// Category Archive for: Music

Top Five Nerd References In Hip Hop

By Matt Demers
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Jesca Hoop, Hunting My Dress

By Less Lee Moore

The title song of singer/songwriter Jesca Hoop’s second album, Hunting My Dress, might sound odd, until you listen to the song and consider the lyrics. Rather than describing a woman’s article of clothing, she seems to mean instead the search for a guise, or perhaps a disguise. With all the various personas that she inhabits on this album, it is quite a fitting term.
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Billy Squier, Don’t Say No 30th Anniversary Edition

By Christian Lipski

When there’s a re-release of anything to be reviewed, the question is always there: what am I actually reviewing? Am I revisiting the material, or the re-packaging?

I have a feeling that what I should focus on are the new features, in this case the liner notes, the mastering, and the bonus tracks. But before that I will say there’s a reason Don’t Say No was chosen for reissue, and that’s because the songs are loud and ballsy but also sassy. I didn’t pick up the album for myself for many years after its release in 1981, but by that time I already knew most of the songs by heart. Like Foreigner 4 or Journey’s Escape, it permeated the airwaves that year.
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The Rolling Stones 1969-1974: The Mick Taylor Years DVD

By Danny R. Phillips

It would’ve been easy to make a documentary about The Rolling Stones’ golden age (Let It Bleed, Sticky Fingers, and Exile on Main Street) completely flattering and slanted. That is not what the makers of this DVD did.

They recognize glaring mistakes (the two or three albums past Exile) as well as acknowledge The Stones’ experimentation and expansion into country, due in no small part to the presence of guitarist Mick Taylor (who had just left The Bluesbreakers) and Gram Parsons (The Byrds and The Flying Burrito Brothers) and his own fast friendship with Keith Richards as both drug buddy and musical touchstone.
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Mister Fusty, Connect EP

By John Lane

In the interest of full disclosure, right off the bat, Mister Fusty (a.k.a. Rob Gibson) is a musical comrade-in-arms who collaborated on a track from my recent album. That out of the way, I was a fan of Mister Fusty long before I mustered up the nerve to ask him if he would work with me.

I discovered him somewhere between his first album Honest Blundering (November 2006) and the follow-up Sparkle Darkly (August 2007). These two instrumental-only albums knocked me off my feet and made me reconsider the whole idea of what it means to write a melody line.
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Wild Beasts, Two Dancers

By Ann Clarke

Its not often that I’m ever impressed with any new band. I rarely am . . . but occasionally something crosses my radar that is worth further investigation. Wild Beasts are one of those oddities that I probably would’ve overlooked due to their stupid name. However, the stupidity stops right there with their name, and after listening to them, it is ironically appropriate.
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Steroid Maximus At Celebrate Brooklyn!

By Ann Clarke
All photos © 2010 Julie Finley

Prospect Park, Brooklyn NY
June 18, 2010

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The Unsung Heroes of Krautrock: The Neu! Vinyl Box Set

By Emily Carney

I guess this story begins with Kraftwerk, where a lot of musical stories begin—and end. I’ve been obsessed with Kraftwerk since I was a kid—I can remember having the Bavarian picnic scene from Trans-Europa Express on my wall for years—but I hadn’t heard their “Krautrock” efforts until quite recently (well, in the last decade). After getting into the first two Kraftwerk records, I became curious about Neu!, who actually began as an offshoot of Kraftwerk circa 1971.
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Concrete Blonde, Bloodletting 20th Anniversary Edition

By Noreen Sobczyk

Did you ever notice that Johnette Napolitano rarely, if ever, gets mentioned in those Top Women of Rock lists? Even if Concrete Blonde never had a good song on any album besides Bloodletting (which, rest assured they did), this album alone is enough to put her in the Top 20. Napolitano has the swagger, songwriting talent, and the vocal ability to assure her space as, perhaps not the Queen of Rock, but as a high-ranking member of the royal court.

On Bloodletting, Napolitano shows her vulnerability, desires, and strengths in spades on classic songs like the dysfunctional love song “Joey” (the band’s biggest commercial success); “Tomorrow Wendy” (a cover of the heartbreaking Andy Prieboy song about a friend dying from AIDS); and “Bloodletting (The Vampire Song);” one of the best vampire songs ever written, arguably second only to Bauhaus’ “Bela Lugosi’s Dead.”
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Japanese Gum, Hey Folks! Nevermind, We Are All Falling Down!

By Hanna

Japanese Gum are an Italian experimental music duo (based in Genova). Hey Folks! Nevermind, We Are All Falling Down! is their first full-length album, consisting of songs previously released on EPs and some new songs.
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