By Megashaun
His MySpace page may label him as “Disney-core” but don’t think this means he’s as whack as the Fresh Prince. Peter Project’s compositions are the closest thing to old-school hip hop without jumping into a DeLorean and going back to the early 80s.
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By Less Lee Moore
Listening to these songs on Sebastien Grainger’s MySpace page and hearing them on CD is like the difference between reading about eating a crème caramel and actually eating one. Granted, the MySpace music player doesn’t have the greatest sound quality, but that does not adequately explain it. There’s something more, something that makes this album better than the sum of its parts.
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Interviewed by Christian Lipski
From the bouncy warning “Danger! High Voltage!”, through the metallic invitation to a “Gay Bar,” to the recent clarinet-laden declaration, “It’s Showtime,” Electric Six has been a band you can count on for high-energy music in a patchwork quilt of styles. Their new album, Flashy, is more of the same only in the sense that it’s utterly rocking. Lead singer Dick Valentine and band have put together a new collection of songs that span the gamut from the upstroke ska of “Your Heat Is Rising” to the electronic vocoder of “Making Progress.” Valentine took time out from the recording of E6’s new CD to talk with Popshifter‘s Christan Lipski about carbon footprints, the music industry, and the worst places in America.
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Pete Best
Most publications give you their “Best Of” and “Top Ten” lists in their December issues. But what about giving props to of all the great things you embraced in the penultimate month of the year?
That’s why Popshifter has decided to provide you with our favorites now, so that you can add them to your list of “Things To Check Out In 2009.”
In addition to the lists our staff compiled, we’ve also posted the lists from some very special guest contributors.
Enjoy!
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By Less Lee Moore
After seeing Jay Reatard’s name pop up all over The Big Takeover blog last year I grew curious. Then I saw he was also profiled in Spin a few times and I became suspicious. Was this more of the typical music press hype and hysteria?
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By Less Lee Moore
The Bicycles are a Toronto-based band, but one for whom the word “band” seems terribly limiting. Their live shows traditionally feature not only the four core members—Matt Beckett, Andrew Scott, Drew Smith, and Dana Snell—but also members of several other local bands and musicians such as Henri Fabergé and the Adorables, Laura Barrett, and many others.
Oh No, It’s Love, reflects the collaborations of this collective of musicians but also retains the signature sound the band established on their first album The Good, The Bad, and The Cuddly: captivating pop with ironic lyrics.
Yet Oh No, It’s Love is far more ambitious and fully-fledged than the band’s first album, and not just because it features more than twenty contributors (in addition to the four “official” band members) and a vast array of instruments, from harp and harmonica to kalimba and pedal steel. Although there are many current bands who also use less traditionally rock & roll instruments, many of them are utterly boring and passionless. The Bicycles are the complete opposite.
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By Less Lee Moore
It’s difficult to be objective in an album review when your gut feeling tells you that the musician in question is an all-around righteous guy. Fortunately, Roger Joseph Manning, Jr.’s latest album, Catnip Dynamite, is so amazing that I won’t have to compromise my principles; this review will be completely guilt-free.
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By Michelle Patterson
I want to lavish praise upon a few of my new favorite strong female role models on the small-screen. More realistic than the perfectly-tousled china dolls of Gossip Girl (although dammit, do I love me some Blair!) and much smarter than the featured bad actress of the week on Supernatural, I’m relieved to know that young girls can and do attempt to be like the women they see on their televisions when these types of characters exist. Ladies who have the required sass and the ability to kick-ass, but who also bring across the most poignant and heart-breaking moments are my favorite kinds. The following are my top five female role models on television.
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By Christian Lipski
I remember when Electric Six (E6) was explained to others as “that band that did the Gay Bar song for that video with the kittens.” Now, of course, they’re “that band that did the Gay Bar song for that video with the kittens which you may not remember.” This is through no fault of their own, of course; E6 are hilarious and fun and at times amazing, but their label certainly doesn’t have the sheer cash-power to compete with the Top 40 acts. Thanks to the Internet, though, they’re well-known and loved by hipsters, geeks, and perverts the world over.
By J Howell
John Parish may not exactly be a household name, but the scope of his work, on both sides of the glass, is almost unparalleled in both quality and variety. My first exposure to John was seeing his name in the liner notes to PJ Harvey’s To Bring You My Love, which is still a favorite record of mine. I had to find out who was responsible for the sounds on that record, which were jarring and lush, often in the same song. Turns out this Parish fellow had a lot to do with it, both as a musician and a producer, and as a mentor of Harvey’s, who basically got her start in Parish’s Automatic Dlamini. (Harvey once introduced him onstage as “more a god than a man,” which probably made him blush a little.)
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