// Category Archive for: Canadian Content

Assemblog: June 14, 2013

Xanadu, 1980

New this week on Popshifter: Emily reviews Dark, the latest from the British Electric Foundation; Chelsea appreciates the “exuberant energy” of CSS’s Planta; Melissa thinks Gap Band VII has “moments of brilliance” and enjoys the “invariably perfect” Volume 4 of Music from True Blood; Jeff introduces us to his next Waxing Nostalgic series on cover albums; and I review the new film Peaches Does Herself from the inimitable Peaches and the “remarkably original” John Dies At The End, now on DVD.

(more…)

Movie Review: Peaches Does Herself

By Less Lee Moore

Photo © Angel Ceballos

You don’t need to know her music beforehand to “get” the new concert-cum-performance-art film from Peaches, but even fans will marvel at how accurately the songs in Peaches Does Herself tell the story, as if they were written expressly for the film. Furthermore, although the narrative is fairly simple, the concepts within it are complex, including sex, romance, gender, confusion, anger, and acceptance.

(more…)

Fifteen Minutes With: Jen and Sylvia Soska, The Twisted Twins

Interviewed by Less Lee Moore

The Soska sisters in a scene from American Mary

When Jen and Sylvia Soska’s feature debut, Dead Hooker in a Trunk, was released it caused quite a stir, among horror fans and those less enamored with the genre. Their latest film, American Mary, has a less controversial title, but still treads into controversial territory: rape, revenge, and body modification. It’s an emotionally affecting, nuanced, and powerful film that is way better than the most of the big-budget, CGI-laden, Hollywood productions that fill the multiplexes (read my review from last year’s Toronto After Dark Film Festival)

Cineplex Theaters have scheduled American Mary for a special week-long run across Canada as part of their Sinister Cinema series, which is an amazing achievement for an indie horror film. I recently spoke with the Soska sisters and asked them about modern horror and the role of women in the genre, the method behind their madness, and what their future holds.

(more…)

Movie Review: ChristCORE

By Less Lee Moore

In the May 1989 issue of SPIN, born-again Christian evangelist Bob Larson followed the band Slayer on tour and presented his account in an article called “Desperately Seeking Satan.” By the end, Larson determined that Slayer’s “root of evil” was “rock’n’roll stardom” and that their “act of iniquity” was not with Satan, but with the “Billboard charts and T-shirt sales.” Still, he prayed that “both their eternal and artistic souls” would be saved.

Almost 25 years later, musician and filmmaker Justin Ludwig decided to follow two bands from perhaps an even more mystifying and misunderstood genre of music: Christian hardcore. As Ludwig explains in the beginning of the documentary, hardcore music helped him to break free from the shackles of organized religion and the oppression of conformist thinking.

If ChristCORE were a fictional Hollywood story, it’s easy to imagine that by the end, Ludwig will recant and become a born-again Christian. But, this is real life, or at least the documentary film version.

(more…)

Movie Review: I Declare War

By Brad Henderson

Regardless of your gender, I Declare War will take you back to your childhood fantasies. The film opens with children playing a war game and the rules are quickly established. These two teams are deep in the woods playing Capture The Flag, but things change when some soldiers decide to take their lives in their own hands and defy their Generals.

During the film we are sucked into their world, becoming one of them, a solider. Hiding, crawling, always on the defense, and feeling like part of the squad. Waiting for the attack and watching your friends’ backs in hopes the enemy is not lurking behind you and trying to flank your troops. This is the level of realism I Declare War presents and it holds up until the end credits roll.

(more…)

Canadian Music Week Film Fest Review: The Last Pogo Jumps Again

By Less Lee Moore

Photo © Gail Byrek

For documentaries that chronicle a certain scene, be it music, theater, film, or another art form, the question many might ask is why? Is the documentary supposed to shed light on a misunderstood or little-known series of events? Is the documentary trying to cast the people and events in a flattering or unflattering light? Or, as some might speculate, is the documentary just a forum for those involved to pat themselves on the back and say, “I was there”? For The Last Pogo Jumps Again, the answer to all of these questions is yes, but it’s a qualified assent.

(more…)

Canadian Music Week Film Fest 13: An Overview

By Less Lee Moore

You’ve probably heard of Canadian Music Week, but did you know that films are part of the festivities? Much like South by Southwest and North by Northeast, where there is music, there are films. If you have music, films will come (or something like that).

This year marks the sixth annual CMW Film Fest (as it’s called ’round these parts). It takes place over three days, from March 21 – 23. Conveniently, all movies will be screened at the TIFF Bell Lightbox on King Street West in Toronto.

I’ll be reviewing every film in the festival over the next week or so, but in the meantime, here’s some short previews of what to expect.

(more…)

EXCLUSIVE: Season 2 Of Toronto’s The Black Museum Starts March 21

By Less Lee Moore

Andrea Subissati and Paul Corupe

For hardcore genre fans in the Toronto area, last year’s The Black Museum was a dream come true: an interactive lecture series on horror and cult films that didn’t require waking up early or writing papers.

Luckily, curators Paul Corupe and Andrea Subissati are presenting another season of The Black Museum, and this time, it’s personal! (Not really, but I couldn’t resist that joke.) Season Two will feature five more lectures on genre themes that will be both fun and educational.

(more…)

Concert Review: Ty Segall at The Phoenix

By Less Lee Moore

Photo © Annabel Mehran because I wouldn’t have been able to snap a photo of the band live without a ladder.

Toronto ON
February 6, 2013

I’m a bit of a Ty Segall n00b, having only become a fan with the release of 2011’s Slaughterhouse, so this was my first chance to see him live. Like Segall’s music, the show was a bit of a sprawling, riotous orgy, with three opening acts.

(more…)

Music Review: Hayden, Us Alone

By Emily Carney

Toronto’s Hayden Desser released one of my favorite indie rock albums in 1996, Everything I Long For. It has aged remarkably well, given that it was produced in the mid-1990s (let’s face it; music did have a specific sound then, even though we didn’t realize it at the time). It occupied a prominent place in my CD collection (remember CDs?), next to Sebadoh’s III and Pavement’s Wowee Zowee. I’ve lost track of Hayden over the years, but just caught up with his music by listening to his newest release, Us Alone. It’s like saying hello to an old friend who has gotten older and might be having a slight nervous breakdown, but I mean that in the best possible way.

Tracks like “Instructions” and “Just Give Me a Name” are moody and slow, very much in tune with some of Hayden’s 1996 tracks. The more uptempo tracks, including “Rainy Saturday” and “Blurry Nights” have a Neil Young-esque quality to them—lots of guitar effects, plaintive vocals, and slightly country-ish flourishes. This album is not a radical departure for Hayden by any means; it’s more like a whisper in the dark than a sonic boom.

That being said, it’s recommended listening. It has a “sweet and low” quality, similar to Yo La Tengo. It’s perfect listening for the party after the party, where you’re drunk, emotionally overwhelmed and exhausted.

As some things get older, some things stay the same—while it seems Desser is in a happy relationship, he’s still a bit mournful. Adulthood does that to you.

Us Alone is out today from Arts & Crafts and is available to order from the label’s website. You should also check out Hayden’s website at http://wasteyourdaysaway.com.

Tour Dates:
2/6: Kingston, ON @ The Grad Club
2/7: Guelph, ON @ Cooperators Hall SOLD OUT
2/8: Hamilton, ON @ The Dundas Valley Montessori School SOLD OUT
2/9: Avening, ON @ Avening Community Centre SOLD OUT
2/13: New York City, NY @ Mercury Lounge*
2/20: Toronto, ON @ The Dakota Tavern SOLD OUT
2/21: Toronto, ON @ The Cameron House SOLD OUT
2/22: Toronto, ON @ Rivoli* SOLD OUT
3/7: Wakefield, QC @ Blacksheep Inn*
3/8: Montreal, QC @ La Sala Rossa*
3/13: Austin, TX @ SXSW
3/17: Denver, CO @ Hi Dive*
3/20: Seattle, WA @ Tractor Tavern*
3/21: Portland, OR @ Doug Fir Lounge*
3/23: Vancouver, BC @ The Rio Theatre*
3/24: Nelson, BC @ The Royal on Baker*
3/26: Edmonton, AB @ The Royal Alberta Museum Theatre*
3/27: Calgary, AB @ Festival Hall*
3/28: Saskatoon, SK @ The Bassment*
3/30: Winnipeg, MB @ West End Cultural Centre*
4/3: Chicago, IL @ Schubas*
6/8: Toronto, ON @ Arts & Crafts 10th Anniversary Field Trip

* with special guest Lou Canon