// Category Archive for: Issues

Foetus, Limb

By Less Lee Moore

For a discussion of the design elements of the 48-page Limb booklet, please read Ann Clarke’s review here.

For a discussion of the Foetus NYC documentary, please read my review here.

Those fans introduced to JG Thirlwell via The Venture Bros. might be surprised (or perhaps confused) by the unique listening experience that Limb, the new Foetus release, provides. If you already knew about the avant garde and experimental reference points which inspired the pieces on Limb, you’ll likely have a different perspective on it than I do. So I’m not going to front and tell you I was intimately familiar with Steve Reich, Terry Riley, Philip Glass, and John Cage before I heard this album.
(more…)

Pink Martini For A Blue Girl

By Chelsea Spear

Opera House, Boston MA
June 13, 2009

“Eclectic” doesn’t begin to describe the music of Pink Martini. For the better part of a decade, this twelve-piece “little big band” has beguiled indie hipsters, polyglots, blue-haired grannies, and NPR junkies alike with their interpretations of standards from America and around the world. Likewise, the original songs that appear on their albums draw inspiration from French poetry, transcendental literature, songs from beloved 1970s movies, and bad dates.
(more…)

On Memories And Michael Jackson

It would be absurd to have a magazine devoted to pop culture and fandom and not have something to say about Michael Jackson. The man contributed so much to our culture that we were often unaware of references to him. Upon his death, these references we had seen before somehow became more poignant: a zombie character in a video game wearing a red jacket and walking backwards used to be a funny homage, worthy of a chuckle. Today that same image evokes emotions on top of that, as we realize it as a caricature of a man we never fully understood, even if we did love his work.
(more…)

The Reproductive Olympics: How Television Guilts Women Into Motherhood

By Emily Carney

I am, at the time of writing this, in my early thirties, and I am enjoying a relatively snag-free life of teaching and writing. I happen to also be married to someone I have known for much of my adult life. However, to some people, these things are completely inconsequential.

Whenever I see people from my past, or even when I meet them for the first time, the topic eventually turns to: When are you having kids? I sheepishly attempt to steer the topic in another direction, but usually to no avail.
(more…)

Peter Holsapple & Chris Stamey, Here and Now

By Less Lee Moore

It’s been 17 years since Peter Holsapple and Chris Stamey recorded an album together. The first time it was the Mavericks album in 1992 and as Holsapple notes, “[It] was recorded and mixed in one fell swoop; this one took a couple years and a hurricane to complete.”
(more…)

One Sweaty Show: Yeah Yeah Yeahs with Grand Ole Party

By J Howell

Beaumont Club, Kansas City MO
June 3, 2009

Ah, summer. Some things go hand in hand with the onset of summer: sunny days, lemonade, box-office blockbusters, and rock shows. OK, maybe summer isn’t really all that much more conducive to rock shows than any other particular season, but in any event, summer is conducive to being out and about and enjoying live music.

Grand Ole Party and the Yeah Yeah Yeahs were a bit like a typical summer movie—a thrilling, if not quite profound, way to spend a couple of hours on a gorgeous evening.
(more…)

Flying Lizards, Fourth Wall

By Matt Keeley

The title of the most important (only?) Flying Lizards fan page is “They Were a Very Different Band,” which sounds about right. They’re most famous for their deconstructed cover of “Money,” featuring a disaffected, posh-sounding English woman demanding money while speaking the lyrics over prepared piano and the sound of a bass guitar being hit with a stick. The single was recorded for a grand total of 26 pounds. Basically, the band wasn’t ever meant to be a band.
(more…)

Back To The Future II vs. The Real Future

By Laura L.

Many of us have seen the Back To The Future trilogy. And, while watching Back To The Future II, some of us have wondered, “Is that really what things will look like in 2015?” Flying cars, hoverboards, weird-ass sunglasses. . . 2015 is only six years away, and I’m about to break down what the makers of the trilogy, back in 1989 (when the movie was released), thought would happen, as opposed to what will most likely happen.
(more…)

One Crazy Summer With Garbo’s Daughter

By Kristin Messina, Mandy Mullins, and Jaime Sparrowhawk

It’s been a few months since we’ve been graced with a Popcast from Garbo’s Daughter, and it just wasn’t the same around here without them. Their in-depth knowledge and genuine love of music is always a treat to witness.

But they’ve been super busy! Since last time we heard from them, they’ve played lots of shows and recorded a brand new song called “Summer’s Gone,” which we are proud to feature first right here at Popshifter. They will also have a 4-song cassette released on Burger Records later this year, so keep checking the band’s MySpace page for details.

They also haven’t lost their magic touch in picking the best songs you’ve never heard. In this issue’s summerfull Popcast, the three ladies from Garbo’s Daughter discuss their favorite summer songs and why they love them so much. Be sure to stay tuned until the end to hear their fab new tune, “Summer’s Gone.” (And see if you can identify all the movie quotes!)
(more…)

The Connection Between Entrenching Tools and Groats: The Firesign Theatre’s Don’t Crush That Dwarf, Hand Me The Pliers

By Matt Keeley

“Erzatz Brothers Coffee – The REAL One! Look for the can on the plain brown can.”

The Firesign Theatre members refer to themselves as a “theatre of the mind,” and their bizarre pastiche of pop culture references is probably not for everyone. Now while I’m not the biggest Firesign Theatre fan, I do dig their stuff. Some of the drug humor is a little easy (and honestly, drug humor’s a bit of an uphill battle with me, anyway), but it’s a small part of the records, providing an easy handle to get people to listen. Everything else they do is so complex, it’d be a tragedy to write them off just because they like to mention weed occasionally. The great thing about Firesign Theatre is how their records couldn’t be made in any other medium, in particular my favorite: Don’t Crush That Dwarf, Hand Me The Pliers.
(more…)