Music Review: Denney And The Jets, Mexican Coke

By Melissa Bratcher

There’s an undercurrent of sleaziness running through Denney And The Jets’ debut album, Mexican Coke. Frontman Chris Denney’s bio reads like a cautionary young adult novel: stealing pills from his grandma at nine, smoking two packs a day, and pot at thirteen. On Mexican Coke, Denney writes and sings about these experiences (as well as meth, beauty queens, and the seamy underbelly of society) and is backed by a band that has listened to more than a few Stones records.

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Music Review: The Howlin’ Brothers, Trouble

By Melissa Bratcher

Sometimes I get albums that are so firmly in my wheelhouse I suspect they were made with me in mind (because I am very humble). The latest from The Howlin’ Brothers, Trouble, is one of those records. Trouble, described by multi-instrumentalist Brother Jared Green, is a gumbo. From bluegrass to cajun swing to reggae (!), this extraordinary trio plays with style and charm.

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Music Review: Glen David Andrews, Redemption

By Melissa Bratcher

Glen David Andrews’s Redemption is an album about a man who is on a journey. Having gone to rehab and still in the process of recovery and turning his life around and rebuilding his career, Andrews has documented this with the deeply personal and revealing Redemption. And while an album about recovery could be a heavy, less than fascinating listen, Andrews and his producer Leo Sacks turn up the funk, gospel, and goodness to make a very compelling record.

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Music Review: Bobby Rush With Blinddog Smokin’, Decisions

By Melissa Bratcher

On his new release Decisions, bluesman Bobby Rush is not only joined by the band Blinddog Smokin’ but also by longtime friend Dr. John, the latter providing piano and vocals on the lead single “Another Murder In New Orleans.” While tracks like “Another Murder In New Orleans” and the titular song “Decisions” are straightforward, serious songs, the bulk of the record is composed of much lighter, sillier fare. It’s an interesting combination.

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Music Review: Bobby Bare, Jr., Undefeated

By Melissa Bratcher

I was watching a Hee Haw rerun a few weeks ago, and Bobby Bare was on with his kids. He was joined by two little boys for “Marie Laveau” and then sang “Daddy What If” with just one of them, a sprightly little fella with an excellent haircut. This, of course, led me down the Internet rabbit hole of finding out who that cute little boy was, and I arrived at the conclusion that the adorable kid was Bobby Bare, Jr.

While he could have carved out a career in music following in his father’s footsteps, Bobby Bare, Jr. has instead made his own way. His latest, Undefeated, is a grab bag of musical styles and influences, shot through with a thorough dose of clear-eyed realism and the occasional wrenching heartbreak.

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Music Review: The Faint, Doom Abuse

By Melissa Bratcher

Sometimes when a band suffers burnout, they continue to make music anyway and that music usually blows. Omaha’s electro-punk stalwarts The Faint found themselves facing a lack of inspiration and, more importantly, fun after a year of touring for their 2008 album Fasciinatiion and instead of forging ahead and into mediocrity, effectively broke up. And they were sorely missed.

In 2013, they reformed, releasing a four-song 12” they called Preversions. Preversions led to a full-length album, Doom Abuse, and it is amazing. Imagine Kraftwerk fronted by Lemmy Kilmister. Imagine being in a room full of chainsaws hanging on wires and bears are chasing you. Doom Abuse is that exhilarating.

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Music Review: The Dandy Warhols, Thirteen Tales From Urban Bohemia Live At The Wonder

By Melissa Bratcher

Never a band to do things in a conventional way, The Dandy Warhols have released a live version of their seminal album Thirteen Tales From Urban Bohemia recorded in its entirety at The Wonder Ballroom in their hometown of Portland, Oregon. Thirteen Tales is a damn near masterpiece of smart pop sensibilities, great hooks, and the occasional space rock excursion, and represents the Dandys at the height of their powers. It’s hard to believe it was 13 years ago.

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Music Review: Jimbo Mathus & The Tri-State Coalition, Dark Night Of The Soul

By Melissa Bratcher

As the leader of the Squirrel Nut Zippers, Jimbo Mathus trafficked in swing, Delta blues, klezmer, and Dixieland jazz, blending them to make something not easily defined, but easily identified. On his own, Mathus makes music that draws upon his rich musical knowledge and is deeply rooted in the South.

They say you can’t judge a book by its cover, but you can often judge a record by its cover art. Dark Night Of The Soul sports a photo of Mathus in full pagan swamp god regalia, complete with horns and feathers in his hair. The album sounds like that, and that’s really a very good thing.

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Music Review: Holly Golightly & The Brokeoffs, All Her Fault

By Melissa Bratcher

There’s a delightful ramshackle quality to the newest album by Holly Golightly & The Brokeoffs. All Her Fault has a spontaneous, lively sound, and wickedly witty lyrics. It’s the kind of album that is not only instantly engaging, but also gets better with each listen.

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Music Review: The Woodentops, Granular Tales

By Melissa Bratcher

After a 25-year recording hiatus, The Woodentops have reappeared with Granular Tales, a pleasing return to form. The amazing thing? They don’t sound at all like a band that’s not recorded in a quarter of a century. Granular Tales is, for the most part, vital and alive and inventive.

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