When I received Vinegar Syndrome’s recent release of Prisoner Of Paradise I asked myself, “Do I bring The Boozer Reviewer back?” Then I saw it was a big budget X-rated war epic, falling under the Nazisploitation subgenre. . . and it starred John Holmes. I knew then I needed to watch this without any alcohol.
Man, I wish I was intoxicated when I watched this.
StageFright was a classic when I originally saw it back in the ‘90s. At that time I knew it as Bloody Bird, but a little while later I acquired a VHS copy with the title StageFright: Aquarius. I imagine this was confusing for some in the days before the Internet. I think the distributors knew this so they made StageFright one word. Honestly, it doesn’t matter but I find it funny. It’s even funnier since Jerome Sable’s Stage Fright was released earlier this year.
David Jung is a first time director/writer who has brought his first feature to the table with The Possession Of Michael King. Jung did a hell of a job with his first film and I’m excited to see what he does next, but sadly, I wasn’t the biggest fan of this flick.
There are quite a few films that don’t get much attention these days. Between big-budget blockbusters and higher budget indies, these B-movies just get shoved to the side. There are a few companies sweeping these films up and giving them the time of day and Wild Eye Releasing is one of them.
Back in the day Troma purchased a lot of films from different companies who were going out of business to build up their catalogue. Yes, Troma’s name is all over the old DVD and their logo is on the back on this Blu-Ray but Troma didn’t have anything to do with the making of the film. I only say this because the streak that Troma has isn’t a very good one. Luckily. we have Vinegar Syndrome who is going through Troma’s catalogue and pulling the good flicks out of the depths of their toilet and giving them a proper release.
Leigh Janiak’s first directorial effort, Honeymoon, wants very much to successfully blend the feel of an indie dramedy with science fiction films like Invasion of the Body Snatchers. Unfortunately, it doesn’t succeed in either capacity.
Sometimes I will look at a film differently depending on how it is made, obstacles that were overcome during production, or something as seemingly insignificant as maybe a story behind it. I wouldn’t say Locke falls under any of the categories but it is a film that stands out from the rest.
Owing as much to Emerson, Lake and Palmer as they do to John Carpenter and Fabio Frizzi, Detroit instrumental synth-rockers Voyag3r (pronounced “Voyager Three”), create harrowing sci-fi soundtracks for non-existent films. Their first full-length release is called Doom Fortress, and it is precisely as happy as it sounds.
Who thought the Cabin Fever movies would keep going? I didn’t. I enjoyed the original Cabin Fever because Eli Roth was blending old school horror with a modern touch and it was a blast. Roth made a throwback film without calling it a throwback and succeeded in many ways. He left this franchise alone but continued making films like Hostel. Ti West stepped up to the plate next and made a sequel called Cabin Fever 2: Spring Fever. This movie went into a different direction but kept the comedy and gore and did so in a way that it didn’t feel like much of a sequel aside from recurring characters. Even though Ti West disowns the film I still think it is a great addition to the franchise.
In 1976, a film called Snuff was exposed to the world. Snuff is vile, gross, and just plain weird, but it’s excellent at the same time. But let’s back up a bit first.