cocker, Further Complications

By Ann Clarke

I’m rather surprised Jarvis Cocker has already released another album since his self-titled one really wasn’t out that long ago. He must be on a creative spurt lately, since he’s been all over like the place like horseshit during a parade! Check out his five-day stint at a Parisian art gallery. He and his band exhibited themselves playing music under many different guises.
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Still Tuning In After All These Years: Why I Love Radio

By Jesse Roth

On an otherwise normal Sunday night a couple months back, I found myself sitting alone in my car, mourning the loss of what can best be described as a fair-weather friend. 94.7 The Globe, a mediocre but mostly listenable attempt to resurrect the hallowed progressive rock station WHFS , was echoing its long-departed cousin by playing Jeff Buckey’s “Last Goodbye.” Following a minute of dead air, the station would transition to yet another bland adult contemporary wasteland, a now-familiar occurrence on the radio dial.
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Top Ten Questions Everyone SHOULD Be Asking About Michael Jackson

By Brenna Chase

Rather than keep your eyes glued to your favorite news channel for the latest intrusive development or read another biased career retrospective on the recently deceased King of Pop, ponder these conundrums, posed by a true (frustrated) fan who pays attention to what’s really important.
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Don’t Touch That Dial: TV That Shaped My Musical Tastes

By Jesse Roth

Like many members of my generation (and those of the previous one), I received a decent yet incomplete music education via the radio, MTV, and my parents’ eclectic record collection. By the time I hit high school however, I was quickly seeking new avenues for discovering music.
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I Just Can’t Stop Loving You

The reaction to Michael Jackson’s death surprised me. I can’t pretend to be like the true hardcore Michael fans; I have always hovered on the edges of the fandom and kept it to myself, too much perhaps. For years I have kept quiet about loving him, even as part of a music fandom where coolness doesn’t really matter. There has just been so much wrong with loving him—truly and wholly—in the eyes of the world for so long.
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Soundtrack For The Perfect Girl

By Jim R. Clark

Why do you insist on listening to music that you don’t even like? Is it because you’re afraid what the others will think of you? Them, and their damned taste police. No? Well, I know the real reason. Really, I do. Listen, I’m going to tell you what’s going on inside your head. Consider this a free counseling session.
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Cheap Trick, The Latest

By Less Lee Moore

I haven’t bought a new Cheap Trick album since their 1997 self-titled release on the then soon-to-be-defunct Red Ant label. Now that I’ve copped to this embarrassing admission, the next one should be easier. I hate writing record reviews. That old chestnut comparing the ridiculousness of music writing to “dancing about architecture” worms its way into my brain and I start to panic. Panic turns to dread as deadlines quickly approach.

Look, it’s not that I don’t love the latest release from Cheap Trick (cleverly titled The Latest), it’s that I don’t know if I can properly convey how much I love it, or perhaps more succinctly, I don’t know if I can convince you to love it as much as I do.
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Foetus, Limb

By Less Lee Moore

For a discussion of the design elements of the 48-page Limb booklet, please read Ann Clarke’s review here.

For a discussion of the Foetus NYC documentary, please read my review here.

Those fans introduced to JG Thirlwell via The Venture Bros. might be surprised (or perhaps confused) by the unique listening experience that Limb, the new Foetus release, provides. If you already knew about the avant garde and experimental reference points which inspired the pieces on Limb, you’ll likely have a different perspective on it than I do. So I’m not going to front and tell you I was intimately familiar with Steve Reich, Terry Riley, Philip Glass, and John Cage before I heard this album.
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