By Hanna
The Paard, The Hague, Netherlands
September 13, 2008
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By Less Lee Moore
Hallowhaus tells the tale “of a newly undead girl, risen from the grave on one Halloween midnight, soon to discover she’s not quite as alone as she’d first assumed.” In this issue of Popshifter, we chat with artist and creator Krystal Fancey Beck about the comic as well as The Zombified website.
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By Summer Hayes
Early on I knew the Melvins only by association, but it wasn’t until I saw them live that I realized how incredibly talented and unusually bizarre they really are. My initial introduction occurred in the early ’90s when the surge of grunge-angst rock (a.k.a. Temple of the Pearl in Chains) emerged from the northwest shores of Washington State. Ironically, I was too busy listening to Faith No More and swooning over Mike Patton to delve into the unconventional, yet highly addictive, sounds of the Melvins (and to think that I was on the right track and didn’t even know it). Nearly ten years later, in late 2002, I went to New Orleans to check out Mike Patton’s latest creation, Tomahawk, only to discover that the Melvins were the opening band. I was hooked.

By David Speranza
I admit I was a latecomer to the new Battlestar Galactica. But as someone who hasn’t had cable since 1999, I’m a latecomer to pretty much all the cool shows (with the record going to The Prisoner, which I’m still trying to catch up with—only 40 years after it first aired). So it’s a point of pride for me that after watching Battlestar Galactica‘s first three seasons on DVD, followed by Amazon downloads of the first half of season four , I’m actually up to date on a current show (just in time, too—its final episodes start airing in January).
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Interviewed by Megashaun
Mike Nelson was a writer/host for the cult classic TV show Mystery Science Theater 3000. In it, Mike (and in earlier years, Joel Hodgson) and their robot pals onboard the Satellite of Love were subjected to watching b-movies while their fictitious employers at the Gizmonics Institute observed the crew’s reactions. These reactions ranged from goofy commentary during the films to sketches between the film and they were, for the most part, very funny.
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Interviewed by Less Lee Moore
I saw The Bicycles play on my first trip to Toronto, in 2002. Impressed, I waited for news of a CD release. And waited and waited, along with the rest of their fans.
2006’s The Good, The Bad, and The Cuddly was truly worth waiting for. It’s full of sweet—yet cheeky—infectious pop. After all, when a band wears matching T-shirts sporting the letter B, one could expect nothing less.
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Interviewed by Less Lee Moore
If I’ve ever made a mix CD for you, chances are, there’s been a Jason Falkner song on it. Whenever I’m asked to list my favorite musicians, he’s always included. But when it comes to the question of, “what does he sound like?” I am stumped. He sounds like. . . well, he sounds like Jason Falkner. When you hear his work, you just know it’s him. Then he has to go and outdo himself by writing his own songs, performing all the instruments himself, singing lead and background vocals, and producing and engineering everything.
Lula Loungue, Toronto ON
July 9, 2008
By Megashaun
The Lula Lounge in Toronto isn’t your typical rock show venue, but then again, Jonathan Coulton isn’t your typical rock star. The man has made a name for himself via Internet superstardom. He’s just a dude, really. No fat record company executive pushing him around, telling him what to play or what to look like. No. He’s just a former database programmer and Yale graduate who turned to making a living by making music. In what used to be part of his kitchen.
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Interviewed by Less Lee Moore
One of the coolest live performances I ever saw was in Dallas TX in 1993. Redd Kross was playing with a bunch of other bands (including pre-indie-cred Nick Heyward from Haircut 100) for the Live 105 Acoustic Christmas.
For their cover of PJ Harvey’s “Oh My Lover,” keyboard player and pianist extraordinaire Gere Fennelly performed the song on a baby grand, with singer Jeff McDonald dramatically sprawled on top of it.
Although she left Redd Kross soon after to concentrate on other pursuits, that amazing flair for theatricality and humor still infuses everything she does.
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By Less Lee Moore
There are things that I look forward to, things that I get excited about, and things that I Live For. Redd Kross is one of the latter.
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