The Kid Is Slayed? The Crash Street Kids’ Supersonic Star Show

By Cait Brennan

Reductivism is the great tragedy of history. As the years pass and firsthand knowledge dies, the rough grain of history fades to white. Nuance is forgotten and arcane knowledge is lost. An infinite palette of color and shading fades, first to primary colors and eventually down to broad, ill-defined strokes—gouges in sandstone. Our life spans are too brief, our memories too quick to fade.

Thus in 2011, that perfect pop moment called Glam Rock is mostly reduced to flickering B-roll of Ziggy Stardust circa 1972, bless him. Or misremembered entirely as that thing Poison was doing in 1989, whatever that was. Some kid who fancies himself a music historian may mention T. Rex. But the amazing spectrum of bands and artists who made up the first glitter-rock era—from Sparks to Suzi Quatro, from Slade to the Sensational Alex Harvey Band, the Sweet, Mott The Hoople—what self-respecting 21st century boy, not even born when Marc Bolan died, could possibly hope to truly know that world?

Ryan McKay does. He’s the front man for Phoenix’s Crash Street Kids, and—along with band mates A. D. Adams, Ricky Serrano, and Ryan “Deuce” Gregory—the last, best hope for glam rock and roll.
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Best Of 2010: Megashaun

Here’s a list of stuff I was really into in 2010.

Music

Electric Six, Zodiac: This album arrived in the mail a few months before its actual release. When it arrived, I was so excited that I actually felt sick. So instead of listening to it right away, I read all the press notes that accompanied it. I listened to it the next day. I have listened to this album over 245 times. This is not a lie. Drive somewhere with me and you’ll hear it twice.
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Mike H, Daiquiri: Best Of 2010

Click to see
larger image.

Fancy Space People EP: I haven’t been this excited about a band in I don’t remember how long . . . this three-song EP is, for me, the best new thing I have heard in years. I love it! Check them out here.

Seeing Don Bolles sing in his early-era-Alice Cooper tribute band THEE EARWIGS was incredible! What a setlist! What a voice!!

The Redd Kross/Fatih No More show December 1 at the Hollywood Palladium featuring Sparks as special guests during the FNM set doing “This Town Ain’t Big Enough For Both Of Us” . . . seeing Patton and Russel Mael sing that together . . . wow.

Getting a photo taken with Sparks after the show! Not as good was me flipping out like a 15-year-old girl in front of them . . . for the third time. Can’t help it. Sorry.

The movie I Think We’re Alone Now (about stalkers)

Daiquiri released Flower Shaped Num Nums on December 6 via their Bandcamp website. You can download the magic for just five dollars! Find out more about Daiquiri on MySpace.

Billy Joel, Glass Houses

By Less Lee Moore

My first “grown up” album was Barry Manilow Live, which I received as a Christmas present when I was five. My sister Summer’s interest in rock and roll started at an earlier age; she was so obsessed with Billy Joel’s Glass Houses album that she received it for a present when she was two.

I read a lot of music magazines when I was a kid, and though I can’t recall the specific ones that criticized Glass Houses, I recall that it was a bit of a deal-breaker for Billy Joel’s fans. One of the most vocal critics was my then-stepfather Larry, who thought Joel spent too much time trying to sound like other musicians on the album and not enough time just being himself.
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Kristian Hoffman, Fop

By Hanna and Matt Keeley

Kristian Hoffman is perhaps best known for working with the brilliant Klaus Nomi; he was Nomi’s musical director and the wordsmith behind Nomi’s original songs. If you’ve sat down with the records, you know how good those songs were and still are, both in performance (there’s a reason Nomi’s one of Rush Limbaugh’s favorites) and in songwriting. Nomi should have conquered the world; instead, he died too early.

Hoffman, on the other hand, didn’t sleep, and has been working with loads of cool people, including James White and the Contortions, Rufus Wainwright, Sparks, Lydia Lunch and. . . look, this’ll just be a laundry list of who’s who in good music, so just rest assured: if they’re talented, he’s probably worked with ’em. He’s also done solo records, of which Fop is the newest. It’s such an event that Popshifter enlisted TWO, count ’em TWO, reviewers to cover it.
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Sparks: No. 1 Songs In Heaven

By Matt Keeley

Sparks are awesome.

This is a given.

And, finally, Sparks have joined the rank of awesome things that have books about them. Two books, actually: Talent Is An Asset has already been reviewed in Popshifter, so now we bring you the other unauthorized Sparks bio, Dave Thompson’s Sparks: No. 1 Songs In Heaven.
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Talent Is An Asset: The Story Of Sparks

By Less Lee Moore

After all the articles I’ve written, after all the mix tapes and CDs I’ve made, after all the years of continual and ridiculous fangirling over Sparks. . . do I really need to convince you that they are one of the most wonderful bands of the last 40 years?

If only there were some sort of written chronology of their illustrious career, perhaps one that covers the band’s history, album by album, with salient or illuminating quotes from those who have known, followed, and worked with the band from its inception to the present day. . . it would just make things so much easier.

Thankfully, writer Daryl Easlea has answered my cries for help and written Talent Is An Asset: The Story Of Sparks.
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Lost & Never Found Again: Badges And Plastic Babies

I had a pair of Sparks badges, Kimono My House-era, that I bought on Ebay when I first got into Sparks. (Yes, I was a latecomer). I loved them dearly and wore them on my green winter jacket. A few winters ago, I went on a trip to Amsterdam with my friend Zoe. When we got off the train from Schilpol to Amsterdam Centraal, there was naturally a huge group of people, and even as we were on the platform, I realized that I had lost my Ron badge, but it was too late. There was not going to be any searching around on the ground with such a massive hubbub. I like to think a Dutch Sparks fan found it and they lived happily ever after.
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The Best Albums Of My Decade: By Less Lee Moore

In an editorial called “An Argument Against Year End Lists” Dusted‘s Ben Tausig calls them both “viscerally disgusting” and “overdone” and accuses those critics who write them of being lazy.

Point taken, Mr. Tausig.
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Do They Know It’s MIDI?

By Less Lee Moore

Since after nearly thirty years I still remain somewhat obsessed with Band Aid’s “Do They Know It’s Christmas?” single (despite how ridiculously offensive it is), naturally I was overjoyed when Megashaun pointed me in the direction of a MIDI version of the song.
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